Photoclub Alpha

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.

Tamron’s 18-250mm lens – later adopted by Sony – was so good that it really takes some effort to beat it. Sigma has put that effort in, but the cost is a very much larger and heavier lens. If all you got was some better performance, it might not be all that exciting. But you get potentially superior anti-shake through its built-in OS, and faster focusing with HSM, the Sigma equivalent of SSM.

PENTAX UK is pleased to announce the launch of the PENTAX K-7 lens-interchangeable digital SLR camera. The K-7 combines a variety of advanced functions and user-friendly features to ensure outstanding reliability and capability within a compact, lightweight body (says the press release from Pentax in the UK).

The K-7 joins the current PENTAX K digital SLR camera series as a high-end model in the range. True to its series concept, it has been designed to deliver outstanding image quality combined with ease of use, to benefit photo enthusiasts of all levels, including advanced amateurs. The K-7 also includes revised and upgraded features including viewfinder, shutter unit, continuous-shooting capacity, and exposure and autofocus systems.

Protected by a durable, high-quality metallic body, the K-7 is extremely compact and functional — as with all other K-series models — delivering enhanced portability and manoeuverability. The model includes several new user-friendly features, including video recording, high dynamic range (HDR), and automatic horizon correction. All of these features serve to deliver a highly effective photographic tool, perfect for all discerning digital SLR photographers.

Nikon fans may be surprised that a 35mm f/1.8 has been launched at just £199, when prices are spiralling upwards in the UK. What a perfect lens for the D3, D700 or D3X! But wait – read the small print! Or, read the press release very carefully indeed.

A mention of 16mm Minoltas reminded me that a few years ago I found a perfect kit – without outer box or instructions, sadly – at an antique fair. A daylight developing tank for the film turned up in the closing-down stock from Konica Minolta’s warehouse. I decided they should really find a new home together via the normal eBay route, but before they went, a studio shoot was needed to record them for our virtual museum.

AT THE Consumer Electronics Show, Las Vegas, Sony has announced introduction of the new Alpha DSLR-A200 camera which has been the subject of some strange speculation but was known beforehand to be a replacement for the Alpha 100. This is the first time a DSLR has been launched to the world at this show, and Sony’s decision to do so sends a major signal out as to where they see themselves and the Alpha system in the marketplace. It is highly competitive in price and we have just ordered our body for £369 including VAT (£314 + VAT) plus £13 express shipping from www.sonystyle.co.uk. This is exactly the same price as we paid for our last Alpha 100 in summer 2006.

IN 1998 Minolta published, for their 70th anniversary, a large poster featuring all the landmark cameras from their own museum and employee collections. Many of the cameras shown – all fairly small on the poster – were well used and worn examples. The original image-files for the poster, which we have archived, are of poor quality. They are Japanese inkset CMYK sharpened for pre-press, with very dark gamma. This page re-creates all the information from the original poster, complete with the photographs. This page has been updated so that each period now appears as a separate section – simply select the next page to move on after reading each one. Page 1 is 1928-39, Page 2 1940-1959, Page 3 1960-69, Page 4 1970-79, Page 5 1980-89, and Page 6 is the 1990s. If you know the period of the camera you want to see, go straight to the page.

When Konica Minolta’s photographic division closed in April 2006, the Minolta Club of Great Britain (operated by Icon Publications Ltd) acquired a mix of older stock, some dating back as far as 40 years, but much from the late MD and early AF era. We have priced these competitively, after studying international prices and availability, and our stock levels. All prices include VAT (UK and Europe only) and postage (to anywhere in the world, by Airmail Small Packet post). You will receive full invoice documentation, which is attached to the outside of the package in case customs wish to confirm contents and value.

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The soft case CS-5 is for the Dynax/Maxxum 5 film SLR (and also fit the Dynax 3 and 4, 40 and 60 but not earlier larger body SLRs like the 505). Please note this is NOT for the Dynax/Maxxum 5D and will not fit the digital body at all. It’s for the film model 5. Our price is only £15 ($30) shipped to anywhere in the world. If you would like a similar soft case for the 5D with certain lenses only, try the CS DG-8, officially made for the A1/A2 but a very neat fit on the 5D too.

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For Dimage 5, 7, 7i, 7Hi, A1, A2 and A200 owners we have the excellent leather-look (synthetic) camera pouch CS DG-8 which is strapless (you lock the camera’s own strap into a small press stud loop, which prevents the pouch from being lost).

It has a velcro closure, and inside the case lid is a pocket which accepts a spare NP400/NP800 battery or 4X AA. This a minimal, tasteful, practical protective ever-ready case for your 7/A series at £12 ($24). This case will also fit the Dynax 5D or Alpha 100 with 50mm f1.7, f1.4, 28mm f2 or 2.8, 35mm f2, 50mm f3.5 macro, 24mm f2.8 or similar size of wide-angle to standard lens. It will not fit the 5D/A100 with 18-70mm zoom or any similar lens.

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For X1 owners, we have two different cases. Both seem to be popular. The first one featured here has a lengthy model number CS-DG 104 BK which you read on the pack in the photo. It’s made of a kind of reinforced hitec synthetic, with an almost denim-like grey texture. To keep things simple, this is £10 ($20) posted anywhere – again, to anywhere in the world.

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The alternative doesn’t come packaged. It’s a real leather case, and my own favourite. Made for the X1 it will also fit the XG, XT, X31, X21, and X20. These are loose, maximum packaging is a polybag, but they are all identical real leather with the embossed logo. They have a belt loop which is sewn, not openable, so once on your belt, they can not easily be lost or filched. Again, our price is £10 ($20) including postage and packing to anywhere in the world. My mobile phone is living in one of these right now. They are also a good billfold or change wallet.

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This leather case is made for the Dimage G500, G600, G400, G530 and similar shaped cameras. It costs £10 ($20) including worldwide post.

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The CS-DG1000 case for the Z-series is actually a super, versatile all round case suitable for flashguns and lenses. This accepts all Z models from Z1 to Z6, and many other similar cameras.

It is also an excellent belt case for items like flashguns, or lenses such as the 24-105mm or 50mm macro; it will fit the 11-18mm or 17-35mm with lens hood attached and reversed. It is a perfect case the the 3600HS(D) flashgun – an exact fit, and the battery pocket inside even fits the shoe stand. In fact, as a lens or flash case, with belt loop or shoulder strap option, this is much better than many alternatives. It costs £10 ($20) including postage.

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Here is a vintage strap from the days of the Dynax/Maxxum xi models, with a sewn-on Creative Expansion Card case. Apart from having a European ‘Dynax’ name on the strap – rather spoils for US buyers, sorry – a little surgery with a craft knife quickly converts the velcro-closed holder to accept two CF Cards neatly, a little tightly, but safely and securely. Our price £8 (a mere $16) shipped anywhere, you do the surgery yourself. You can also cut through the threads attaching the card wallet, and have a perfectly good new Dynax wide strap – it takes seconds, and the strap is unaffected except for pinhole marks where the sewing used to be.

NEWS UPDATE… THIS STRAP’S WALLET IS AN ABSOLUTELY PERFECT, EXACT FIT for Sony Memorystick Pro Duo cards – compatible with the new Alphas, directly using Sony’s affordable CF adaptor, and probably with your existing DSLR. This strap/case will hold, perfectly, six Memorystick Pro Duo cards. It will not hold SD cards, they are too large.

These straps are much softer and more comfortable than the Alpha straps for the A200, A300, A350 and – believe it or not – for the Alpha 900, which comes with the same sort of hard-edged, scratchy, lined strap.

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You can view the contents of your shopping basket and check out with Paypal payment (credit cards can be used) or continue shopping. There’s a basket check button on all pages, don’t panic, nothing will be lost if you leave this page and go to another.

THE PROBLEM of darkened extreme corners with the 16-80mm CZ Sony lens definitely exists. They are there in many of my shots, with or without SSS anti-shake enabled, significant softly darkened corners. Everyone is saying this must be due to filters, and at least one of Forum regulars has emailed Zeiss about this issue (and got a reply almost admitting that the lens falls short of ideal design). But is it?

PHOTOWORLD for Minolta/Sony Alpha system owners is published seasonally four times a year and is sent by Airmail to subscribers outside the UK (not by slow surface mail) so it is received within a week of printing. UK subscriptions are posted by 2nd class Press-stream. Every issue has 36 pages on heavy gloss art paper, full colour, printed sheetfed litho with a fine screen to allow the full detail of pictures to be studied. There is an open Gallery you can submit images to, and every edition features tests or reviews of the latest equipment along with articles by professional and enthusiast Alpha system and vintage Minolta users.

Photograph by Tony Jones

PHOTOWORLD is available on subscription by mail to anywhere in the world. You can subscribe at minimum prices with no additional back issue (which we have in the past included) to keep postage costs down. These prices are the same as for advance RENEWAL of subscriptions. You may also use these buy it buttons (please inform us by email) to renew your existing subscription.

UK RENEWAL or starter subscription with current issue only – £17.95.

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EUROPE RENEWAL or starter subscription with current issue only – £19.95.

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WORLD RENEWAL or starter subscription with current issue only – £23.95.

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WORLD BASIC SUB (applies to any region) with included DIGITAL EDITION access – £25.00.

PW Digital + Printed

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SUBSCRIPTION WITH VINTAGE KONICA MINOLTA GIFT

We are offering a subscriber gift – the very neat belt/shoulder Konica Minolta CS-DG1000 Z-case which is great for lenses or flashguns as well as Z-series digital cameras. This neat zipper case has a generous belt loop plus two D-rings and a shoulder strap. We find it great to fit on a belt, and use it when changing lenses – a kind of platform to pop the lens in, freeing the hands.

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UK subscription 1 year including free CS-DG1000 Z-case which will fit Z-series cameras, many lenses including 11-18mm, 17-35mm, or flash units including the 3600 (perfect) and 5600 (tight but it fits). Cost – £21.95 (£19.95 subscription includes one back issue and current issue; £2 p&p/handling for case).

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European subscription including the CS-DG1000 case. Cost £24.95. (£21.95 subscription includes back issue and current issue; £3 p&p for case).

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World subscription (outside Europe) including the CS-CG1000 case. Cost £27.95. (£23.95 subscription includes back issue and current, £4 p&p for case).

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Subscribing by post or fax (cheque or credit card)

FREE MAGAZINE SAMPLE – UK ONLY

If you are in the UK and would like a sample magazine, we have a limited number of the random back issues available free on a first serve basis. Send an A4 self-addressed envelope with postage for up to 250 grammes large letter (90p 1st class as of April 2009) affixed, addressed to Photoworld Sample, Icon Publications Ltd, Maxwell Place, Maxwell Lane, Kelso, Scottish Borders TD5 7BB.

To subscribe by post to Photoworld in the UK, send a cheque/PO made payable to Icon Publications Ltd for £19.95 to Photoclubalpha Subscriptions, Icon Publications Ltd, FREEPOST, Kelso TD5 7BR. No stamp is needed. You will receive:

• A free ‘most recent available’ back issue plus the current issue unless this is just about to published in the next couple of weeks – in which case you get your free back issue, followed shortly by the first issue of your subscription
• Welcome information letter
• The balance of the year in quarterly magazines

You can download a PDF version of our latest printed application form. This can be sent in by post, or faxed to +44 (0)1573 226000.

This does include Europe and World subs. Please use our Online Paypal subscription page for these to avoid problems with currency conversions, cheques, money orders etc. See web subscription offers. These include bare-bones subscription prices starting at £17.95 with no back issue (£2 off the standard subscription price), and offers with free gifts (you pay postage & packing only).

E-Books from Gary Friedman are user guides, mines of information and all-round treasuries of inspiration for Alpha owners – see www.friedmanarchives.com for details and how to buy them either as a physical printed book, or a download. His e-Books include:

• Dynax 7D/5D
• Dimage A1/A2 book (equally applicable to the Dimage A200)
• Alpha 100
• Alpha 700
• Alpha 200/300/350
• Alpha 900

dPreview

dPreview is recognised as one of the most important camera test sites on the web. While some visitors complain of bias, we do not believe that is the case, and Phil Askey’s test report on the Alpha 100 while missing a few minor plus points was very fair. This report also showed that the Sony Alpha 100 has (and still has) the highest extinction resolution of all the 10.2 megapixel class DSLRs. dPreview has now covered the Alpha 350 and 200 as well as the 700, a different staff writer covering each camera.

Read Phil’s Alpha 100 review

Phil has also done a review of the Alpha 700

Alpha 200 review – Alpha 350 review

Alpha 900 review

Raw converters

Sony Alpha owners will find that Adobe Photoshop CS2/3 and Photoshop Elements 4.0/5.0/6.0 include a good .ARW raw file converter in the current version of Adobe Camera Raw 3.x/4.x (anything later than 3.4 will process Alpha 100 .ARW files, 4.3 or later is needed for .ARW2 files from the A700/200 and is much improved over the first compatible version, 4.2, so upgrade your installation if you are still using 4.2). Earlier versions will not handle Alpha files. 4.5 handles 350 files well.

You can also convert .ARW raw files from the Sony Alpha 100 into Adobe .DNG (Digital Negative) universal raw files, readable by earlier versions Adobe Photoshop 7, CS and Elements 3. Please note that downloading auto-updates for Photoshop does NOT automatically update the raw converter, and this must be done as a separate, manual download. There are two download options, both entirely free, for the DNG converter and the ACR 3.x/4.x plug-in (which requires CS2/3 Mac/PC; or PSE 3/4 for Mac, PSE 4/5 for Windows; and is not compatible with earlier versions):

Windows download page

Mac download page

Adobe Lightroom, a dedicated raw file conversion and ‘digital asset management’ utility, which is a complete stand alone product including A100 conversion, can be purchased from:

http://www.adobe.com/products/photoshoplightroom/

There’s a great Mac-only raw file developer for the A100, A700, A200 and previous Konica Minolta DSLRs – RAWDeveloper from Iridient. This is really fast, allows scaled exports, has superb noise reduction and is a highly professional workflow solution.

Another alternative is Silkypix Developer Studio, a Japanese developed raw file converter, which has something in common with Sony’s Image Converter SR, and will – again – handle both the new A700/A200 and A100 file formats and previous Minolta and Konica Minolta raw files, for those with mixed systems. This is available in both Windows and Mac versions.

Bibble, a popular commercial multi-format raw converter and browser utility, now supports the Alpha 100/700/200. We have had some problems with scaled-up output showing unwanted raster-like patterns, but for normal size files BibblePro offers NoiseNinja which is one of the best ways of dealing with the Alpha 100’s rather strong high-ISO noise levels.

DxOptics Pro also now supports some Konica Minolta/Sony DSLRs and includes automatic correction for a few Minolta/Sony lenses. This deals with chromatic aberration, fringes, curvature of lines and vignetting of brightness towards the corners of the field, and it is especially useful with digital format zooms. They do not appear to have fulfilled the promise of serious support, and are concentrating on the obvious cashcows of Canon and Nikon ownership percentages. The latest v5.2 update brings the Alpha 700, 200 and 350 into the fold with an odd set of lenses but omits the 300 entirely.

An excellent top-level raw .MRW/.ARW converter, if a little hard to master, is Capture One Pro made by Phase One, the Danish digital medium-format back manufacturer. You can download trial software, or upgrade the LE version provided promotionally to the full product, by visiting Phase One’s website. The latest versions are good at handling high ISO noise but Phase One is fairly slow to add new camera models.

Recently, a Mac-only converter came to light, RawPhotoProcessor. This is simple and deep. It reveals a lot about the image through reading the makernote and metadata comments hidden in each file. It is fast and small. It has no noise reduction beyond simply chroma blurring, and no sharpening option.

http://www.raw-photo-processor.com/RPP/Downloads.html

Another commercial program we really like – it has a very good interface – which works well with the 5D, 7D and A100 but awaits A700 addition is LightZone from Lightcrafts Inc. This is a feature-laden full image management system which can match Aperture or Lightroom on most levels and even replace Photoshop for some work.

http://www.lightcrafts.com/download/download.html

This program is not very well marketed internationally, yet. Of all the commercial offerings it has the most potential, I think, for cross-platform universal application. It is apparently JAVA-based.

A good PC-only raw converter, small enough to run on palmtop devices and Origami platform machines, is RawTherapee. This independently written experimental converter has won many converts amongst Alpha 700 users, as it offered support right from the start and overcame most of the smurrging issues present in high ISO detail:

http://www.rawtherapee.com

Let us know of any other raw converter links, and I will add them.

Support and resources

For legacy support and information on Konica Minolta photo-digital products, we currently recommend the website below, which has not disabled all its downloads of software, firmware, etc: http://ca.konicaminolta.com/support/americas/

For information on the Sony Alpha system and the new Sony Alpha 100 DSLR, the UK Sony site now has some really excellent resources in place. Use the High Bandwidth option if you possibly can, and expore both ‘Assignments’ and ‘Equipment’: http://www.sony.co.uk/nextlevel

The bimonthly magazine for freelance photographers, f2 Freelance+Digital, has a dedicated website where many PDF articles can be downloaded. We have included on this site many PDFs from our Photoworld magazine. f2 magazine moved to new publishers from the October/November 2006 edition, but our website remains operational. Registration is necessary but paid subscription is only required to access the archives of older articles – new editions are free for two months to all comers, subscribers can download from well over 100 previous articles: http://www.f2photo.co.uk/

You can view a selection of full size, 10.2 megapixel images taken with the new Sony Alpha 100 on David Kilpatrick’s pBase pages. At the last count there were over 70 examples and the Alpha images had clocked up over 100,000 views. There’s lots of technical information on the tests, examples, and comparison present on these pages. These include comments, captions and EXIF shooting data: http://www.pbase.com/davidkilpatrick

There is an independent Minolta M-AF forum and website, Dyxum, which offers many useful resources including lens tests and storage card speed comparisons. Unlike dPreview, Dyxum does not ban participants for being associated with specialist websites like Photoclubalpha, and has kindly promoted and helped us in the past: http://www.dyxum.com. Dyxum is probably the most active Alpha discussion site, with an excellent lens review and rating system allowing you look up almost any lens ever made to fit M-AF and find a user opinion along with full specs and original selling price. They also have a very good links page which lists just about every other Alpha resource around!

Yahoogroups include one dedicated entirely to Minolta which in practice is used by Sony Alpha owners as well – http://groups.yahoo.com/group/Minolta/. There is also a Yahoogroup called SonyAlpha, at least until Sony’s legal dept ask them to cease and desist: http://groups.yahoo.com/group/SonyAlpha/.

A busy forum is well established at Dynaxdigital – http://www.dynaxdigital.com/

Carl Garrard and T E Morrison have set up a site called Alphamountworld which offers forums, reviews and articles and will be reporting from major trade shows in the US. Carl is also going to post articles from his show visits or press invites to Photoworldalpha.

A useful group with a strong photography emphasis is UKExpert – forums and galleries and many further onwards links. It was a pleasure to meet Andy from UKExpert at the Sony Alpha 700 launch, and great to know that Sony value the presence of independent opinion-formers.

There is a photo sharing site (by far the most popular web activity for photographers!) at Shootalpha.com. This is, after all, what camera clubs and even august professional associations do – share their pictures and pass generally not unkind comments on them to each other, with the occasional bit of constructive crit. Do not expect to encounter the photo equivalent of Simon Cowell stalking the gallery pages, you will be welcomed as a beginner and find your level quickly. There is also an active forum.

Here’s an enthusiast from New Zealand – Rob provides many further links connected with the A900.

And here’s a man banned from the Photoclubalpha forums because of his outbursts, insults and general bad attitude – Don Northup, aka Sonolta. He’s an excellent Alpha photographer (not mention prolific).

Dealers and spares

At Icon Publications Ltd we now have just a selection of Minolta glass filters; MD/AF hard lens cases (many types); Dynax branded original camera straps; Minolta leather cases ideal for iPhones, iPods etc; and Vectis BPS-1 battery base grips for the Vectis S-1.

Former Minolta Club administrator Adrian Paul has his own specialist business selling spares, accessories and smaller hard-to-obtain products from the Minolta and Konica Minolta ranges, and will be offering Sony Alpha system products in future. The Photostore is a mail-order business only and Adrian offers a fast, excellent standard of service and knowledge: http://www.photostore-uk.com/

Lens rental is also available from the Photostore in the UK, but applies only to Photoworld magazine subscribers, and full details are printed in each magazine. There is a new Alpha lens rental service operating in the USA – http://www.alphalensrental.com/index.html.

In New Zealand, the Sony Service Centre for Alpha is http://www.phototronic.co.nz/ – they are also dealers, an ideal one-stop shop for purchases and repairs, run by a former Minolta UK Ltd service department staff member.

Pro dealers Calumet have the Alpha system now as a main line, after decades of sidelining the Minolta mount. This is very important and will put the Alpha in front of Britain’s working professionals: http://www.calumetphoto.co.uk/.

London Camera Exchange Colchester is now a Sony ACE dealer and has committed to supporting this website and our magazine. The branch manager will always try to offer the best deal to Photoclubalpha members! Email them on colchester@LCEgroup.co.uk or call 01206 573444.

To find out about the values of used cameras, visit the Monark camera price guide site – http://www.cameravalues.com/

Thank you for visiting the photoclubalpha.com site. If you would like to receive future information by email from Sony UK about the Alpha system, and news of future developments for the former Minolta Club of Great Britain, please email david@photoclubalpha.com using the heading ‘Add to Alpha mailing list’.

THE NEW Tamron 18-250mm has some importance to Alpha system users. It is almost certainly the optical basis for the forthcoming Sony SAL 18-250mm version, and as a APS-C 13.7X zoom with an equivalent 27-375mm (in full frame terms) range is uniquely suited to the SSS-enabled Dynax 5D, 7D and Sony Alpha 100

Shortly before the June 6th 2006 worldwide launch of the Sony Alpha digital SLR system the European press learned that major title editors would meet in Marrakesh for the unveiling of the Alpha 100. No-one anticipated being driven miles into the desert-like countryside of Oued Nfis for the experience of a night under canvas after witnessing feats of Berber horsemanship and a massive pyrotechnic intro! Read David Kilpatrick’s original report from the Summer 2006 edition of Photoworld magazine.