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  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    ???Statistics: Posted by CHOLLY — Thu Dec 08, 2016 4:55 pm
    CHOLLY
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    I just wondered if one of the Sony Systems E mount APS-C such as the NEX/A6XXXX, E mount FF or either A mount APS-C or A mount FF, is going to survive, some photo writer on another forum felt Sony are running too many alternatives and felt one of them won't survive in a diminishing […]
    classiccameras
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    The only difference is as far as I can tell is the actual camera body.Excluding of course the actual sensor unit. I am rather confused as to what point classiccamera is attempting to make.Statistics: Posted by peterottaway — Thu Dec 08, 2016 11:24 am
    peterottaway
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 7, 2016
    There are full frame E mount cameras just like there are full frame A mount cameras. The lens mounts don't change due to sensor size... but the lenses do.And with Sony cameras and lenses, you can use full frame and APS-C designated lenses on both full frame and APS-C sensor cameras. Interchangeably.I'd LOVE to see […]
    CHOLLY
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 6, 2016
    Which E mount APS-C or FF, or both, even though certain aspects of both are not compatibleStatistics: Posted by classiccameras — Tue Dec 06, 2016 4:36 pm
    classiccameras

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DK’s Alamy collection

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Past Article Calendar

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Sony launches A99II at photokina

Sony has today released the details of the updated A99II, using a 42MP sensor and 5-axis stabilisation to match the A7RII. It does not appear to have retained GPS and the paragraph highlighted in red later on indicates a weasel-worded possible get out for this – it may not embed GPS in the image . . . → Read More: Sony launches A99II at photokina

Is retouching acceptable?

There’s been a controversy surrounding Steve McCurry, a photographer I have listened to on the edge of a conversation a couple of times courtesy of Kodak who were always great sponsors and put his ‘Afghan Girl’ on display at photokina 2012 where McCurry’s work was celebrated.

Here’s the story – he’s been changing, or allowing . . . → Read More: Is retouching acceptable?

Sony 28-75mm f/2.8 SAM on mirrorless FF

With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF

Bad science and dissing the Sony A7 FE concept

No doubt everyone’s seen the article on Petapixel which can best be described as successful clickbait – by Sator, essentially claiming that the whole idea of mirrorless full frame is flawed. Well, the good news is that this article is more flawed than the flaws it’s claiming to point out.

First of, let’s simply dismiss . . . → Read More: Bad science and dissing the Sony A7 FE concept

The best 50mm for A7RII

After testing the Sony Carl Zeiss 55mm f/1.8 FE in 2014, I was less than impressed. I may have had a decentred example (it happened to dPreview and at least one photographer I trust to know his lens performance expectations). It was, certainly, pin-sharp on a test chart or a brick wall but the moment . . . → Read More: The best 50mm for A7RII

Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III

I got to try out the first new Voigtländer Sony FE mount lenses with electronic aperture setting and manual focus control with a quick overnight test during the UK Photography Show at the Birmingham National Exhibition Centre, on March 19th 2016. The pre-production 10mm f/5.6 Hyper-Wide-Heliar and 15mm f/4.5 Super-Wide-Heliar are two of a . . . → Read More: Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III

My new Sony 85mm…

With extremely expensive Sony-fit 85mm lenses in abundance and beyond my (economically sensible) reach, I’ve done good commercial work last year on the Canon 85mm f/1.8 USM and later the Sony 85mm f/2.8 SAM on A7RII. Some of my work relies on showing close-up details with strong differential focus, and hardly any lenses are free . . . → Read More: My new Sony 85mm…

Capturing Autumn colour better

Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression.

Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG . . . → Read More: Capturing Autumn colour better

B&H has Hasselblad HV offer again

Hasselblad HV from B&H

I feel slightly sick… I’ve spent so much on buying and replacing successive Sony A7 series cameras and their lenses that I can’t just buy this outright, which I would love to do. I sold my A99 to get the A7R (subsequently replaced by A7II, and now by A7R II) . . . → Read More: B&H has Hasselblad HV offer again

Canon’s 250 megapixel sensor – the reality

Here’s this morning’s news:

United Kingdom, Republic of Ireland, 7 September 2015 – Canon Europe, a leader in imaging solutions, today announces that its parent company, Canon Inc., is developing an APS-H-size (approx. 29.2 x 20.2 mm) CMOS sensor incorporating approximately 250 million pixels (19,580 x 12,600 pixels), the world’s highest number of . . . → Read More: Canon’s 250 megapixel sensor – the reality