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Past Article Calendar

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Sony launch UK PRO support

Sony today announced the expansion of its Imaging PRO Support programme to include the UK. The programme is scheduled to start in the UK in September 2016 and continues to gain momentum as an increasing amount of professional photographers are switching to Sony cameras. Imaging PRO Support offers advice and help to members including a dedicated […] . . . → Read More: Sony launch UK PRO support

Sony 28-75mm f/2.8 SAM on mirrorless FF

SONY DSC

With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 FE […] . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF

Bad science and dissing the Sony A7 FE concept

No doubt everyone’s seen the article on Petapixel which can best be described as successful clickbait – by Sator, essentially claiming that the whole idea of mirrorless full frame is flawed. Well, the good news is that this article is more flawed than the flaws it’s claiming to point out. First of, let’s simply dismiss the […] . . . → Read More: Bad science and dissing the Sony A7 FE concept

The best 50mm for A7RII

After testing the Sony Carl Zeiss 55mm f/1.8 FE in 2014, I was less than impressed. I may have had a decentred example (it happened to dPreview and at least one photographer I trust to know his lens performance expectations). It was, certainly, pin-sharp on a test chart or a brick wall but the moment […] . . . → Read More: The best 50mm for A7RII

No FE or A mount for new Sigma 24-35mm f/2

We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2. It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK. Note that this will be a bit of monster with its 82mm filter thread, 117mm long […] . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2

Sony’s BIG system future at photokina

I’m using my RX10 to report. This camera is my big Sony dilemma. It’s actually all I really need for 95% of my daily work. Well, here we are reporting from photokina 2014, the major trade fair in Cologne. I’m only here for the day and a brief stop in tomorrow morning en route to the […] . . . → Read More: Sony’s BIG system future at photokina

B&H double Zeiss Touit lens deal for NEX

touit2lenses

I guess that Zeiss must be working right now on full frame Touit lenses, because this is unprecedented value for those able to buy in dollars without steep shipping charges, duties or taxes – however, the links they emailed out today led to a wrong page on their USED section, and after a lot of […] . . . → Read More: B&H double Zeiss Touit lens deal for NEX

Free software and a cut-price lens

perspective-extreme

You have until November 3rd to grab a free download of a truly excellent utility for Mac OSX, created by DxO Optics Pro software team – DxO Perspective. It normally costs $19.95 (or local equivalent) as an Apple App store download, but they have made it free for a few days. It’s a fully working, […] . . . → Read More: Free software and a cut-price lens

Sigma launch mount switching service

17-70mm-f2.8-4

SIGMA is going to start a new “Mount Conversion Service” which will enable Sigma to convert the mount of customers’ Sigma Art, Sports and Contemporary lenses from one camera fitting to another. The ranges convertible include the new Sports models such as the 120-300mm f/2.8 “We believe that a lens is not only such a key device […] . . . → Read More: Sigma launch mount switching service

20/20 vision – Sony Alpha 58 review

In the last year two cameras have been through my hands and impressed more than any others with the quality of their sensors. Those cameras were as different as they could be – the full frame Canon EOS 6D, and the pocketable Sony Cyber-shot DSC RX100. They have one thing in common, 20 megapixel sensors. Of […] . . . → Read More: 20/20 vision – Sony Alpha 58 review