Photoclub Alpha

Epson has today launched an innovative new print plug-in for the Adobe Photoshop family of products that provides users with enhanced functionality and flexibility, making colour-managed printing quicker and easier.

Adobe has released updates to Photoshop Lightroom and the Photoshop Camera Raw plug-in, both available immediately as free upgrades for existing users. The releases provide added raw file support for nine additional digital cameras, including the Sony Alpha 200 (already supported by 4.3.2 whether they knew it or not), Alpha 300 and Alpha 350. Lightroom 1.4 also provides updated printer driver compatibility for Apple Leopard Mac OS X 10.5.

There’s a lot of controversy right now about whether or not the image structure of the Alpha 700 files at very high ISO - mainly 3200 and 6400 - is as clean as raw processed results from other comparable cameras like the Canon 40D (does not offer ISO 6400), the Olympus E-3 (does not offer ISO 6400) or the Nikon D300. At the heart of this is the way different raw processors handle file conversion, and most specifically, the current performance of Adobe Camera Raw 4.3.1.

The Sony DSLR A200 is now on sale, following the end of Alpha 100 production. Although it is without any doubt the Alpha 100 replacement mentioned by Sony executives in October 2007, when they first revealed that the 100 was no longer being made, it is not an exact equivalent and represents a mixture of upgraded performance and simplified specification. Because it has gone in two directions at the same time, the A200 poses a problem for A100 owners.

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling Alpha 700 raw quite well. And it does things differently, with non-destructive raw editing, stacks of image versions, and so on.

After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types - but specifically, the Sony Alpha 700 - I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.

It’s the same on every web forum - if you post a digital picture which would be acceptable to a photo library or professional buyer, half a dozen grumpy one-liners will come out saying ‘That don’t look sharp to me’ or ‘there must be something wrong with your XXX’ (fill in D300, A700, E-3, D3, 40D as required). Then someone posts a hugely messed up image and people say ‘Wow! What sharpness!’…

THE question is being asked, will the Alpha 700 match the rich colour rendering of the Konica Minolta 7D and 5D? These cameras had identical colour profiles, and were in turn very similar to the Dimage A1 and A2. The Sony Alpha 100 proved very different. Here’s my best attempt to explain why.

I CARRY a camera everywhere, because you never know when a good photograph is round the corner. I also just grab the camera from my office, and rarely think to check the settings. Today, I managed to shoot everything with Super Steady Shot (Anti-Shake) carefully switched off on my Alpha 100.

Here’s a thought for today, in the absence of Microsoft’s new Vista operating system. Don’t want to break the Dell which does all necessary PC stuff and seems happy on XP Home Edition, even if that makes people laugh. The last pre-Intel Mac OS and presumably the current Intel incarnation have a Find function in the ‘Finder’, not exactly analagous to Windows Explorer but the system’s interface for all operations and present no matter what you do.

This ‘Find’ function has been amended at some point to go right into the EXIF data

Our articles are written as ‘Posts’ and automatically added to Categories, Recent Posts and Archives. This manual index to articles will help you find the larger reviews, as distinct from short pieces on assorted subjects:

Main camera reviews

Which Sony Alpha? Choosing between the A700, A200, A300 and A350.

Sony Alpha 350 Live View tested

Sony Alpha 200 guided tour (full description with large photos and comments on operation)

Sony Alpha 700 operation and use review: the Interface

Sony Alpha 100 report from the launch of the camera

Major overviews

70 Years of Minolta History - 113 cameras from 1928 to 1998

Lens Reviews

The 70-300mm SSM G sized up (first report)

Carl Zeiss 16-80mm zoom review

Tamron 18-250mm zoom review

Lensbaby 3G selective zonal focus tilt/swing lens

Software Reviews

DxO Optics Pro 4.1 review

Seven raw processors tested with Alpha 700

Apple Aperture 2.0

Capture One v4Â

Accessories and aftermarket

Haoda Fu split-image/microprism replacement focusing screen for Dynax 5D or Alpha 100

Flash choices for the digital SLRs (camera top bounce/direct)

Studio Light table review and technique

Sony GPS-CS1 device to pin your pictures on Googlemaps