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Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.


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Alpha’s Silver Jubilee

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month.

We have a full length revision of the article which appears in the latest Photoworld now online as a page here.

Read our 25th birthday review of the Alpha system’s history now!

Could Sony get ‘DxO Inside’?

I don’t have an Alpha 500 or 550 here yet, even though Photoclubalpha has been second in the Google search results for ‘Sony Alpha 550′ for some time and remains so as I write (the New York Times is first). That’s not bad for a Wordpress blog website which does NOT employ the services of the dozen or so ’search engine optimisation’ experts who contact us each week! Hopefully we’ll have a review camera very soon, preferably the 550.

In the meantime, a few samples have been posted on various sites which show the raw conversion engine of the camera/s (not necessarily the JPEG compression stage, as always seems to be assumed) has been radically revised. Sony call this ‘enhanced BIONZ’ and I think there’s a clue to how it has been enhanced in the relationship of Sony Europe and DxO Labs, the French company which specialises in in-camera process analysis and development.

Click to continue reading “Could Sony get ‘DxO Inside’?”

Sigma 18-250mm f/3.5-6.3 DC OS HSM

Tamron’s 18-250mm lens – later adopted by Sony – was so good that it really takes some effort to beat it. Sigma has put that effort in, but the cost is a very much larger and heavier lens. If all you got was some better performance, it might not be all that exciting. But you get potentially superior anti-shake through its built-in OS, and faster focusing with HSM, the Sigma equivalent of SSM.

Click to continue reading “Sigma 18-250mm f/3.5-6.3 DC OS HSM”

The Sony Alpha 380 – review

My Sony Alpha 380 was supposed to arrive before July 13th according to SimplyElectronics.net – via Amazon – claiming UK despatch of 2-10 days delivery after debiting my card on July 6th from a July 3rd order. Well, it didn’t arrive by July 21st, and after some email exchanges I have apparently obtained a refund for the charge they made for an item they did not have (though this was still showing as ‘processing’ in August). Warehouseexpress.com had got the A380 plus 18-55mm kits  by that time, for £10 less, and delivered in 24 hours. Update August 9th: under a month later, the warehouseexpress kit price has fallen by 10% (£50) to £548 inc VAT.

Click to continue reading “The Sony Alpha 380 – review”

Master Photo Digital on-line – free

All of Icon’s professional Master Photo Digital magazines can be read free on line. The latest, June 2009, has just been published:

This magazines uses the same Flash Reader format as the 19 editions of Photoworld and – NEWLY ADDED! – five editions of Minolta Image from the 2002-4 period just before Konica moved in. We have been able to find complete, or very nearly complete, original archive files for these issues and create PDFs to convert for our subscription service.

Photoclub Alpha’s Photoworld quarterly magazine is now available as an on-line subscription without printed paper issues (you can print any pages you want from the Flash-viewable ‘book reader’ format editions, read on-line, or download to read when you like). The cost is just £10.00 per year and gets you the latest issue before it even reaches our susbcribers!

The five editions of MINOLTA IMAGE from 2002-2004 take the archive back to December 2002 with 23 past editions of the club magazine available to read. Your £10 now gets you over 800 pages right away.

You don’t even have to keep checking the site, you are sent an email anytime we add a new edition – or add to our archive of back issues. Already there are 19 issues of Photoworld covering from Spring 2004 to Spring 2009 – the entire history of the Alpha digital system from the Konica/Minolta merger onwards. That’s over 500 A4 pages of reviews, news, tests, portfolios, galleries, how-to-do-it and inspirational articles. To preview what’s on offer (see the covers, contents page and first couple of pages of each magazine free) click the link then click any cover thumbnail. You’ll get a preview of four pages, and the choice of a full subscription or the single issue price of £3. If you pay for the full digital subscription all the issues are unlocked including the next year’s new issues, and each archive edition as we add them.

PW Subscribe
PW Subscribe

You can also subscribe, worldwide, to both printed and digital editions – this subscription for £25 means you will get the next four printed magazine delivered to your door:

PW Digital + Printed
PW Digital + Printed

Here are two comments from readers:

“The current Photoworld copy I received yesterday again is of outstanding quality. It is easily the thinnest magazine I read in terms of mm width, yet content and printing quality are reason for great delight. The printing is so much better then any of the magazines for sale in Germany, it is breathtaking every time.” - Markus Spring

“The best ten quid of any Minolta/Sony owner’s money has to be on YUDU, right now. I have just paid (through PayPal) and have access to every copy (it seems) of Photoworld magazine from early 2004. That’s 19 editions and the on-screen presentation is fantastic, not to metion the opportunity to download and read offline. I love magazines, I especially love photography magazines, and to be able to read the back catalogue of Photoworld is an absolute steal for that price.” - Brian Young

Postal subscription only Paypal options

You can subscribe to the printed edition only (no digital edition access) using our online Paypal subscription service.


Subscribe to Photoworld digital editions

It’s been a marathon exercise – all 18 editions of Photoworld, from the time of the Konica Minolta merger to our last (January) back issue, have been converted to a really great readable format (using Flash Player) which you can view via your web browser, print out or download for off-line reading. We have now added five more earlier editions of MINOLTA IMAGE, taking the archive back to December 2002 – plus two compendiums of reviews and articles from our other magazines.

The cost to access all these back issues – over 750 pages, fantastic portfolios, technical reports and tests covering the entire history of the Alpha digital system – is just £10 (by Paypal) and also gets you a full year of new Photoworld issues in advanced of the mailed copy. Or instead of it, if you prefer to subscribe this way. £25 now buys the postal magazine subscription plus the e-version and archives, worldwide.

Click to continue reading “Subscribe to Photoworld digital editions”

Getty adds A900 to approved camera list

Stock library Getty Images has added the Sony Alpha 900 to its rather restricted list of approved cameras – a very recent move, as it happened between the writing/research for my article appearing in the British Journal of Photography on February 18th, and publication. See: http://www.bjp-online.com/public/showPage.html?page=840375

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Sony Alpha at Focus on Imaging 2009

SONY has a stand at Focus on Imaging in the UK after an absence of three years for the Alpha brand from this major annual photo fair, said to the be largest national show in Europe with the exception of photokina. On Stand L28 – right next to the Canon exhibit – the UK’s technical sales executive Paul Genge has lined up a nonstop programme of speakers and demonstrations.

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Equal among firsts for high resolution

Here is an article which is mainly a test review of the Sigma 50mm f/1.4 EX DG HSM for Sony Alpha, and also Nikon, fit (both were tested). It also deals with the Alpha 900 and D3X, the two 24 megapixel full frame cameras used to test the lenses and two comparison 50mm f1.4s.

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Tilt-shift with full frame DSLRs

After just a short while working with full frame, high resolution DSLRs the need for tilt lenses has really come home to me. Most lenses deliver their best results at fairly wide apertures like f8, it’s easy for detail to begin to look soft and lacking impact if you are forced to stop down to f22 to get everything sharp. Tilt adaptors and tilt lenses solve the problem. This article is repeated here after originally appearing on dPhotoexpert (and similar instrument images, in my first D3X test report for the British Journal).

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Expodisc white balance with the KM Dynax 5D

The custom white balance function on the Konica Minolta Dynax 5D could not be quicker to use; turn the left hand top dial to the custom symbol, press the button in the centre of the dial, press the shutter after aiming the camera at your white or grey target. Custom WB is now set until changed with a new reading, or returned to fixed or Auto WB.

Click to continue reading “Expodisc white balance with the KM Dynax 5D”

Sony Alpha 900 and Nikon D3X raw file noise comparison

Like Mike Johnston writing in The On-Line Photographer, I’m aware that any attempt to line up one or more cameras and show comparison images or make judgements is on to a loser from the start. And any webmaster who puts an external link in the first half dozen words of a new post is losing the plot too! But here, for what it’s worth, is the first line-up of results processed using the same software from A900 and D3X uncompressed raw files converted without sharpening or noise reduction.

Click to continue reading “Sony Alpha 900 and Nikon D3X raw file noise comparison”

Studio comparison A900, 5DMkII, D3X

This set of full size shots was taken with the still life left set up, because the Nikon and Canon cameras were not here at the same time. It compares the A900, 5DMkII and D3X using the converters supplied by the makers – Image Data Converter SR2, Digital Photo Professional, and Capture NX2. Each small image in the article can be clicked to open a Level 10 quality full size JPEG – beware, the largest is over 13MB of data.

Click to continue reading “Studio comparison A900, 5DMkII, D3X”

New Photoworld – Alpha 900 A2 foldout poster

For any large circulation magazine to create a page section which folds out to view a A2 size is too expensive to consider – but Photoworld, subscribed to by enthusiasts and printed in a short run of only 1,600 copies, goes out on November 5th with a foldout sample image.

Click to continue reading “New Photoworld – Alpha 900 A2 foldout poster”