If you want to get a 70-300mm which works on the Sony A7RII, the A7 series body with the best on-sensor phase detection/contrast detection mix, your first choice should be the new Sony FE 70-300mm f/4-5.6 G OSS. But that demands a wallet opened with £1,150 (UK SRP) in it. In return you get . . . → Read More: Tamron’s super value 70-300mm USD on the A7RII
This is expanded from the feature which appears in the July/August issue of f2 Cameracraft magazine. We’ve been using the Elinchrom EL-Skyport Plus HS for Sony Multi-Function Accessory shoe since its arrival on May 28th as the first test unit released by Elinchrom. If you wonder why I don’t immediately do a clickbait blog . . . → Read More: Elinchrom EL-Skyport Plus HS for Sony MFA
We are able to offer, now, the complete 28-issue digital archive in page-turn format for the final eleven years of Minolta Image and Photoworld (as it became) from 2002 to 2011. For only £10, a one-off payment, you unlock the complete collection of digital versions of the printed quarterly magazine.
This collection forms a . . . → Read More: Photoworld and Image – complete digital 28 issue archive!
I got to try out the first new Voigtländer Sony FE mount lenses with electronic aperture setting and manual focus control with a quick overnight test during the UK Photography Show at the Birmingham National Exhibition Centre, on March 19th 2016. The pre-production 10mm f/5.6 Hyper-Wide-Heliar and 15mm f/4.5 Super-Wide-Heliar are two of a . . . → Read More: Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III
Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression.
Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG . . . → Read More: Capturing Autumn colour better
Hasselblad HV from B&H
I feel slightly sick… I’ve spent so much on buying and replacing successive Sony A7 series cameras and their lenses that I can’t just buy this outright, which I would love to do. I sold my A99 to get the A7R (subsequently replaced by A7II, and now by A7R II) . . . → Read More: B&H has Hasselblad HV offer again
It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now . . . → Read More: Low-cost macro for the A7 series
We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2.
It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK.
Note that this will be a bit of monster with its 82mm filter . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2
Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject
Sometimes you find a chunk of glass which just works. One of the problems with lenses is that you can never have too many. They overlap, they duplicate each other, and yet they can be so different that you need every single one. The new Samyang 12mm f/2 for mirrorless APS-C systems is one . . . → Read More: Samyang 12mm f/2 NCS CS lens