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Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

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For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.



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Alpha 500, 550 and 850

Sony’s September launch for 2009 looks set to include three new models – the Alpha 500, 550 and 850. The model numbers are confirmed by the usual backdoor leak, appearing in the registration database for SonyStyle USA in this case (Canada has been a past culprit, updating databases associated with their site before the product is officially released). However, only a few people know what these cameras will be, and they are limited by non-disclosure contracts.

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Sigma classic 400mm tele quick rechip

There is no need to dismantle the mount of the original series Sigma AF TELE 400mm f/5.6 lens, to bring non-functional versions (old chip) up to speed with later film and current digital SLRs. The whole process takes under five minutes, and requires two tools – a small Philips screwdriver, and a precision end cutter.

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Sony at Focus on Imaging (report)

SONY’s stand was a real brightener for Focus. Gone were the black and orange colours I criticised at photokina, which for two successive years created a black hole compared to Canon’s oasis of light. Instead, huge white silks extended to the roof with bright spots and floods creating an inviting zone of pure light. White and orange rules!

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The Sony Alpha 200 launched

AT THE Consumer Electronics Show, Las Vegas, Sony has announced introduction of the new Alpha DSLR-A200 camera which has been the subject of some strange speculation but was known beforehand to be a replacement for the Alpha 100. This is the first time a DSLR has been launched to the world at this show, and Sony’s decision to do so sends a major signal out as to where they see themselves and the Alpha system in the marketplace. It is highly competitive in price and we have just ordered our body for £369 including VAT (£314 + VAT) plus £13 express shipping from www.sonystyle.co.uk. This is exactly the same price as we paid for our last Alpha 100 in summer 2006.
Alpha 200 front

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ACR 4.3.1 hasn’t solved A700 high ISO mush problems

After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types – but specifically, the Sony Alpha 700 – I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.

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Sony Alpha 700 full specification sheet

System
Camera type: Digital SLR with built-in flash and interchangeable lenses
Lens mount: Sony mount; compatible with Minolta A-type bayonet mount
Lens compatibility: All Sony a lenses and Konica Minolta MAXXUM / DYNAX lenses

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Colour modes and conversions (5D)

THE Konica Minolta Maxxum/Dynax 5D colour modes and conversions are like a whole box of film choices in one roll. This article was written using the 5D in 2005. The modes of the Sony Alpha 100 are similar, but the colour palettes will vary from these results.

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How big will the new Alpha be?

NOT AS a force in the market but as a camera body! This question divides the camp of Alpha owners expecting to upgrade to the new Advanced Amateur model (codename A300) when it appears later this year. We now expect the AA model to be on sale before the end of October 2007 in some markets, with a publicity release date some before this.

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70 years of Minolta

History Poster

IN 1998 Minolta published, for their 70th anniversary, a large poster featuring all the landmark cameras from their own museum and employee collections. Many of the cameras shown – all fairly small on the poster – were well used and worn examples. The original image-files for the poster, which we have archived, are of poor quality. They are Japanese inkset CMYK sharpened for pre-press, with very dark gamma. This page re-creates all the information from the original poster, complete with the photographs. This page has been updated so that each period now appears as a separate section – simply select the next page to move on after reading each one. Page 1 is 1928-39, Page 2 1940-1959, Page 3 1960-69, Page 4 1970-79, Page 5 1980-89, and Page 6 is the 1990s. If you know the period of the camera you want to see, go straight to the page.

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1928

The Minolta Co. Ltd was established by Kazuo Tashima in November 1928, under the name ‘Nichi-Doku Shashinki Shoten’

Nifcalette

1929 Nifcalette Folding Camera

Minolta’s first camera. 40 x 65mm on 127 film with scale-estimation focusing.

Nifca Sport

1930 Nifca Sport Folding Dry-Plate Camera

65 x 90mm image, with a standard tilt and shift lens.

Arcadia

1931 Arcadia Folding Dry-Plate Camera

Compact camera using the first ever Japanese-made shutter.

Minolta Semi

1932 Semi Minolta Folding Camera

45 x 60mm on 120 film, Minolta’s first diecast folding camera and the first use of the Minolta name.

Minolta

1933 Minolta, Strut-Folding Dry-Plate Camera

65 x 90mm image, the first Minolta camera entirely manufactured in Japan.

Baby Minolta

1934 Baby Minolta Bakelite body Roll Film Camera

40 x 65mm or 40 x 30mm on 127 film, with a Bakelite body and pull-0ut lens.

Minolta Vest

1934 Minolta Vest, Strut-Folding Dry-Plate Camera

40 x 65mm or 40 x 30mm image on 127 film, the first Bakelite body collapsing camera manufactured in Japan.

Auto Minolta

1935 Auto Minolta, Strut-Folding Dry-Plate Camera

65 x 90mm image, the first press camera with a rangefinder to be manufactured in Japan.

Minolta Six

1935 Minolta Six, Collapsing Bakelite Body Camera

60 x 60mm on 120 film, collapsing Bakelite body.

Minolta Auto Press

1937 Minolta Auto Press, Strut-Folding Dry Plate Camera

65 x 90mm image, the first ever press camera with built-in flash synchronisation system manufactured in Japan. Editor’s note: at Icon, we owned and used an Auto Press during the 1990s. It was equipped with a rollfilm back as well as plate holders. The flash synchronisation worked, and the 105mm f/4.5 Anastigmat lens was sufficiently good to permit one commercial studio shot to be completed using the camera, though contrast and light transmission were both low. The camera has a folding sports finder (the wire frame) as well as an optical coupled rangefinder and an optical viewfinder. It was a copy of the German Plaubel Makina.

Auto Semi Minolta

1937 Auto Semi Minolta Folding Camera

60 x 60mm on 120 film, rangefinder and automatic film wind-on spacing (incorrectly described on the poster as ‘auto film rewind stop’). Note the spelling ‘Tiyoko’ in place of the later ‘Chiyoko’.

Minolta Flex

1937 Minolta Flex Twin Lens Reflex Camera

60 x 60mm on 120 film. Minolta’s first twin lens reflex camera.

Minolta Flex Automat

1939 Minolta Flex Automat Twin Lens Reflex Camera

60 x 60mm on 120 film, first self-cocking (shutter) twin-lens reflex to be manufactured in Japan.


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