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Driving home this evening the sun had set invisibly in the murk and mist, but it was still highlighting an interesting set of vapour trails left in the sky - it sure looks busy up there. I had the camera in the car and so I tried a few shots, and this one seemed to work best.
Tam 17-50/2.8: ISO100, F11, 1/8 @50mm with ND grad PP'd in IDC3 and then Elements.
(Despite my comment in Mike's Cafe thread, we did have a blue sky today here in Worcester so I take back my comments - come on late summer )
_________________ A100, A700, Nex 5, A99 and an ever growing bunch of lenses.
Joined: Fri Sep 05, 2008 7:16 am Posts: 498 Location: Hammarö, Sweden
I like the second one, although I find the noise a bit disturbing
_________________ Sony A700, KM D7D & VC-7D, M Dynax 500si KM 17-35 F2.8-4 D, M 50 F1.7 RS, M 135 F2.8, M 28-100 F3.5-5.6 D, M 100-200 F4.5, T 70-300 F4-5.6 Di USD, S 18-55 F3.5-5.6 SAM, S 18-70 F3.5-5.6 Dörr D-AF42 Sammy Gio & broken SE Satio
Thanks for your comments chaps. The first shot (ISO100) does look cleaner. Perhaps I'll have to start leaving the tripod in the car (until I get th a700 v4 with amazing ISO1600 .) I did try the noise reduction in IDC3 but after doing it I could suddently see what all of the "watercolour" chat was about. If I get a spare 5 mins I'll try and get #1 to look like #2, but with less noise.
_________________ A100, A700, Nex 5, A99 and an ever growing bunch of lenses.
Joined: Fri Sep 05, 2008 7:16 am Posts: 498 Location: Hammarö, Sweden
Very nice Birma
_________________ Sony A700, KM D7D & VC-7D, M Dynax 500si KM 17-35 F2.8-4 D, M 50 F1.7 RS, M 135 F2.8, M 28-100 F3.5-5.6 D, M 100-200 F4.5, T 70-300 F4-5.6 Di USD, S 18-55 F3.5-5.6 SAM, S 18-70 F3.5-5.6 Dörr D-AF42 Sammy Gio & broken SE Satio
Thanks chaps. It was very cloudy this evening meaning no more sunset pics so I'll stick with no. 3. I guess "less" is often "more" when it comes to PP.
_________________ A100, A700, Nex 5, A99 and an ever growing bunch of lenses.
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