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To replace the former Photoworld (Minolta/Sony only) magazine, Icon Publications Ltd is publishing a new quarterly, Cameracraft. Two editions havd been published and subscribers are able to receive Issue 1 and 2 at present. A subscription form can be downloaded in PDF form or you can visit our web page for the Cameracraft launch.
Sigma Imaging, already one of our favourite lens makers, has announced upgrades and new functions for their entire system which will transform the way it works with all the major camera systems. The new DC 17-70mm f/2.8-4 – DC (APS-C format) lenses have never been given the EX designation, even when they clearly matched the EX [...] . . . → Read More: Sigma’s system revolution
Made by Sony according to girl on photokina stand after asking bloke. But closer examination matte box/rig says Genius as the maker so pretty sure it’s third party. Similar shown on other cameras. 55-300mm SAM DT. We were allowed to take test shots briefly with the Alpha 99 and 28-75mm SAM lens. The camera is just a [...] . . . → Read More: Photokina new matte box, 55-300mm
Most Japanese camera companies have divisions, groups, and teams right down to the very last individual product. Even a single lens design may have its own small team, from R&D and design down to final assembly. What we are seeing happen in Sony right now is the result of complex competition and collaboration between several [...] . . . → Read More: A divided path for Sony
Sony introduces full-frame α99 A-mount flagship 35mm full-frame camera debuts Dual AF System and pro-style video features Flagship camera with Translucent Mirror Technology and newly developed 24.3 effective megapixel full-frame Exmor CMOS sensor World’s first full-frame camera1 with Dual AF System with 19 sensors (including 11 cross sensors) + 102 AF point system (focal plane) and a new [...] . . . → Read More: Sony Alpha 99 full press release
Sony introduces first 35mm full-frame Handycam® NEX-VG900E interchangeable lens Full HD camcorder 24.3 effective megapixel Exmor full-frame CMOS sensor Compatible with full-frame A-mount lenses via supplied adaptor (also compatible with growing range of E-mount lenses) Full HD 50p/25p/24p progressive movie recording Extensive manual controls and ‘seesaw’ zoom lever Quad Capsule Spatial Array Microphone for high-quality stereo and 5.1ch sound High contrast XGA [...] . . . → Read More: NEX-VG900E full frame HD video – full info
For almost a decade the Sigma 12-24mm full frame ultra wide angle zoom has been unrivalled by any other makers – not Nikon, not Canon, not Tamron, not Tokina, not Sony. No maker has ventured where Sigma went, to the extremes of over 120° coverage combined with well corrected straight line geometry. Today, the original 12-24mm [...] . . . → Read More: Sigma ultrawide zooms – old and new 12-24s versus 8-16mm
SONY is sometimes accused of not listening to the Alpha or NEX owner when it comes to what features they include in new cameras, and what modifications they offer through firmware to existing owners. There are two points of view on firmware; some criticise updates, saying the product should have been released with the right [...] . . . → Read More: What the buyer wants – NEX-F3, Alpha 37 and more
The UK’s top camera and lens hire company, hireacamera.com, has invested in a whole new stock of Sony Alpha and NEX gear right up to the 500mm G – their A77s come with 16-50mm SSMs… here, Guy Thatcher explains their enthusiasm for Sony, filmed at the PhotoVision Roadshow in Edinburgh on Tuesday March 27th. It’s a [...] . . . → Read More: hireacamera.com invest in Alpha and NEX gear!
The Canon 5D MkIII arrived, but I will not be reporting on that here – it is with me for a British Journal review, and that will take a little time and will also be exclusive to the BJP in print and on iPad App. So no sneak preview anywhere else! However, with the camera came [...] . . . → Read More: Minolta 70-210mm f4 versus Canon 70-200mm f4 L IS
I’m about to offend myself. I own this lens, and I know how upset owners of brand new lenses get when someone says it’s not perfect. Well, the 16-50mm SSM is far from perfect and if you know how to check out lenses, you’ll agree should you be lucky enough to own one. It’s a [...] . . . → Read More: Sony DT 16-50mm f/2.8 SSM