Photoclub Alpha

I SELL digital images through Alamy, the on-line photo library. When an original piece of art is out of copyright, and displayed in public or by an owner permitting photography, the ability to get a good quality reproduction copy on the spot without lights, tripod or flash is valuable. Some 8 per cent of my overall Alamy images sales over the past four years have been of signs, notices and labels - disproportionately high, compared to the actual number of such shots. As someone has commented, editors like pictures which tell their own story, and sometimes have words in the pictures does just that.

WE spent a great week shooting mainly in Vaucluse, the district to the east of Avignon in the south of France, with Shirley using the 18-250mm Tamron f/3.5-6.3 lens exclusively. One object of this was to get some more example photos for a short article on the lens in our forthcoming Photoworld magazine.

9 July, 2007 - As take up of High Definition (HD) gains momentum in Europe, Sony is to launch a major Pan-European marketing campaign to demonstrate the breadth and depth of the company’s HD proposition and to educate consumers about the intricacies of HD.

IN 1998 Minolta published, for their 70th anniversary, a large poster featuring all the landmark cameras from their own museum and employee collections. Many of the cameras shown - all fairly small on the poster - were well used and worn examples. The original image-files for the poster, which we have archived, are of poor quality. They are Japanese inkset CMYK sharpened for pre-press, with very dark gamma. This page re-creates all the information from the original poster, complete with the photographs.

THE appearance of press-release resolution (14Mb) images of the new Alpha - un-named but thought to be the Alpha 200 or 300 because of the product code earlier assigned to shots of prototypes at PMA - combines with reports on various forums from European Sony executives visiting Japan to suggest that the launch announcement for the new model and a range of full-frame lenses is imminent.

ASDA and Sony launch fastest digital photo printing service on the market

Britain’s second largest supermarket chain invests in multi-million pound deal to install 260 kiosks in 130 stores across the UK to maximise customer convenience and profits

LONDON, 20th June 2007 - By the end of 2007, ASDA customers will have access to the fastest digital printing facilities on the market with new Sony printing kiosks. The Sony kiosks utilise state-of-the-art printing technology to create standard 4×6″ photos at market leading speed.

THE FIRST QUESTION anyone asks about the Sony GPS-CS1 device is whether it will work with their non-Sony digital camera. The answer is ‘yes’ but you may need to buy some extra software, as it only comes with software to link up to Sony Picture Motion Browser. If you can ensure that you buy the product sold as GPS-CS1KA it should include a copy of this software in full. If you buy the product coded only as GPS-CS1, it may have nothing apart from a patch-updater program you are supposed to use with your existing Sony installation. So make sure you know exactly what you are buying (there appears to be no price difference, and very few retailers are making any distinction between the two bundles). There seems to be no reason to continue offering the kit with the updater only.

YOU MAY want to learn exactly how I shoot the product photographs which appear in my own articles here at Photoclubalpha. I use a studio light table with an opal plexiglass transilluminated scoop. This is the method I have used now for over 25 years and it’s saved me a lot of time, and earned me a lot of money.

THE LENSBABY was a novelty item when first introduced as a low-cost meniscus lens mounted on a flexible concertina tube with an SLR mount-fitting at the other end. Like the Diana or Holga cameras sometimes used by professionals to capture a feel of post-modern grunge, it used aberrations creatively.

I CARRY a camera everywhere, because you never know when a good photograph is round the corner. I also just grab the camera from my office, and rarely think to check the settings. Today, I managed to shoot everything with Super Steady Shot (Anti-Shake) carefully switched off on my Alpha 100.

THE PROBLEM of darkened extreme corners with the 16-80mm CZ Sony lens definitely exists. They are there in many of my shots, with or without SSS anti-shake enabled, significant softly darkened corners. Everyone is saying this must be due to filters, and at least one of Forum regulars has emailed Zeiss about this issue (and got a reply almost admitting that the lens falls short of ideal design). But is it?

Here’s a thought for today, in the absence of Microsoft’s new Vista operating system. Don’t want to break the Dell which does all necessary PC stuff and seems happy on XP Home Edition, even if that makes people laugh. The last pre-Intel Mac OS and presumably the current Intel incarnation have a Find function in the ‘Finder’, not exactly analagous to Windows Explorer but the system’s interface for all operations and present no matter what you do.

This ‘Find’ function has been amended at some point to go right into the EXIF data

THE NEW Tamron 18-250mm has some importance to Alpha system users. It is almost certainly the optical basis for the forthcoming Sony SAL 18-250mm version, and as a APS-C 13.7X zoom with an equivalent 27-375mm (in full frame terms) range is uniquely suited to the SSS-enabled Dynax 5D, 7D and Sony Alpha 100

PHOTOCLUB ALPHA is the website for the Photoworld Club - the former Minolta Club of Great Britain after the final closure of the Konica Minolta camera division on March 31st 2006. David & Shirley Kilpatrick - that’s us, aka Icon Publications Ltd - first started using Minolta SLR systems in 1974. In 1981 we were asked by Minolta Camera Co. Ltd to run the existing club and produce its quarterly magazine, Photoworld; we did this for 25 years with their support and later that of Konica Minolta Photo Imaging (UK) Ltd. In 1987 we formed Icon which is the siteowner of photoclubalpha.com, and now publishes Photoworld as an independent quarterly full colour glossy magazine for Minolta, KM and Sony Alpha DSLR system users.

SUBSCRIBE NOW to the magazine and support this website!

Photoworld started life in 1966 as a black and white newsletter produced by David Shaw, marketing manager of Japanese Cameras Ltd, the UK importing company owned by Charles Strasser which handled Minolta, Soligor, Miranda and several other brands. It became an A4 magazine with some colour in 1976. Between 1982 and 2004 it changed name to Minolta Image. Over 100 editions have been produced under our editorship.

You can download the entire PDF for the final Konica Minolta supported edition, which would have been a 25th anniversary edition for us and nearly 40th anniversary edition for the British Minolta Club. It includes a few words of farewell as well as optimism for the future.

What made the Minolta Club of Great Britain possible was the long-term loyalty of thousands of system owners, and the regular intake of new members through the medium of leaflets in product packaging. This new intake is no longer easy to find. Sony packaging will not contain any references to the former Minolta Club for obvious reasons, and Minolta or Konica Minolta products are now generally out of stock as well as out of production.

The future of the club and the magazine are Icon Publications Ltd’s responsibility. Sony will provide their own web-based club open only to buyers of new Alpha equipment, closed to our existing Minolta Club members unless they invest in Alpha. Konica Minolta will not allow use of its trade names for a continued Minolta owner club site, something difficult to reconcile with the many enthusiast and owner clubs independently run for countless makes and brands past and present.

Existing subscribers have received the Autumn 2006, Winter 2007 and Spring 2007 magazines, following up Summer’s first Alpha 100 report with more detailed tests. We have welcomed support from Sigma Imaging (UK) Ltd, Intro2020 Ltd (Tamron lenses), The Flash Centre, and Calumet Group. This enabled us to mail all current and previous subscribers, including those who have allowed their subscription to lapse, with the first (Summer 06) magazine in our new situation. We really need new blood, however - new photographers to feature in our pages and competitions, to join in with or create future events for readers, to write for us, perhaps to lecture in our sponsored camera club talks programme.

We are offering a chance to resubscribe with a worthwhile welcome gift of a versatile Z-case or a Minolta MB-1 camera kit bag (subject to postage and packing charges only).

Download and install latest FIRMWARE and SOFTWARE updates for the Alpha 100 and Sony image conversion/browsing packages.

View David Kilpatrick’s latest page of images on pBase - example shots from the new Carl Zeiss 16-80mm f3.5-4.5 DT ZA zoom taken on the Alpha 100.

Run our Alpha System web slideshow

Shortly before the June 6th 2006 worldwide launch of the Sony Alpha digital SLR system the European press learned that major title editors would meet in Marrakesh for the unveiling of the Alpha 100. No-one anticipated being driven miles into the desert-like countryside of Oued Nfis for the experience of a night under canvas after witnessing feats of Berber horsemanship and a massive pyrotechnic intro! Read David Kilpatrick’s original report from the Summer 2006 edition of Photoworld magazine.

An old Japanese folk-tale, discovered in a book of oriental myths and legends, and translated from the original Ancient Sumo script by David Kilpatrick.

THERE WAS once a beautiful Geisha called Minolta (here real name was Chiyoko but she adopted the stage name of Minolta once her fame spread abroad). She had many rivals, and was courted by many suitors.