Photoclub Alpha

Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom 3 and Camera Raw 6.1 releases; and add over 50 new lens profiles to help photographers automatically correct for undesirable distortion and aberration effects.

But they let Sony down in a big way by only including the 18-55mm OSS lens for NEX, omitting the 16mm which must be very simple to profile (after all folks, there are only TWO officially available lenses for NEX right now – you found time to profile no fewer than 15 lenses for the Pentax AF645, for the benefit of all two dozen worldwide users of this outstandingly popular digital option…)

For ACR 3.2 Release Candidate download – http://labs.adobe.com/wiki/index.php/Camera_Raw_6.2

For LR 3.2 Release Candidate download – http://labs.adobe.com/wiki/index.php/Lightroom_3.2

In addition, the Lightroom 3.2 Release Candidate now allows Lightroom 3 customers the ability to publish their photos directly to Facebook from within the application, and addresses issues reported by customers on the Lightroom 3.0 release. Adobe continues to encourage the community to provide feedback on the updates so it can ensure the highest quality experience for customers working on a variety of hardware and software configurations.

Pricing and Availability
The Lightroom 3.2 Release Candidate is available as a free download for Lightroom 3 customers, and the Photoshop Camera Raw 6.2 Release Candidate is available as a free download for Photoshop CS5 customers. For more information and to test out the updates visit http://labs.adobe.com. Feedback can be provided on the Adobe User to User forum at http://forums.adobe.com.

*Please visit the Lightroom Journal for more information on these Release Candidates and a full list of the improved and newly added lens profiles: http://blogs.adobe.com/lightroomjournal

Newly Supported Camera Models
Panasonic DMC-FZ100, Panasonic DMC-FZ40 (FZ45), Panasonic DMC-LX5, Pentax 645D, Samsung NX10, Samsung TL500 (EX1), Sony A290, Sony A390, Sony Alpha NEX-3, Sony Alpha NEX-5

Also, this update improves the colour and noise profiles for the following cameras that utilise the DNG raw file format already supported in previous versions of Lightroom and Camera Raw: Casio EXILIM EX-FH100 (DNG) and Leica S2 (DNG).

Sony, which has a UK event taking place on Thursday July 15th showcasing new products for the Christmas market, has surprised us by launching its NEX mount HD camcorder with 14.2 megapixel CMOS sensor and 18-200mm OSS interchangeable lens much sooner than anyone expected.

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The European press launch

David Kilpatrick recorded the proceedings at Le Meridien Lav Hotel, Split, Croatia on March 11th 2010 using a Zoom H2 portable digital recorder. Shirley Kilpatrick transcribed the audio, with subsequent editing to translate verbal output to read well as text. This is a multi-page document please use the PAGE navigation at the foot of each page to continue reading. It is a very long document.

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SPLIT, Croatia, breakfast over - Sony Europe presents the new NEX-3 and NEX-5 mirrorless, HD video capable slim interchangeable lens APS-C digital cameras. This has been a launch anticipated by almost complete and accurate leaking of the specifications of the two cameras. Sony UK also provided advance information to all dealers, including pricing, before the press launch – allowing retail websites to have full data up and running as from May 11th.

Toru Katsumoto presents his team’s latest offering (he holds a silver NEX-3)

The entire system with accessories is to be available in June at once, no waiting for anything except the 18-200mm lens which will arrive a month later. Edit: the brochure says ‘October’ for the 18-200mm, at the presentation it was said that it would follow in a month or so. October is four months or so.

Are you an Alpha Male or an Alpha Female?

Never feel that your chosen camera makes you the odd one out in a herd of Canon and Nikon users! You are the leader not the follower…

Perhaps you are the only one at your college or your camera club with an Alpha. Well, we reckon that makes you Alpha material, so we have designed two neat logos combining the symbols for Male and Female with the Alpha glyph. It’s an official Photoclubalpha garment not official Sony!

It would have been great to start with a low-cost almost giveaway T-shirt, but the quality of these can be poor especially in black. Yes, even the best black cotton will fade with wear and washing but it is a good quality garment to start with. That’s why it has to be £13.95 including VAT and postage* to cover our costs.

The Polo Shirt is, we think, a real bargain. Various local clubs and societies, as well as sports teams, have had similar polo and rugger shirts made by our supplier with embroidered logos. They look great and wear well at £17.95 each including VAT and postage. Photo above: white male T-shirt, black female T-shirt, black female polo shirt. The polo shirts with the female logo are tailored for women’s fit. T-shirts are unisex.

The T-shirts have the web address of Photoclubalpha written neatly in the classic Minolta typeface across the shoulders on the back. The logo and male or female text line are printed centrally on the front.

The Polo shirts only have the logo motif on the front, to a smaller size, in chest pocket position. There is no text, if anyone asks you what it means, you’ll have to explain it. The Polo shirts feature embroidered logos, the T-shirts are printed.

The T-shirt sizing is fairly generous – for example, size L is a neat fit for female size 20, loose on size 18.

Men’s Polos/all T-Shirts
XS – 34/46″
S – 36/38″
M – 38/40″
L – 40/42″
XL – 42/44″
XXL – 44/46″
3XL – 46/48″
4XL – 48/50″

Women’s Polos
(British Sizes – US sizes are one step smaller, XS=6 for example)
XS – 8
S – 10
M – 12
L – 14
XL – 16
XXL – 18

T-Shirts are unisex not tailored. Polo shirts are supplied in male tailored cut for Alpha Male, female cut for Alpha Female. T-Shirts are Heavyweight 100% Ringspun Cotton (175-180gsm); Polo Shirts are the same material, but a little heavier in weight.

Ordering by post

T-Shirts – available to in black or white, sizes XS to 4XL
Alpha Male – Black or White, with Alpha Male text line    £13.95
Alpha Female – Black or White, with Alpha Female text line    £13.95

Polo Shirts – available in sizes S to 3XL (M) XS to XXL (F)
Alpha Male – Black or White without text small symbol    £17.95
Alpha Female – Black or White without text small symbol    £17.95

The shirts are printed (for T-Shirts) or embroidered (for Polo Shirts) locally in Kelso and you may specify any size within the range shown; depending on demand, it may take up to 28 days for orders to be completed and despatched. We hope to keep stocks of popular sizes for faster delivery. Prices include VAT and postage*.

Cheques payable to ‘Icon Publications Ltd’ – orders to Alpha Shirts Offer, Icon Publications Ltd, Maxwell Place, Maxwell Lane, Kelso, Scottish Borders TD5 7BB. You may also post an order using the method described for fax orders below.

Ordering by email or fax

FAX your order with credit card (long number, cardholder name, security number and expiry date) and address information, written out with clear instructions for the garment/s, male/female design, colour and size required, to +44 (0) 1573 226000. Faxes are retained until you confirm receipt of order and shredded afterwards; we do not store credit card details, repeat orders need information repeating.

Alternatively, scan your document and attach it to an email sent to david@photoclubalpha.com

Ordering by Paypal BUY IT NOW - you must detail your size requirements using the Comments or Message field provided by Paypal, or in a clearly linked email. If you do not state size requirements, we will send size L.

Alpha Male T-shirt White

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Alpha Male T-shirt Black

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Alpha Female T-shirt White

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Alpha Female T-shirt Black

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Alpha Male Polo Shirt White

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Alpha Male Polo Shirt Black

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Alpha Female Ladies’ Polo Shirt White

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Alpha Female Ladies’ Polo Shirt Black

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View Order Cart

* For orders outside Europe, VAT is not applied. The 17.5% VAT saving is used to cover additional postage costs for worldwide buyers. The prices remain the same for all geographical areas. UK and European orders include VAT.

SONY has shown itself to be lagging behind the competition as we reach the third bend on the second lap of the development of HD-video capable DSLRs. At PMA 2010, nothing ‘real’ was shown and the closest they came to further launches in the Alpha range was an advanced pre-production prototype of a 24mm f/2 Carl Zeiss T* ZA SSM.

But Sony may prove yet to be the tortoise – or perhaps to be Brer Rabbit. They could make the finishing line, the goal of a truly useful video DSLR, before Nikon/Canon/Pentax/OlySamPanny get there.

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.

Sony’s new Alpha 850 will be identical to the Alpha 900 in size, handling and external design – including the omission of onboard flash. The camera, expected to be launched before September, uses the same 24.6 megapixel CMOS sensor as the Alpha 900 but has – it is rumoured – only a single BIONZ processor, and a very slightly modified viewfinder. It is shipped without the Remote Commander (this becomes an optional extra) indicating that minimum retail price is Sony’s aim.

This is a screen grab from Fotobrenner.de in Germany who have the body only offered for €1999.00 and the kit with SAM 28-75mm f/2.8 new lens for €2699.00. As listed that makes the body about 10% more expensive than the current street price of the Alpha 900 – indicating either that the A850 prices are RRP and will rapidly fall, or that the A900 is about to get a price hike. They offer the A900 for €2499.00 and that would – pro rata – make the UK street price for the A850 about £1599. Please note: though the 28-75mm picture is authentic, the body shown has the AF switch set to C – just like the Sony shots of the A900 issued to dealers. Maybe they would do this for all packshots for some reason, maybe it was chance – more likely. It would be unlikely to happen again for the 850 shot so I reckon this is shopped.

It’s the very last word in HD picture quality, smart shooting features and stunning looks. The new flagship of Sony’s HD camcorder line-up, the Handycam® HDR-CX520VE/505VE is packed with latest innovations to help you capture better-looking video and still images, whatever you’re doing. Press release from Sony, July 7th 2009.

LONDON UK, June 22, 2009 – Eastman Kodak Company announced today that it will retire KODACHROME colour film this year, concluding its 74-year run as a photography icon.

Sales of KODACHROME Film, which became the world’s first commercially successful colour film in 1935, have declined dramatically in recent years as photographers turned to other, newer KODAK films or to the digital imaging technologies that Kodak pioneered. Today, KODACHROME Film represents just a fraction of one percent of Kodak’s total sales of still-picture films.