Photoclub Alpha

System
Camera type: Digital SLR with built-in flash and interchangeable lenses
Lens mount: Sony mount; compatible with Minolta A-type bayonet mount
Lens compatibility: All Sony a lenses and Konica Minolta MAXXUM / DYNAX lenses

PRODUCT shots of the Sony Alpha 700 have been released, and are shown here to our standard web page size of 600 pixels or smaller.

TEMPORARY website pages on the afternoon (GMT) of September 5th managed to leak the entire specification sheet and several new PR images of the advanced amateur Alpha model, along with its name - the Alpha 700. You wouldn’t pick a wife or husband on the basis of their on-paper specification, so remember, the only way to partner up with a DSLR and be happy is to try it in your hands first.

SELECTED ALPHA system lens prices - including the 70-200mm f/2.8 SSM - have been cut on the direct sales SonyStyle website for the USA. B&H and other retailers are following suit.

BRANCHES of Currys, the large UK electronic box-shifter, have been displaying notices saying ‘Discontinued’ under their remaining Alpha 100 kits. This needed some explanation, so we contacted Sony UK to ask whether the camera was genuinely discontinued.

INSIDE sources - mainly people who have been invited to press launch events - confirm that Sony is to show its new Advanced Amateur camera, thought to be called the Alpha 300, on Thursday September 6th. A press conference is being held in Italy on the 5th/6th, and journalists from European mainland countries have been invited to attend. Nigel Atherton, editor of What Digital Camera magazine, wrote on the Amateur Photographer public website forums that the product/s would be unveiled on the 5th. (I have now seen a programme for the event, and the main launch conference is on the 6th).

This article has been edited on January 28th 2008 - the Alpha 700 was known shortly after it appeared, but I left the original title with ‘A300′. Since there is to be an Alpha 300 (probably the cause of the confusion originally as this model number was identified in Sony website databases) I am changing the title and references to the body to avoid search engines finding the wrong information.

THIS morning I received from the Managing Director of Sony United Kingdom Limited a copy of the book ‘Sony Alpha Lenses’, inscribed to me and signed by Mr Katsumoto, Senior General Manager of the Alpha Mount Company. This is a very high-quality book which contains not only the expected promotional shoot images (nice freebie trip to the French Riviera in the company of an attractive model, properly credited to the facilitators in small print at the end of the volume) but work from four selected former Minolta shooting stars.

More work went into this page than you think! While it was possible to get an idea of Sony’s lenses and cameras planned for 2007-8 from the group image, the individual press images have all been shot to different scales.

This review from the Summer 2007 edition of Photoworld has been expanded here, and covers the Remote Release IR-1n kit along with third party remote triggers and flash synchronisation options for the Alpha system.

THE Konica Minolta Maxxum/Dynax 5D colour modes and conversions are like a whole box of film choices in one roll. This article was written using the 5D in 2005. The modes of the Sony Alpha 100 are similar, but the colour palettes will vary from these results.

NOT AS a force in the market but as a camera body! This question divides the camp of Alpha owners expecting to upgrade to the new Advanced Amateur model (codename A300) when it appears later this year. We now expect the AA model to be on sale before the end of October 2007 in some markets, with a publicity release date some before this.

I SELL digital images through Alamy, the on-line photo library. When an original piece of art is out of copyright, and displayed in public or by an owner permitting photography, the ability to get a good quality reproduction copy on the spot without lights, tripod or flash is valuable. Some 8 per cent of my overall Alamy images sales over the past four years have been of signs, notices and labels - disproportionately high, compared to the actual number of such shots. As someone has commented, editors like pictures which tell their own story, and sometimes have words in the pictures does just that.

WE spent a great week shooting mainly in Vaucluse, the district to the east of Avignon in the south of France, with Shirley using the 18-250mm Tamron f/3.5-6.3 lens exclusively. One object of this was to get some more example photos for a short article on the lens in our forthcoming Photoworld magazine.

IN 1998 Minolta published, for their 70th anniversary, a large poster featuring all the landmark cameras from their own museum and employee collections. Many of the cameras shown - all fairly small on the poster - were well used and worn examples. The original image-files for the poster, which we have archived, are of poor quality. They are Japanese inkset CMYK sharpened for pre-press, with very dark gamma. This page re-creates all the information from the original poster, complete with the photographs.

THE appearance of press-release resolution (14Mb) images of the new Alpha - un-named but thought to be the Alpha 200 or 300 because of the product code earlier assigned to shots of prototypes at PMA - combines with reports on various forums from European Sony executives visiting Japan to suggest that the launch announcement for the new model and a range of full-frame lenses is imminent.

THE FIRST QUESTION anyone asks about the Sony GPS-CS1 device is whether it will work with their non-Sony digital camera. The answer is ‘yes’ but you may need to buy some extra software, as it only comes with software to link up to Sony Picture Motion Browser. If you can ensure that you buy the product sold as GPS-CS1KA it should include a copy of this software in full. If you buy the product coded only as GPS-CS1, it may have nothing apart from a patch-updater program you are supposed to use with your existing Sony installation. So make sure you know exactly what you are buying (there appears to be no price difference, and very few retailers are making any distinction between the two bundles). There seems to be no reason to continue offering the kit with the updater only.

When Konica Minolta’s photographic division closed in April 2006, the Minolta Club of Great Britain (operated by Icon Publications Ltd) acquired a mix of older stock, some dating back as far as 40 years, but much from the late MD and early AF era. We have priced these competitively, after studying international prices and availability, and our stock levels. All prices include VAT (UK and Europe only) and postage (to anywhere in the world, by Airmail Small Packet post). You will receive full invoice documentation, which is attached to the outside of the package in case customs wish to confirm contents and value.

KMB-1 Backpack bag - reduced to £29.95 UK only (£23 + postage inc VAT - closeout bargain!). We still have three cartons of these bags remaining and they take up a lot of storage space. I’m keen to clear them out so we have cut the price in Photoworld magazine. Readers have now had a chance to respond if they want one, so we are extended the offer to this internet page as from Nov 28th. I have also added a single Europe/World price of £39.95 - zero VAT export tax-free covers the additional £7 postage cost for destinations outside Europe.

The KMB-1 backpack bag is a bit of a legend - it is small, intended for a mini outfit not a world trek, but extremely well designed with a clever spring-loaded, button operated retracting shoulder strap that acts as a grab handle when stowed.

The photographs should explain what this bag is all about. Price are £29.95 to the UK, £39.95 to Europe or worldwide.

The basic bag price is now only £19.57 net of VAT. It weighs just under 1,750g packed and postage varies from £12 to £19 for Europe and World purchases - non-trackable, non-signed for. If you want trackable and signed for, European postage can be as high as £32 (Spain, Italy, Greece etc - northern Europe is a bit cheaper) and world, £36.

This is the retractable shoulder/grab strap function shown in action. The reel-holding unit interferes with camera removal and you have to learn how to do this; the camera is turned 90 degrees so the handgrip end emerges over the flap, before you try to lift it out. If you try to pull a 7D out without first turning it like this it is difficult. But - for the same basic reason - the camera is extremely secure in this pack. It could fall out of a car with the bag unzipped and the contents would not be likely to spill out.

This is how the backpack strap stows. It can also be detached and hidden entirely in the laptop pocket. This bag is small enough to wear as a chest pack. Strap it on backwards when working, normal way when walking. The straps on this bag are very generous, and it may be loose on the smaller frame even with full tightening (alteration not too difficult). Main point - it’s not going to be difficult to wear even for the largest photographer.

And this shows the front flap pouch, and how it lowers to get to the main camera compartment without fully opening (your gear can not fall out with it on your back if you forget to do up the zip).

Finally, you can see that there is a back pocket for a laptop which is generous in size for a Powerbook 12 inch, and at each end, two small pockets ideal for batteries (or laptop AC adaptor). What will this bag hold: tested by me - Dynax 7D with 28-75mm lens - perfect fit in the centre space, lens down. 17-35mm or 11-18mm, with hood, laid sideways, right hand end. Clear space between camera grip and lens well maintained. Left hand divided compartment - lens up to 75-300mm D; 3600HS(D) flash. Would take 5600 with a smaller lens, or would take large lens alone with divider removed. 70-200mm SSM fits, with the divider placed above the one to the left of the camera, to ensure no rubbing. Tight fit but goes. You can’t get the camera out without removing the lens first if you try to fit a real monster like this in the bag. Side pockets will hold 6X NP400 batteries total, front pockets 8X AA, CF cards etc.

UK order - £29.95 including VAT and post:

Europe or Worldwide order - £39.95 (inc VAT Europe, tax free elsewhere, including post to any part of the world (click button BELOW not above):

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The soft case CS-5 is for the Dynax/Maxxum 5 film SLR (and also fit the Dynax 3 and 4, 40 and 60 but not earlier larger body SLRs like the 505). Please note this is NOT for the Dynax/Maxxum 5D and will not fit the digital body at all. It’s for the film model 5. Our price is only £15 ($30) shipped to anywhere in the world. If you would like a similar soft case for the 5D with certain lenses only, try the CS DG-8, officially made for the A1/A2 but a very neat fit on the 5D too.

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For Dimage 5, 7, 7i, 7Hi, A1, A2 and A200 owners we have the excellent leather-look (synthetic) camera pouch CS DG-8 which is strapless (you lock the camera’s own strap into a small press stud loop, which prevents the pouch from being lost).
It has a velcro closure, and inside the case lid is a pocket which accepts a spare NP400/NP800 battery or 4X AA. This a minimal, tasteful, practical protective ever-ready case for your 7/A series at £12 ($24). This case will also fit the Dynax 5D or Alpha 100 with 50mm f1.7, f1.4, 28mm f2 or 2.8, 35mm f2, 50mm f3.5 macro, 24mm f2.8 or similar size of wide-angle to standard lens. It will not fit the 5D/A100 with 18-70mm zoom or any similar lens.

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For X1 owners, we have two different cases. Both seem to be popular. The first one featured here has a lengthy model number CS-DG 104 BK which you read on the pack in the photo. It’s made of a kind of reinforced hitec synthetic, with an almost denim-like grey texture. To keep things simple, this is £10 ($20) posted anywhere - again, to anywhere in the world.

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The alternative doesn’t come packaged. It’s a real leather case, and my own favourite. Made for the X1 it will also fit the XG, XT, X31, X21, and X20. These are loose, maximum packaging is a polybag, but they are all identical real leather with the embossed logo. They have a belt loop which is sewn, not openable, so once on your belt, they can not easily be lost or filched. Again, our price is £10 ($20) including postage and packing to anywhere in the world. My mobile phone is living in one of these right now. They are also a good billfold or change wallet.

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This leather case is made for the Dimage G500, G600, G400, G530 and similar shaped cameras. It costs £10 ($20) including worldwide post.

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The CS-DG1000 case for the Z-series is actually a super, versatile all round case suitable for flashguns and lenses. This accepts all Z models from Z1 to Z6, and many other similar cameras.
It is also an excellent belt case for items like flashguns, or lenses such as the 24-105mm or 50mm macro; it will fit the 11-18mm or 17-35mm with lens hood attached and reversed. It is a perfect case the the 3600HS(D) flashgun - an exact fit, and the battery pocket inside even fits the shoe stand. In fact, as a lens or flash case, with belt loop or shoulder strap option, this is much better than many alternatives. It costs £10 ($20) including postage.

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Here is a vintage strap from the days of the Dynax/Maxxum xi models, with a sewn-on Creative Expansion Card case. Apart from having a European ‘Dynax’ name on the strap - rather spoils for US buyers, sorry - a little surgery with a craft knife quickly converts the velcro-closed holder to accept two CF Cards neatly, a little tightly, but safely and securely. Our price £8 (a mere $16) shipped anywhere, you do the surgery yourself. You can also cut through the threads attaching the card wallet, and have a perfectly good new Dynax wide strap - it takes seconds, and the strap is unaffected except for pinhole marks where the sewing used to be. NEWS UPDATE… THIS STRAP’S WALLET IS AN ABSOLUTELY PERFECT, EXACT FIT for Sony Memorystick Pro Duo cards - compatible with the new Alpha, using Sony’s affordable CF adaptor, and probably with your existing DSLR. This strap/case will hold, perfectly, six Memorystick Pro Duo cards. It will not hold SD cards, they are too large.

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You can view the contents of your shopping basket and check out with Paypal payment (credit cards can be used) or continue shopping. There’s a basket check button on all pages, don’t panic, nothing will be lost if you leave this page and go to another.

Photoclubalpha has a range of items still available following the closure of Konica Minolta (UK) Ltd’s camera division in April 2006. Individual items can be found on our eBayshop, where we consider that quantities are too limited to list them for general sale (risk of selling out and being unable to cancel the entry in time to prevent more sales). eBay offers the ability to set a quantity of stock which reduces as the items are sold.

Payments are made through Paypal, for convenience. You may have to register with Paypal. We have been using this method for several years now without any security issues arising. While we normally despatch very rapidly, this is a one-man business as far as handling the orders goes, so any orders which are urgent should be accompanied by an email to david@photoclubalpha.co.uk

Please note this section is UNDER CONSTRUCTION - only bags & cases has been completed

Cases/bags

Small accessories

Filters

YOU MAY want to learn exactly how I shoot the product photographs which appear in my own articles here at Photoclubalpha. I use a studio light table with an opal plexiglass transilluminated scoop. This is the method I have used now for over 25 years and it’s saved me a lot of time, and earned me a lot of money.

THE LENSBABY was a novelty item when first introduced as a low-cost meniscus lens mounted on a flexible concertina tube with an SLR mount-fitting at the other end. Like the Diana or Holga cameras sometimes used by professionals to capture a feel of post-modern grunge, it used aberrations creatively.

TESTING the flash options most widely sold for the Minolta/Sony unique hot shoe system became a necessity after the launch of the Alpha 100. Despite the reliability of automatic TTL off-the-film flash metering ever since Minolta first introduced it with the Auto Electroflash PX series in 1981, things began to go wrong with the shift to digital SLRs.

HAODA FU has been supplying alternative focusing screens for the 5D and A100 since 2006 and for many other makes before this. While the Alpha system DSLRs are not intended to have user-changeable screens, it is relatively easy and risk-free.

I CARRY a camera everywhere, because you never know when a good photograph is round the corner. I also just grab the camera from my office, and rarely think to check the settings. Today, I managed to shoot everything with Super Steady Shot (Anti-Shake) carefully switched off on my Alpha 100.

IT IS not a good idea to have flash cables trailing around an aquarium, and the typical home setup will not be suitable for available light shooting

DxO OPTICS PRO 4.1 is the latest version of a clever raw file processor which includes lens lookup tables to auto-correct distortion, vignetting and chromatic aberration. It also lets you alter the look of Dynax or Alpha images so they match popular films - or other DSLRs by Canon and Nikon!

We have a Photoworld day in Edinburgh on February 10th 2008, to which all Photoclubalpha registered members are welcome (it is strictly by prior arrangement, so please do not turn up on the day). It starts at 10.30am and ends around 4.30pm, and will be held at Edinburgh Photographic Society. Please email david@photoclubalpha.com for a copy of the programme and information on how to contact Duncan McEwan, the organiser, to arrange admission. There is a small fee for refreshments.

Icon Publications Ltd sponsors Colin Westgate’s QUEST series of photographic workshops, photo shoots, and photo holidays in the UK. A full year’s program is available by contacting Colin directly. He is a long-term Minolta system user and one of the UK’s best tuition organisers, recruiting the help of top names including Les McLean, John Blakemore, Clive Tanner, George McCarthy and others. Many of Colin’s chosen course leaders are Fellows of the Royal Photographic Society which he has been actively involved with for a long time.

Photoworld Club Scottish Regional Organiser Duncan McEwan - himself one of the UK’s most highly regarded experts - runs a series of courses in Scotland which are open to photographers from all round the world. He works in conjunction with Charlie Waite’s Light and Land programme, and with the Inversnaid Photographic Centre on Loch Lomond. Duncan is a stock photographer, author, lecturer and exhibition judge. He has used Minolta throughout his career. Each year in early March he organises an open day for Club members at the Edinburgh Photographic Society which is attended by 40-50 photographers and with guest talks and discussion of submitted images.

SOME time ago I got hold a Soligor Pro 0.75X converter - a front-of-lens job. This is not something anyone should consider using on a DSLR. The Soligor was a bit different because it cost nearly as much as the ACW-100 wide angle converter for the Konica Minolta A1/A2/A200, which does an excellent job, and fitted a 62mm filter thread. That’s about the largest rear thread on any converter I have seen.

I AM not a Mom, and if I was, I’d be a Mum because we don’t have Moms in Britain, just the same way we don’t have Pops. I grew up in a world where everyone had Mummies and Daddies, and having a Mum and Dad would have been non-u, infra-dig. Times change and our kids grew up with a Mum and Dad and ended up with parents just as likely to sign off an email with Christian names as anything else.

So, I do not qualify to test out the latest Sony Alpha system ‘product’. It looks like you have to be a Mom to do this one, and it’s firmly aimed at Mickey Mouse’s home territory. Disney has launched a ‘Digital Photogaphy 101′ course

THE PROBLEM of darkened extreme corners with the 16-80mm CZ Sony lens definitely exists. They are there in many of my shots, with or without SSS anti-shake enabled, significant softly darkened corners. Everyone is saying this must be due to filters, and at least one of Forum regulars has emailed Zeiss about this issue (and got a reply almost admitting that the lens falls short of ideal design). But is it?

For many years Camera Repair Workshop, based in Milton Keynes close to the original Minolta UK service department, handled the repair of classic SRT, X, Vectis and later film cameras for Minolta UK.

They have obtained many of the spare parts and KM’s stocks of older ‘cannibalisation cameras’ like 7000 and 8000i. Their proprietor is David Boyle, and his two technicians are Minolta trained. As an independent repairer they will specialise in film and digital, and hold parts going back to models like the XM. The Dynax 9 is an exception, previously serviced by a special European centre, and must be sent to JP (see post on UK official details). No VAT is chargeable at present, and they offer Photoworld magazine subscribers a 10 per cent discount on prices which they say are already better than former retail repair charges. This enables the club to continue with its 10 per cent service and repair discount offer.

The Photoworld Camera Check scheme will be operated by Camera Repair Workshop, though in absence of Konica Minolta’s former bulk shipping arrangements, the return carriage costs have increased and a charge of £25 per camera/standard lens combination is now required.

Your equipment is bench-tested for shutter speed, metering, focusing and aperture accuracy, externally cleaned and adjusted (this includes mirror box and film track, and all accessible parts or adjustments). If performance is below standard, a quotation will be issued for optional servicing. A certificate is completed showing the test results and functions checked, and returned with the camera. Camera Repair Workshop were actually responsible for most of the Club Camera Check work, and hold a stock of original ‘Minolta Club’ certificates along with all the necessary bench testing equipment.

They are based at:
Unit 9, Wharfside, Bletchley, Milton Keynes MK2 2AZ.
Telephone 01908 378088, fax 08712 427677.
Email: cameraworkshop@tiscali.co.uk