Photoclub Alpha

TOKINA lenses – the brand name for optical giant Hoya’s interchangeable range – have always been renowned for their tank-like build quality and resistance to plastic trends. They compare so well with Nikon’s own lenses it is hard to tell the difference by feel, and the current design also matches Nikon more than it does Canon.

The latest news is that Tokina is to introduce the 11-16mm ƒ2.8 in Sony Alpha mount. Tokina stopped making Minolta mount lenses shortly before their parent company Hoya acquired Pentax. The Tokina factory has been producing

The press release from Sony this morning (Tuesday, January 5th) confirms the proliferation of entry-level bodies in the Sony Alpha DSLR range, and the continued emphasis on smaller cameras to suit upgraders from consumer digital cameras. While this leaves Sony in danger of being seeing as a Jack of one trade and master of none, and will not satisfy those waiting for an Alpha 700 replacement, it will no doubt increase market share and allow Sony time to create something worth investing in for later release.

December 2, 2009 – DxO Labs is pleased to announce the immediate availability of DxO Optics Pro v5.3.6 for Mac bringing full compatibility with Apple’s latest operating system Mac OS 10.6 Snow Leopard, and adding RAW support for 15 new cameras:

Canon EOS 7D and PowerShot G11;
Nikon D300s and D3000;
Olympus E3 (Elite edition only), E-30, E-410, E-420, E-450, E-510, E-520 and E-620;
Sony A230, A330 and A380.
This new version for Mac also offers support for 255 new DxO Optics Modules, covering 46 cameras.

Availability and holiday season price

DxO Optics Pro v5.3.6 for Mac, both Standard and Elite editions, are immediately available from both DxO Labs’ e-store and selected resellers at an exceptional 30% discount until December 31, 2009:
Standard edition: £ 69 instead of £ 99 (or a savings of £ 30)
Elite edition: £ 139 instead of £ 199 (or a savings of £ 60)
DxO Optics Pro 6 for Mac is scheduled for release during the first quarter of 2010 and will be available as a free upgrade to customers who purchased version 5 after June 1, 2009.

www.dxo.com

Tokyo, Japan, November 10, 2009 — Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the GXR interchangeable unit camera system featuring the world’s smallest and lightest* digital camera with the ability to change lenses.

The new GXR is an interchangeable unit camera system in which lenses are changed by using a slide-in mount system to attach camera units to the body. The lens, image sensor, and image processing engine are integrated into the camera units so the body itself does not contain an image sensor.

With world-leading small size and low weight* enabling easy carrying, the GXR interchangeable unit camera system features a highly rigid magnesium alloy body and multiple camera units that can be changed to best fit the scene to be photographed. You can enjoy easy lens changes as well as amazing image quality and shooting flexibility. Concealing infinite possibilities in its small body, the GXR is a revolutionary camera system that pioneers a new realm of photography.

Distinctive characteristics:
1.    Lens, image sensor, and image processing engine comprise an integrated unit which can be changed to match the scene being photographed.
2.    World’s smallest and lightest* digital camera with interchangeable lenses
3.    System potential expanded through use of interchangeable units

Comment from David Kilpatrick:

Though the Ricoh system as revealed through this press release appears to show only a GR-size body with a zoom lens module suitable for a 2/3rds or slightly smaller imaging sensor, Ricoh has said that sensors right up to the size of APS-C will be built in to further lens modules. The ultra-wide angle version would have an APS-C sensor making similar to the Sigma DP-1. For similar reasons, high ISO and fast lens may be combined with a different size of sensor.

This is not the first time a digital camera has been designed with lens-sensor modules that could be changed. The Minolta Dimage EX 1500 accepted either a standard zoom module, or a wide-angle module. These included viewfinders (missing from the Ricoh concept, which relies entirely on the rear screen or electronic viewfinders) and had the unique ability to be removed from the camera on a 1.5m long Cable EX. This allowed users to position the wide-angle module inside scale models, doll’s houses and similar subjects to obtain realistic human-scale perspectives. It was only a 1.5 megapixel camera, and Minolta abandoned the concept before they had a chance to develop it further, whatever dPreview said ten years ago:

http://www.dpreview.com/reviews/minolta1500/

The technology behind the Ricoh is not all that different from the way consumer digital cameras are constructed anyway. Lenses are already sold sealed to CCD/CMOS sensors, as a single unit. That is how the OEM sources of the lens-sensor modules market them. At photokina, you can see (every two years) a new crop of such modules with both the technical resolution specs of the optical unit and the megapixel count of the sensor, identifiable to this non-Chinese/Japanese reader in the middle of a description which is usually inb Chinese. In 2006, I tracked such a module from its maker to the first camera I could find which used it – a compact branded as Vivitar. The customisation consisted of building any body the maker chose to design, and putting a ring on the lens front labelling it is a high resolution Vivitar lens; actually, it was just a generic lens-sensor assembly from China.

Ricoh has also pioneered unusual digital designs in the past, including rotatable or detachable lens modules and one of the first viewfinder-less designs, where the viewing screen was intended to be used at waist-level rather than today’s habit of waving the camera in front of your face.

This differs from anything previously done in the power of the CPU unit in each lens module, and the control unit with display and card module in the host body. It should allow any reasonable pixel count and sensor size to be built in to future optical modules. If the accessories do eventually include dedicated APS-C lens-sensor sealed modules, ‘dust on sensor’ will be one clear benefit (or the lack of it will). A supertelephoto module is also planned which will use a sensor smaller than APS-C.

The Autumn 2009 (No 4 2009) issue of Photoworld mails out to subscribers on Monday November 2nd.

You can also read the edition on-line at YUDU – we have now changed the price for each individual edition to £2.50 (from £3.00) so that if you buy single edition access, a year costs exactly the same as a normal yearly digital subscription of £10. All YUDU subscriptions and sales support the Photoclubalpha website and forum. The price including the printed edition is £25 per year (worldwide).

Click to launch the full edition in a new window.

Each issue now has six sample pages viewable without purchase.

London. — October 22, 2009 — Adobe Systems Incorporated (Nasdaq:ADBE) today introduced Adobe® Photoshop® Lightroom® 3 beta software for Macintosh and Windows®, a public preview of new and improved functionality to be delivered in the next major release. Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance, and showcase all their images from one application. Available as a free download on Adobe Labs, Lightroom 3 beta delivers a preview of new tools that will be in Lightroom 3, including more intuitive importing, unparalleled noise reduction and sharpening tools and enhanced slideshow capabilities.. Adobe encourages photographers to test this early selection of new features and provide the product team with their feedback.

The Sony Alpha division is sponsoring the British Journal of Photography’s Vision09 show which takes place in London on November 27th.

Vision09: The Essential Event for Pro Photographers
Come and learn from the world’s leading experts
Vision in association with Sony Alpha

Picture © Eugene Richards/Reportage by Getty Images

British Journal of Photography is delighted to announce its second key speaker for its November show, Vision – Europe’s only event dedicated to aspiring and early career professional photographers.
Eugene Richards will be flying in from New York to speak at Vision on 27 November, where he will be joined on the day by Martin Parr – giving visitors the chance to see two of the biggest legends of photography under the same roof on the same day.

Known for his uncompromising documentary work, award-winning books and critically-acclaimed short films, Richards will present an exclusive insight into his latest project, War is Personal, together with his first major colour series, The Blue Room. Among his numerous honours, the American has won the W Eugene Smith Memorial Award, a Guggenheim Fellowship, three National Endowment for the Arts grants, the Leica Medal of Excellence, the Leica Oskar Barnack Award, the Olivier Rebbot Award from the Overseas Press Club, three Canon Photo Essayist Awards, and the Robert F Kennedy Lifetime Achievement Journalism Award.

Vision’s unique one-day event features a packed programme of talks, demos, seminars and portfolio reviews.  Located at the Business Design Centre in the heart of London, Vision provides inspiration, information and essential ideas to help aspiring professionals and early career photographers get their careers moving.  Many of the industry’s leading manufacturers will also be there to showcase their latest products and services.
With an emphasis on creative cutting edge, and focusing on effective tools and solutions to further photographers’ businesses, Vision is this year’s don’t miss photography event.

Sony Corporation today announced the development of a highly efficient wireless power transfer system that eliminates the use of power cables from electronic products such as television sets. Using this system, up to 60 Watts of electrical energy can be transferred over a distance of 50cm (at an efficiency of approximately 80%, approximately 60% including rectifier).

Sony Corporation today announced the development of a single lens 3D camera technology capable of recording natural and smooth 3D images of even fast-moving subject matter such as sports, at 240fps (frames per second).  This technology combines a newly developed optical system for single lens 3D camera which captures the left and right images simultaneously, together with existing high frame rate (HFR) recording technology to realize 240fps 3D filming.  Sony will demonstrate a prototype model incorporating this technology at “CEATEC JAPAN 2009”, to be held at Makuhari Messe convention center in Chiba city, Japan, from October 6th.

Peter Crouch cuts a striking figure on the football pitch at the best of times and when recently asked to train the UK Sony ‘Twilight Football’ team ahead of their big game on the 22nd September, the outcome was some simply stunning imagery. (Editor’s note – continue reading to see the ’stunning imagery’… but have somewhere handy to put the hair you tear out)

Sony has announced the Alpha 850 today, without a press conference, but via email to editors. The press release follows, confirming pretty much everything we have already been able to reveal about the 850. One exception – it does have dual BIONZ processor, not single, just a slower image throughput perhaps due to clock speed, buffer, processing firmware changes. We must hope that the slower capture rate is accompanied by superior image quality, as that is a real possibility. I have marked in bold any phrases which I think might indicate something new. Apparently the body-only deal is to appear one month before the kit.

Sony has announced the Alpha 500 and 550 today with an official release to all press. No press conference was held for the UK press and any advance information received has been given indivudally to journalists. There is a press event tonight in London but this is VERY specifically stated to be for trying out the new Cyber-Shot models at twilight. The official release follows.

ACCORDING to specifications revealed on a German site, the new Sony Alpha 500 will have a 12.3 megapixel CMOS sensor capable of providing Live View to the rear 3 inch medium resolution screen – with Manual Focusing at 14X magnification. The in-prism based Quick AF Live View is retained, giving a choice between two entirely different systems of Live View, Sony’s innovative and easy solution scanning the focus screen, and a critically accurate alternative for tripod work. The camera may sell for just €50 more than the Alpha 380 – or break the £500 body only barrier in the UK right from the start.

Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.

Sony’s new Alpha 850 will be identical to the Alpha 900 in size, handling and external design – including the omission of onboard flash. The camera, expected to be launched before September, uses the same 24.6 megapixel CMOS sensor as the Alpha 900 but has – it is rumoured – only a single BIONZ processor, and a very slightly modified viewfinder. It is shipped without the Remote Commander (this becomes an optional extra) indicating that minimum retail price is Sony’s aim.

This is a screen grab from Fotobrenner.de in Germany who have the body only offered for €1999.00 and the kit with SAM 28-75mm f/2.8 new lens for €2699.00. As listed that makes the body about 10% more expensive than the current street price of the Alpha 900 – indicating either that the A850 prices are RRP and will rapidly fall, or that the A900 is about to get a price hike. They offer the A900 for €2499.00 and that would – pro rata – make the UK street price for the A850 about £1599. Please note: though the 28-75mm picture is authentic, the body shown has the AF switch set to C – just like the Sony shots of the A900 issued to dealers. Maybe they would do this for all packshots for some reason, maybe it was chance – more likely. It would be unlikely to happen again for the 850 shot so I reckon this is shopped.