Search

Results for

The tortoise and the hares?

SONY has shown itself to be lagging behind the competition as we reach the third bend on the second lap of the development of HD-video capable DSLRs. At PMA 2010, nothing ‘real’ was shown and the closest they came to further launches in the Alpha range was an advanced pre-production prototype of a 24mm f/2 Carl Zeiss T* ZA SSM.

But Sony may prove yet to be the tortoise – or perhaps to be Brer Rabbit. They could make the finishing line, the goal of a truly useful video DSLR, before Nikon/Canon/Pentax/OlySamPanny get there.

Click to continue reading “The tortoise and the hares?”

Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.


Click to continue reading “Alpha Silver Jubilee – 25 years 1985-2010″

DxO for Mac and Alpha 230-380 – plus discount deal

December 2, 2009 – DxO Labs is pleased to announce the immediate availability of DxO Optics Pro v5.3.6 for Mac bringing full compatibility with Apple’s latest operating system Mac OS 10.6 Snow Leopard, and adding RAW support for 15 new cameras:

Canon EOS 7D and PowerShot G11;
Nikon D300s and D3000;
Olympus E3 (Elite edition only), E-30, E-410, E-420, E-450, E-510, E-520 and E-620;
Sony A230, A330 and A380.
This new version for Mac also offers support for 255 new DxO Optics Modules, covering 46 cameras.

Availability and holiday season price

DxO Optics Pro v5.3.6 for Mac, both Standard and Elite editions, are immediately available from both DxO Labs’ e-store and selected resellers at an exceptional 30% discount until December 31, 2009:
Standard edition: £ 69 instead of £ 99 (or a savings of £ 30)
Elite edition: £ 139 instead of £ 199 (or a savings of £ 60)
DxO Optics Pro 6 for Mac is scheduled for release during the first quarter of 2010 and will be available as a free upgrade to customers who purchased version 5 after June 1, 2009.

www.dxo.com

Stunned by the beautiful game

Peter Crouch cuts a striking figure on the football pitch at the best of times and when recently asked to train the UK Sony ‘Twilight Football’ team ahead of their big game on the 22nd September, the outcome was some simply stunning imagery. (Editor’s note – continue reading to see the ’stunning imagery’… but have somewhere handy to put the hair you tear out)

Click to continue reading “Stunned by the beautiful game”

New accessories for Sony Alpha range

A long-demanded 1.15X eyepiece magnifier – compatible with all APS-C format Sony Alpha DSLRs – is just one of a rollout of new minor accessories for the system. The Magnifying Eyepiece FDA-ME1AM is designed to fit the A700, A380, A330, A230, A350, A300 and A200 and should also be fully compatible with A100, Konica Minolta 7D and 5D.

Click to continue reading “New accessories for Sony Alpha range”

Adobe ACR 5.5 release candidate

Adobe has released its Photoshop Camera Raw 5.4 Release Candidate, available immediately as a free download from Adobe Labs at http://labs.adobe.com. The “release candidate” label indicates that this update is well tested but would benefit from additional community testing before it is distributed automatically to all customers.

Click to continue reading “Adobe ACR 5.5 release candidate”

Nikon D5000 – HDvid, articulated screen

Nikon has announced a May 1st launch for a competitor to the Canon EOS 500D, in their D5000. This camera has the first articulated screen (only 230,000 pixels) to be designed by Nikon. See:
http://www.dphotoexpert.com/2009/04/14/nikon-d5000-live-view-hdv-articulated-screen/

Click to continue reading “Nikon D5000 – HDvid, articulated screen”

Lightrom 2.3 and ACR 5.3 final release

Adobe has released Photoshop Lightroom 2.3 and Camera Raw 5.3, available immediately for download at www.adobe.com/downloads/updates/. The Lightroom 2.3 and Camera Raw 5.3 updates, originally posted as release candidates for community testing on Jan. 23, provide raw file support for the newly-released Nikon D3X and Olympus E-30 cameras.

The Lightroom 2.3 update also provides support for eight additional languages including Dutch, Italian, Portuguese (Brazilian), Spanish, Swedish, Korean, Chinese (simplified) and Chinese (traditional). Additionally, it addresses several issues including a solution to a memory leak that affected some customers of the Lightroom 2.2 release.

Lightroom has received tremendous support from the photography community, and companies have released plug-ins that further extend Lightroom 2’s capabilities. Today, Nik software announced that its Viveza plug-in for colour refinement and light control is now compatible with Lightroom 2, and Photomatix recently updated its Lightroom HDR plug-in to work smoothly with Lightroom 2. To discover more plug-ins compatible with Lightroom 2 visit the Lightroom Exchange home page: http://www.adobe.com.

Pricing and Availability

The Adobe Photoshop Lightroom 2.3 update is available as a free download for existing Lightroom 2 customers and the Photoshop Camera Raw 5.3 plug-in is available as a free download for existing customers of Photoshop CS4, Photoshop Elements 7, Premiere Elements 7 and Photoshop Elements 6 for Mac. Both updates can be downloaded at www.adobe.com/downloads/updates/.


Tamron 10-24mm f/3.5-4.5

Tamron’s new ultra wide angle zoom for APS-C/DX is getting a bit of a blasting from reviewers. Now, when I see this happen, I get curious. Lens testing is often badly designed for such zooms, involving test chart targets at distances which are extremely close and result in very bad figures caused mainly by a strong curvature of field (dished, ‘cap’ shape relative to the camera) when gets worse in effect the closer you focus.

Click to continue reading “Tamron 10-24mm f/3.5-4.5″

Getty adds A900 to approved camera list

Stock library Getty Images has added the Sony Alpha 900 to its rather restricted list of approved cameras – a very recent move, as it happened between the writing/research for my article appearing in the British Journal of Photography on February 18th, and publication. See: http://www.bjp-online.com/public/showPage.html?page=840375

Click to continue reading “Getty adds A900 to approved camera list”

ACR 5.3 and Lightroom 2.3 pre-release

Support for the Nikon D3X is finally added in release-candidate (better than beta) versions of the two main Adobe raw file conversion utilities. There may also be improvements in A900 and other Sony raw file handling – it is worth acquiring the pre-release version to check this out. The downloads will be available on the Adobe Labs site from 20.00hrs GMT on Friday, January 23rd, 2009.

Click to continue reading “ACR 5.3 and Lightroom 2.3 pre-release”

Alpha 900 – finder and frames

It’s not going to be long before we see the Alpha 900, and some cameras are known to be out there on trial in the hands of Sony staff and pre-release testers. I am not one, so rest assured, this is not a leak! What can you expect from the Alpha 900’s full-frame prism finder?

(Note: this post was written in early August – it is now 100% certain that the finder is 100%, and at 0.74X magnification will be – as had been hinted – the largest of all current DSLR finders in apparent visual terms except the EOS 1Ds Mk III which is 0.76X. Comparisons: EOS 5D 0.68X, Nikon D3 0.70X)
.

Click to continue reading “Alpha 900 – finder and frames”

New ‘micro 4/3rds’ system unveiled

Received this morning from Olympus PR:

Tokyo, 5 August 2008 – Olympus Imaging Corporation (Olympus Imaging) and Matsushita Electric Industrial Co., Ltd. (Panasonic) today announced joint development of technologies and devices for the “Micro Four Thirds System standard”.

Click to continue reading “New ‘micro 4/3rds’ system unveiled”

Sony Alpha 350 – a Creative Review

The introduction of a £399 (street price, RRP £449) DSLR with 14.2 megapixels – with or without a useful type of Live View – should have been applauded by reviewers. It’s the single most important point about the camera. No other DSLR approaches this image size and resolution at such a low price.

Click to continue reading “Sony Alpha 350 – a Creative Review”

Which Sony Alpha?

Now that there are five Sony Alpha DSLR bodies in circulation, with many owners of the original 2006 Alpha 100 considering a replacement, the differences between this ur-Alpha and the 2007-8 generation of Alpha 700, 200, 300 and 350 need examining.

Click to continue reading “Which Sony Alpha?”