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  • Give it Your Best Shot • Re: Fog January 29, 2024
    Beautiful B&W images. Thank you.Statistics: Posted by Fotogeorge — Mon Jan 29, 2024 7:07 pm
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  • Give it Your Best Shot • Re: Fog January 28, 2024
    Wonderful photo.I thought this forum was dead. Glad there is still a bit of a heartbeat. Statistics: Posted by bakubo — Mon Jan 29, 2024 12:01 am
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  • Give it Your Best Shot • Re: Fog January 28, 2024
    Thanks everyone!Here's another one from the Cahokia Mounds state park. Low fog during an autumn sunset.Statistics: Posted by smulnik — Sun Jan 28, 2024 8:18 pm
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  • Give it Your Best Shot • Re: Sunsets & Sunrises January 28, 2024
    Thanks guys!A frozen Horseshoe lake. The lake is only about 6 feet deep and freezes quickly. It's just 10 minutes from my house, so it's one of my quick go-to places if it looks there is going to be a nice sunrise or sunset.SigSunrise SunsetStatistics: Posted by smulnik — Sun Jan 28, 2024 7:51 pm
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  • Give it Your Best Shot • Re: Sunsets & Sunrises December 22, 2023
    Like them all Sig, but I prefer the vertical one. SuryStatistics: Posted by sury — Fri Dec 22, 2023 6:11 am
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Sony FE Macro 50mm f/2.8 – only $500

Sony has just announced yet another 50mm, and this time it’s different – a truly affordable 50mm 1:1 macro, only $500 US. We reckon this will become the most popular standard 50mm lens by far, even more so than the budget 50mm f/1.8. Now you can photograph your food properly at last!

or-sel50m28---3quarter

It certainly looks neat and the specifications are good.

It features one ED (Extra-low Dispersion) glass to reduce lateral CA (colour fringes) as the image scale increases. The optical and mechanical construction of the lens is claimed to have less glare and ghosting. The lens is also dust and moisture resistant.

Examples shot with the new lens can be found at www.alphauniverse.com, Sony’s new corporate pseudo-community site. We have to say the bokeh looks funky, not good, and this lens probably lacks the classical drawing of the more traditionally designed (and more expensive) SAL 50mm f/2.8 Macro A-mount.

or-sel50m28---controls

The 6.25″ (16cm) minimum focusing distance is a clue why. The effect of the 7-blade circular aperture design can be studied in the Sony photo examples. It has a focus-mode switch, focus-range limiter and focus-hold button (the mode switch is valuable as you may not want AF for macro shots most of the time, and the focus limiter is similarly good for controlling frantic hunting and missing – all three switches/controls are important on the mirrorless bodies).

or-sel50m28---macro-convenience

The lens is 7cm long, weighs 235g and during focusing it extends in length by only 26mm, not the 50mm required for a typical Tessar-type lens of this focal length. This, and the minimum focusing distance (should be at least 20cm for a 50mm macro at 1:1) indicate that the design relies heavily on internal/rear focusing groups, much like the 30mm f/2.8 DT SAM macro for A-mount. We would reckon the true focal length of the lens at 1:1, which can not be more than 40mm with a 16cm close focus, may be around 35mm as 1:1 is achieved with 76mm of overall focus extension.

The distance from the subject to this lens front rim at 1:1 is only 3.5cm which many will find a little too close for insects and even for plants, as the shadow of the lens and photographer may interfere. Even the SAL 50mm is not perfect, reaching 1:1 at 20cm from the focal plane with a 48mm dual barrel extension and 53mm front element focus travel (the extra 3mm is down to floating element correction which slightly changes the focal length). This places the lens rim 7cm from the subject, twice the working distance relative to this new SEL FE design.

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