Search

Results for

Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.


Click to continue reading “Alpha Silver Jubilee – 25 years 1985-2010″

Sony Alpha 450 announced

The press release from Sony this morning (Tuesday, January 5th) confirms the proliferation of entry-level bodies in the Sony Alpha DSLR range, and the continued emphasis on smaller cameras to suit upgraders from consumer digital cameras. While this leaves Sony in danger of being seeing as a Jack of one trade and master of none, and will not satisfy those waiting for an Alpha 700 replacement, it will no doubt increase market share and allow Sony time to create something worth investing in for later release.

Click to continue reading “Sony Alpha 450 announced”

DxO for Mac and Alpha 230-380 – plus discount deal

December 2, 2009 – DxO Labs is pleased to announce the immediate availability of DxO Optics Pro v5.3.6 for Mac bringing full compatibility with Apple’s latest operating system Mac OS 10.6 Snow Leopard, and adding RAW support for 15 new cameras:

Canon EOS 7D and PowerShot G11;
Nikon D300s and D3000;
Olympus E3 (Elite edition only), E-30, E-410, E-420, E-450, E-510, E-520 and E-620;
Sony A230, A330 and A380.
This new version for Mac also offers support for 255 new DxO Optics Modules, covering 46 cameras.

Availability and holiday season price

DxO Optics Pro v5.3.6 for Mac, both Standard and Elite editions, are immediately available from both DxO Labs’ e-store and selected resellers at an exceptional 30% discount until December 31, 2009:
Standard edition: £ 69 instead of £ 99 (or a savings of £ 30)
Elite edition: £ 139 instead of £ 199 (or a savings of £ 60)
DxO Optics Pro 6 for Mac is scheduled for release during the first quarter of 2010 and will be available as a free upgrade to customers who purchased version 5 after June 1, 2009.

www.dxo.com

Sony Alpha 230, 330 and 380 update

a3809

The new Alpha 230, 330 and 380 models are radical ergonomic redesigns of the existing 200, 300 and 350 series. There is a 15% reduction in size (volumetric) and weight, an update to the styling, and a completely revised user interface with graphic representation of setting adjustments – with a built-in ‘handbook’ to accompany the modes and options. They also have mini-HDMI image output, compatible with Bravia TVs and with interactive software inside the camera to allow the Bravia’s own remote control to change, orient and zoom into images (Bravia Sync). Twin card storage is MS ProHG Duo/SD and only one card is usable at a time, with a hardware switch to change slots. A smaller battery type (shared with the HX1 Cyber Shot) is used. A new self-timer drive mode grabs a quick burst of 3 or 5 frames, cutting the chances of spoiled portraits and groups shots when someone blinks at the wrong moment.

The new flashgun HVL-F20AM operates as a wireless flash controller for the full-frame α900. “While Sony’s flagship DSLR does not have its own integrated flash, the HVL-F20AM can be used as an inexpensive trigger for wireless remote flash heads” according to Sony UK.

Click to continue reading “Sony Alpha 230, 330 and 380 update”

Japan issues forecast for next 3 years’ sales

The Japanese camera and photo product manufacturing association CIPA has issued a press release PDF, containing a table of predicted figures, relating to 2009-2011 projections. Here we reproduce the text and the table (as a JPEG).

Click to continue reading “Japan issues forecast for next 3 years’ sales”

Do you really need an Alpha 900?

If you are on the verge of making a decision, I’m here to help your think clearly – even if it means breaking some cherished behaviour patterns. I am going to help you think of the Alpha 900 not as a logical progression from the 700, but as a different camera system entirely.

Click to continue reading “Do you really need an Alpha 900?”

Sony at IFA – press conference video

You can download a Sony press conference video from IFA Berlin show via this link:

http://www.gginternet1.co.uk/sony01/

It is mainly about HDTV Motionflow, LED technology, Reader, OLED (Organic LED) screens, Handycam, the electronic Picture Frame, something called Sountina which appears to radiate sound from a column speaker – etc. It features Fujio Nishida, President of Sony Europe; Chairman and CEO Sir Howard Stringer making jokes which fell on a rather mirthless set of ears;

“We continue to grow our enormous digital imaging business where we maintain leading market share”, said Stringer, before lauding the success of Blu-Ray (something which was by no means sure until recently).

He promised network connectivity in 90% of devices in 2010 – which means, perhaps, that DSLRs will have built-in WiFi, just to keep up the count towards a target figure. But he also refers to “electronic” devices in this context, and the Alpha division appears to be a separate category.

He said that Sony has committed to doubling its revenue from countries like China, Russia, Brazil and the Eastern European zone. “The global economic downturn is beginning to have an effect on Western Europe”, he told the journalists, but the east was showing a 25% growth. Eastern Europe and Russia show a 60% sales increase for Sony. Poland showed a 65% sales increase in the first four months of 2008. In Turkey, Sony has seen 43 months of consecutive growth, increasing by 500% in five years.

Nishida said that new products would be launched in Europe on the same date as in Japan. These include the OLED TV XEL-1 which is only 3mm deep. The Bravia EX-1 HDTV will receive its HD content via a wireless link from a media box sited up to 30 metres away. It mounts on the wall like a picture, without wires except power supply.

He said that the 50Hz frame rate of TVs was now old-fashioned and too slow for fast-moving sports. Motionflow introduced 100Hz in March 2007. The new Bravia 200Hz Z-4500 has four times the frame rate of standard HDTV, using algorithms to interpolate between the frames of the original. It will be on sale by Christmas.

New LED TVs would use side-injected illumination instead of a lighting panel placed behind the picture elements. The Bravia ZX-1, only 9.9mm thick, is the world’s slimmest TV and uses this new illumination method. It will also go on sale in Europe in December.

After discussing Blu-Ray, Nishida introduced the Sony T-500 with 10.1 megapixel still camera shooting 720p HDTV video clips, which goes on sale from this month. He then moved on to Walkman S-series players including photo storage, and mood sensing – it will pick the right music to play according to your activity level.

The Sony Reader was explained in the conference by Nishida – it is an electronic book reading device – and its first launch will be in the UK this week, followed by rollout in other countries. Nishida-san concluded with discussion of built-in wireless networking and control connectivity, including reference to Cybershot cameras but not to the Alpha range.

Simon McDowell, of Sony Entertainment Europe, spoke mainly about Blu-Ray and home entertainment. The most spooky thing is a new Blu-Ray based feature, BDLive, which lets you upload a snapshot of yourself into a movie and appear in the film…

Fujio Nishida concluded the press conference by announcing football sponsorship of the EUFA Champions League – a new signing to continue for a further 3 years up to 2012. “We have some exciting technology developments planned for football in the coming months”, he said.

BDLive to let the viewer in as a substitute?

- DK


Sony Alpha 350 – a Creative Review

The introduction of a £399 (street price, RRP £449) DSLR with 14.2 megapixels – with or without a useful type of Live View – should have been applauded by reviewers. It’s the single most important point about the camera. No other DSLR approaches this image size and resolution at such a low price.

Click to continue reading “Sony Alpha 350 – a Creative Review”

The 70-300mm G SSM sized up

Today I took delivery of a Sony 70-300mm f/4.5-5.6 G SSM lens. There is no doubt this is the best built Sony SAL lens I’ve handled (the CZ 135mm 1.8, 85mm f1.4 are a class above again). It weighs over 800g with its lens-hood, which is one of the most efficient deep tele hoods I’ve seen.

Click to continue reading “The 70-300mm G SSM sized up”

Which Sony Alpha?

Now that there are five Sony Alpha DSLR bodies in circulation, with many owners of the original 2006 Alpha 100 considering a replacement, the differences between this ur-Alpha and the 2007-8 generation of Alpha 700, 200, 300 and 350 need examining.

Click to continue reading “Which Sony Alpha?”

Nikon D3X 24.4 megapixel sensor leak

USERS of the Nikon D3 downloading the latest firmware update have found information strings referring to the D3X and listing the file sizes the forthcoming camera will produce. The sizes match the pixel count of the Sony full-frame CMOS sensor due to be used in the ‘Alpha 900′ Sony full-frame body.

Click to continue reading “Nikon D3X 24.4 megapixel sensor leak”

Adobe Camera Raw 4.4 supports A200, 300, 350

Adobe has released updates to Photoshop Lightroom and the Photoshop Camera Raw plug-in, both available immediately as free upgrades for existing users. The releases provide added raw file support for nine additional digital cameras, including the Sony Alpha 200 (already supported by 4.3.2 whether they knew it or not), Alpha 300 and Alpha 350. Lightroom 1.4 also provides updated printer driver compatibility for Apple Leopard Mac OS X 10.5.

Click to continue reading “Adobe Camera Raw 4.4 supports A200, 300, 350″

Sony Alpha 350 Live View tested

The Sony Alpha 350 14.2 megapixel DSLR pioneers a new type of Live View, related to Olympus’s original Mode A of the E-330 where a beamsplitting arrangement allowed a video CCD to view the actual focusing screen of the SLR system.

Click to continue reading “Sony Alpha 350 Live View tested”

Sony Alpha 200 – guided tour and overview

The Sony DSLR A200 is now on sale, following the end of Alpha 100 production. Although it is without any doubt the Alpha 100 replacement mentioned by Sony executives in October 2007, when they first revealed that the 100 was no longer being made, it is not an exact equivalent and represents a mixture of upgraded performance and simplified specification. Because it has gone in two directions at the same time, the A200 poses a problem for A100 owners.

Click to continue reading “Sony Alpha 200 – guided tour and overview”

How the live view A300 and A350 will work

NOT everyone will want the live view offered by the A300 and A350 – it does turn out to be more or less as we suggested, a secondary optical path adjacent to the eyepiece inside the prism housing. I’ll explain here exactly what the implications are, and why a future model – let’s call it the A500 – offering the 14.2 megapixel sensor without the live view may be worth waiting for.

Click to continue reading “How the live view A300 and A350 will work”