Photoclub Alpha

The latest release of Adobe Lightroom, v2, handles all Sony Alpha and earlier KM digital camera raw formats including the Alpha 700, 200, 300 and 350. It is also updated, along with the final release of Adobe Camera Raw 4.5, to handle Nikon D700. Because Canon appears to have left their filetype identical to the A400, their new 1000D was recognised immediately by ACR even in 4.5 beta version.

After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types - but specifically, the Sony Alpha 700 - I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.

BEFORE we publish a fuller assessment of the Sony Alpha 700, here is a taster of just one improved function, the Dynamic Range Optimisation (DRO) system built into the camera. For social, wedding, sports, music, theatre, news and event photographers DRO Advanced Manual settings are a real magic bullet zapping the bugbears of excess contrast, poor lighting, and inadequate flash penetration.

October 16, 2007, Burlingame, CA — FotoNation (www.fotonation.com), a leading provider of embedded imaging solutions for the imaging industry, announced today “FastTrack IPC” (IP-Core) hardware acceleration technology that improves Face-Tracking quality and performance up to 400% in digital cameras and camera phones.

Burlingame, CA, September 12, 2007 — FotoNation, Inc. (www.fotonation.com), a world-leading imaging solutions company for the digital photography industry, announced today that it has been selected by Sony’s Professional Printer Group to provide its award winning digital Red-Eye Correction technology for new professional Sony photo printers, Picture Station Kiosks, and photo application products.

THE Konica Minolta Maxxum/Dynax 5D colour modes and conversions are like a whole box of film choices in one roll. This article was written using the 5D in 2005. The modes of the Sony Alpha 100 are similar, but the colour palettes will vary from these results.

THE FIRST QUESTION anyone asks about the Sony GPS-CS1 device is whether it will work with their non-Sony digital camera. The answer is ‘yes’ but you may need to buy some extra software, as it only comes with software to link up to Sony Picture Motion Browser. If you can ensure that you buy the product sold as GPS-CS1KA it should include a copy of this software in full. If you buy the product coded only as GPS-CS1, it may have nothing apart from a patch-updater program you are supposed to use with your existing Sony installation. So make sure you know exactly what you are buying (there appears to be no price difference, and very few retailers are making any distinction between the two bundles). There seems to be no reason to continue offering the kit with the updater only.

TESTING the flash options most widely sold for the Minolta/Sony unique hot shoe system became a necessity after the launch of the Alpha 100. Despite the reliability of automatic TTL off-the-film flash metering ever since Minolta first introduced it with the Auto Electroflash PX series in 1981, things began to go wrong with the shift to digital SLRs.

Here’s a thought for today, in the absence of Microsoft’s new Vista operating system. Don’t want to break the Dell which does all necessary PC stuff and seems happy on XP Home Edition, even if that makes people laugh. The last pre-Intel Mac OS and presumably the current Intel incarnation have a Find function in the ‘Finder’, not exactly analagous to Windows Explorer but the system’s interface for all operations and present no matter what you do.

This ‘Find’ function has been amended at some point to go right into the EXIF data