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  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    ???Statistics: Posted by CHOLLY — Thu Dec 08, 2016 4:55 pm
    CHOLLY
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    I just wondered if one of the Sony Systems E mount APS-C such as the NEX/A6XXXX, E mount FF or either A mount APS-C or A mount FF, is going to survive, some photo writer on another forum felt Sony are running too many alternatives and felt one of them won't survive in a diminishing […]
    classiccameras
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 8, 2016
    The only difference is as far as I can tell is the actual camera body.Excluding of course the actual sensor unit. I am rather confused as to what point classiccamera is attempting to make.Statistics: Posted by peterottaway — Thu Dec 08, 2016 11:24 am
    peterottaway
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 7, 2016
    There are full frame E mount cameras just like there are full frame A mount cameras. The lens mounts don't change due to sensor size... but the lenses do.And with Sony cameras and lenses, you can use full frame and APS-C designated lenses on both full frame and APS-C sensor cameras. Interchangeably.I'd LOVE to see […]
    CHOLLY
  • Sony Alpha 100-900 • Re: Sony a77II discontinued December 6, 2016
    Which E mount APS-C or FF, or both, even though certain aspects of both are not compatibleStatistics: Posted by classiccameras — Tue Dec 06, 2016 4:36 pm
    classiccameras

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DK’s Alamy collection

Stock photography by David Kilpatrick at Alamy

Past Article Calendar

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Is retouching acceptable?

There’s been a controversy surrounding Steve McCurry, a photographer I have listened to on the edge of a conversation a couple of times courtesy of Kodak who were always great sponsors and put his ‘Afghan Girl’ on display at photokina 2012 where McCurry’s work was celebrated.

Here’s the story – he’s been changing, or allowing . . . → Read More: Is retouching acceptable?

A7RII shoots in Iceland’s glacier caves

Sony camera sensor technology enables a closer look at some of Mother Nature’s rarest sights that could not previously have been photographed in this way

Story: Sony Corporation UK PR release with high resolution images and full metadata – click to view. All images are copyright and may not be copied or reproduced.

. . . → Read More: A7RII shoots in Iceland’s glacier caves

Capturing Autumn colour better

Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression.

Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG . . . → Read More: Capturing Autumn colour better

Low-cost macro for the A7 series

It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now . . . → Read More: Low-cost macro for the A7 series

Sharp vintage glass – and subject

Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject

Frank’s a definite Alpha Male

We shall be sending Frank Doorhof one of our original and rare Alpha Male T-shirts, in black, though I’m not sure we have anything quite large enough to fit him – which goes for his personality too. He’s a great workshop presenter, overcoming technical problems by just cracking on with whatever will work best. At . . . → Read More: Frank’s a definite Alpha Male

Go wider than wide with Photomerge

In the latest incarnation of Photoshop, CS6, the Photomerge function is faster than ever before and leverages all the context-aware, pixel matching math of the previous versions enhanced to a degree you’ll find hard to believe.

Sony NEX and Alpha cameras have the same technology built-in for their sweep panorama mode, but anyone who’s used . . . → Read More: Go wider than wide with Photomerge

Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

It’s now easy enough to find camera profiles – image looks created by independent photographers, as Adobe and Sony do not provide any – which make a big difference to raw processing using Adobe Camera Raw or Lightroom. There are also many fine adjustments you can make within these programs, able to customise the image . . . → Read More: Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

Free download PDF guide to Adobe Camera Raw

You can open or download an excellent (slightly dated, unrevised since ACR 6.1 but finally translated into English from the original Italian by Francesco Marzoli) guide to all the deeper functions and tricks of efficient workflow using Adobe Bridge, Camera Raw, Lightroom and Photoshop from X-Rite:

http://www.xritephoto.com/Documents/Literature/EN/GuidaCameraRaw_en.pdf

This PDF instruction book obviously mentions the . . . → Read More: Free download PDF guide to Adobe Camera Raw

Sony ‘HowTo’ videos – a different level

Paul Genge of Sony UK noted my criticism of the Sony corporate videos. Well, what Sony were not publicizing so well was that Paul has been making some rather homespun but far more valuable and interesting videos – in fact, going beyond the usual remit of Sony staff to do stuff almost off the cuff.

. . . → Read More: Sony ‘HowTo’ videos – a different level