Photoclub Alpha

In an unusual move, probably designed to cut down the work of rejecting submissions which fail to make the grade, the on-line picture library Alamy has published lists of cameras (by make) which will NEVER produce a file acceptable to pass their Quality Control. It includes all the Sony Cyber-shots ever made as far as we can tell! They say: “Check your camera – do NOT submit any images from camera models featured on the list below. Camera models featured on this list do not produce files that are capable of passing Alamy’s QC standards.”

Here is an article which is mainly a test review of the Sigma 50mm f/1.4 EX DG HSM for Sony Alpha, and also Nikon, fit (both were tested). It also deals with the Alpha 900 and D3X, the two 24 megapixel full frame cameras used to test the lenses and two comparison 50mm f1.4s.

The introduction of a £399 (street price, RRP £449) DSLR with 14.2 megapixels – with or without a useful type of Live View – should have been applauded by reviewers. It’s the single most important point about the camera. No other DSLR approaches this image size and resolution at such a low price.

Epson has today launched an innovative new print plug-in for the Adobe Photoshop family of products that provides users with enhanced functionality and flexibility, making colour-managed printing quicker and easier.

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling Alpha 700 raw quite well. And it does things differently, with non-destructive raw editing, stacks of image versions, and so on.

The latest full release – no longer Beta, and accepting previous C1 Pro activation keys for unlimited access but otherwise now on 30-day trial – of Capture One v4 now handles Sony Alpha 700 raw files and transforms high ISO rendering in comparison to the industry standard Adobe Camera Raw.

After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types – but specifically, the Sony Alpha 700 – I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.

System
Camera type: Digital SLR with built-in flash and interchangeable lenses
Lens mount: Sony mount; compatible with Minolta A-type bayonet mount
Lens compatibility: All Sony a lenses and Konica Minolta MAXXUM / DYNAX lenses

BRANCHES of Currys, the large UK electronic box-shifter, have been displaying notices saying ‘Discontinued’ under their remaining Alpha 100 kits. This needed some explanation, so we contacted Sony UK to ask whether the camera was genuinely discontinued.

Here is one for all you film users in the UK –

Fujifilm Professional has announced details of a photographic competition held to celebrate the re-launch of Fujichrome Velvia 50. The winner will jet-off to Turkey on a photographic holiday-of-a-lifetime worth over £2,000.

THE PRESS and trade announcement made below on August 20th 2007 does little to confirm on deny rumours about the forthcoming AA and Flagship DSLRs. Why? You need to study the image, and study the dimension data, and fully understand what they are talking about, before the implications are clear.

THE FIRST QUESTION anyone asks about the Sony GPS-CS1 device is whether it will work with their non-Sony digital camera. The answer is ‘yes’ but you may need to buy some extra software, as it only comes with software to link up to Sony Picture Motion Browser. If you can ensure that you buy the product sold as GPS-CS1KA it should include a copy of this software in full. If you buy the product coded only as GPS-CS1, it may have nothing apart from a patch-updater program you are supposed to use with your existing Sony installation. So make sure you know exactly what you are buying (there appears to be no price difference, and very few retailers are making any distinction between the two bundles). There seems to be no reason to continue offering the kit with the updater only.

DxO OPTICS PRO 4.1 is the latest version of a clever raw file processor which includes lens lookup tables to auto-correct distortion, vignetting and chromatic aberration. It also lets you alter the look of Dynax or Alpha images so they match popular films – or other DSLRs by Canon and Nikon!