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WE trialled a ZMags version of the January 08 issue of Photoworld here. We then looked at Uniflip. However, all these places want a few hundred dollars to leave a slightly adjusted Flash or Java version of a PDF we create, on their server for 12 months. The ZMags trial is now removed and after [...]
This is the latest press release from Sony UK - filling the streets of Miami with club-style foam for their new digital photography ad campaign:
Advertising video foam Miami Sony shoot youtube clip
Daniel Oi - who provided our most popular external link in recent weeks with his Glasgow Merchant City surround-vision stitched VR panorama - has created a superb view of the Kibble Palace glasshouse at Glasgow’s Botanical Gardens:
The full virtual reality pan-around (up down and everywhere!) version is at:
http://cnqo.phys.strath.ac.uk/~daniel/Panos/Kibble.html
Another great example of this technique from [...]
News tonight from Sony UK - great news for UK buyers…
As of the 1st of April 2008 the UK Sony Style business will transfer from a Belgian to a UK based company.* This will not affect your statutory rights or data protection in any way. This change will create a range of benefits for any [...]
Moving a DSLR - preferably without vertical grip because of the further imbalance created - to portrait format shooting on a small tripod ballhead produces an unstable arrangement where the head is stressed. The camera may sag unless the head is tightened, and if the lens is heavy, it may also unscrew itself from the [...]
There’s a lot of controversy right now about whether or not the image structure of the Alpha 700 files at very high ISO - mainly 3200 and 6400 - is as clean as raw processed results from other comparable cameras like the Canon 40D (does not offer ISO 6400), the Olympus E-3 (does not offer [...]
Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling [...]
Daniel Oi is a dedicated and experienced Alpha system user currently staying in Glasgow. He’s created a particularly impressive 360 degree panorama of a tiny area of the city centre which has unexpected magic in its Christmas lighting garb. Go down Buchanan Street, turn towards George Square, and you will walk through this Georgian enclave [...]
The latest full release - no longer Beta, and accepting previous C1 Pro activation keys for unlimited access but otherwise now on 30-day trial - of Capture One v4 now handles Sony Alpha 700 raw files and transforms high ISO rendering in comparison to the industry standard Adobe Camera Raw.
ACR raw .ARW Capture One C1 [...]
NOT everyone will want the live view offered by the A300 and A350 - it does turn out to be more or less as we suggested, a secondary optical path adjacent to the eyepiece inside the prism housing. I’ll explain here exactly what the implications are, and why a future model - let’s call it [...]
Sony say that the Alpha 100 has a 230,000 pixel rear screen and the Alpha 700 has 920,000 pixels. What they don’t make entirely clear is how many individual R, G or B pixels are used to create each ‘pixel’ of the image (complete RGB). In fact the 920,000 pixel screen is VGA - 640 [...]
A mention of 16mm Minoltas reminded me that a few years ago I found a perfect kit - without outer box or instructions, sadly - at an antique fair. A daylight developing tank for the film turned up in the closing-down stock from Konica Minolta’s warehouse. I decided they should really find a new home [...]
After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types - but specifically, the Sony Alpha 700 - I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.
raw camera Sony A700 Alpha 700 [...]
The Sony Alpha Unseen Britain Challenge has embarked on its campaign to capture never seen before images of Britain with renowned photographer and climber Mike Robertson. Commissioned by Sony, Mike will tour the country scaling new heights and legendary landmarks to create totally new and exciting photographic images using the new Sony Alpha 700 [...]
THE specifications of the CMOS 13.1 megapixel, 12.3 effective megapixel sensor used in the Sony Alpha 700 and the Nikon D300 continue to provoke discussion. On the one hand, we have Sony’s own announcement of the ‘commercialisation’ of the IMX21 sensor in August, preceding Nikon’s advance publicity by a few days. On the other hand, [...]
BEFORE we publish a fuller assessment of the Sony Alpha 700, here is a taster of just one improved function, the Dynamic Range Optimisation (DRO) system built into the camera. For social, wedding, sports, music, theatre, news and event photographers DRO Advanced Manual settings are a real magic bullet zapping the bugbears of excess contrast, [...]
Sony has released a firmware update for the Alpha 700, from version 1.00 (as supplied) to version 2.00, and an updater for Image Data Converter 2.0 SR.
Sony Alpha 700 camera DSLR samples results pictures images test pix performance opinion assessment review evaluation trial launch preview noise NR JPEG firmware upgrade
ON OCTOBER 10th I left the UK London press launch complete with an Alpha 700 review camera. I’ll be covering the many aspects of the Alpha 700 performance in later reviews, but this camera is so good I wanted to get just something out to you right the next day.
Photoshop Camera Raw technique control Alpha [...]
The World Photography Awards (WPA), sponsored by Sony, is an international showcase of the best images taken by renowned and undiscovered photographers alike. From landscape to music and photojournalism to fashion photography, the WPA is the first awards of its kind and is supported by hundreds of the industry’s top photographers, critics, gallery curators, directors, [...]
THE question is being asked, will the Alpha 700 match the rich colour rendering of the Konica Minolta 7D and 5D? These cameras had identical colour profiles, and were in turn very similar to the Dimage A1 and A2. The Sony Alpha 100 proved very different. Here’s my best attempt to explain why.