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The tortoise and the hares?

SONY has shown itself to be lagging behind the competition as we reach the third bend on the second lap of the development of HD-video capable DSLRs. At PMA 2010, nothing ‘real’ was shown and the closest they came to further launches in the Alpha range was an advanced pre-production prototype of a 24mm f/2 Carl Zeiss T* ZA SSM.

But Sony may prove yet to be the tortoise – or perhaps to be Brer Rabbit. They could make the finishing line, the goal of a truly useful video DSLR, before Nikon/Canon/Pentax/OlySamPanny get there.

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Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.


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Sony Alpha 550 Review: highs and lows

My review of the Sony Alpha 550 was supposed to appear at the end of November, allowing one week abroad in good weather with plenty of subject-matter, in Tenerife. Sadly that trip had to be cancelled, and the Nikon D3S arrived for review on the day we were meant to have travelled. So, with far too much work to do on the D3S, I’m “going to press” here with my initial thoughts based on a fairly short time using the Alpha 550. There are 11 pages in this review, please use the Next Page navigation at the end of each page to continue reading.

PLEASE NOTE: this website uses a rating system where readers can rate the posts, like this review. This rating is NOT my ‘rating the camera’! I have read elsewhere that I ‘gave the camera 4.83 out of 5′ – that was the rating readers gave my review… sorry, this is very confusing, I had not realised how easily it could be confused. We have had the post-rating system for a long time and it’s a standard feature on many Wordpress based sites. I do not want to remove it (along with the ratings) so please accept this apology for incorporating a dangerously confusing ’star rating’ here.

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Ricoh start where the Dimage EX 1500 left off!

Tokyo, Japan, November 10, 2009 — Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the GXR interchangeable unit camera system featuring the world’s smallest and lightest* digital camera with the ability to change lenses.

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The new GXR is an interchangeable unit camera system in which lenses are changed by using a slide-in mount system to attach camera units to the body. The lens, image sensor, and image processing engine are integrated into the camera units so the body itself does not contain an image sensor.

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With world-leading small size and low weight* enabling easy carrying, the GXR interchangeable unit camera system features a highly rigid magnesium alloy body and multiple camera units that can be changed to best fit the scene to be photographed. You can enjoy easy lens changes as well as amazing image quality and shooting flexibility. Concealing infinite possibilities in its small body, the GXR is a revolutionary camera system that pioneers a new realm of photography.

Distinctive characteristics:
1.    Lens, image sensor, and image processing engine comprise an integrated unit which can be changed to match the scene being photographed.
2.    World’s smallest and lightest* digital camera with interchangeable lenses
3.    System potential expanded through use of interchangeable units

Comment from David Kilpatrick:

Though the Ricoh system as revealed through this press release appears to show only a GR-size body with a zoom lens module suitable for a 2/3rds or slightly smaller imaging sensor, Ricoh has said that sensors right up to the size of APS-C will be built in to further lens modules. The ultra-wide angle version would have an APS-C sensor making similar to the Sigma DP-1. For similar reasons, high ISO and fast lens may be combined with a different size of sensor.

This is not the first time a digital camera has been designed with lens-sensor modules that could be changed. The Minolta Dimage EX 1500 accepted either a standard zoom module, or a wide-angle module. These included viewfinders (missing from the Ricoh concept, which relies entirely on the rear screen or electronic viewfinders) and had the unique ability to be removed from the camera on a 1.5m long Cable EX. This allowed users to position the wide-angle module inside scale models, doll’s houses and similar subjects to obtain realistic human-scale perspectives. It was only a 1.5 megapixel camera, and Minolta abandoned the concept before they had a chance to develop it further, whatever dPreview said ten years ago:

http://www.dpreview.com/reviews/minolta1500/

The technology behind the Ricoh is not all that different from the way consumer digital cameras are constructed anyway. Lenses are already sold sealed to CCD/CMOS sensors, as a single unit. That is how the OEM sources of the lens-sensor modules market them. At photokina, you can see (every two years) a new crop of such modules with both the technical resolution specs of the optical unit and the megapixel count of the sensor, identifiable to this non-Chinese/Japanese reader in the middle of a description which is usually inb Chinese. In 2006, I tracked such a module from its maker to the first camera I could find which used it – a compact branded as Vivitar. The customisation consisted of building any body the maker chose to design, and putting a ring on the lens front labelling it is a high resolution Vivitar lens; actually, it was just a generic lens-sensor assembly from China.

Ricoh has also pioneered unusual digital designs in the past, including rotatable or detachable lens modules and one of the first viewfinder-less designs, where the viewing screen was intended to be used at waist-level rather than today’s habit of waving the camera in front of your face.

This differs from anything previously done in the power of the CPU unit in each lens module, and the control unit with display and card module in the host body. It should allow any reasonable pixel count and sensor size to be built in to future optical modules. If the accessories do eventually include dedicated APS-C lens-sensor sealed modules, ‘dust on sensor’ will be one clear benefit (or the lack of it will). A supertelephoto module is also planned which will use a sensor smaller than APS-C.

Lightroom 3 Beta released

London. — October 22, 2009 — Adobe Systems Incorporated (Nasdaq:ADBE) today introduced Adobe® Photoshop® Lightroom® 3 beta software for Macintosh and Windows®, a public preview of new and improved functionality to be delivered in the next major release. Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance, and showcase all their images from one application. Available as a free download on Adobe Labs, Lightroom 3 beta delivers a preview of new tools that will be in Lightroom 3, including more intuitive importing, unparalleled noise reduction and sharpening tools and enhanced slideshow capabilities.. Adobe encourages photographers to test this early selection of new features and provide the product team with their feedback.

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Stunned by the beautiful game

Peter Crouch cuts a striking figure on the football pitch at the best of times and when recently asked to train the UK Sony ‘Twilight Football’ team ahead of their big game on the 22nd September, the outcome was some simply stunning imagery. (Editor’s note – continue reading to see the ’stunning imagery’… but have somewhere handy to put the hair you tear out)

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New Alpha A500, A550 official news release

Sony has announced the Alpha 500 and 550 today with an official release to all press. No press conference was held for the UK press and any advance information received has been given indivudally to journalists. There is a press event tonight in London but this is VERY specifically stated to be for trying out the new Cyber-Shot models at twilight. The official release follows.

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Sensor-feed Live View in new Alpha 500

ACCORDING to specifications revealed on a German site, the new Sony Alpha 500 will have a 12.3 megapixel CMOS sensor capable of providing Live View to the rear 3 inch medium resolution screen – with Manual Focusing at 14X magnification. The in-prism based Quick AF Live View is retained, giving a choice between two entirely different systems of Live View, Sony’s innovative and easy solution scanning the focus screen, and a critically accurate alternative for tripod work. The camera may sell for just €50 more than the Alpha 380 – or break the £500 body only barrier in the UK right from the start.

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Exmor R hits the High Street – new Cyber-shots

SONY puts two 10.2 megapixel consumer digicams on the market in September 2009 using the back-illuminated Exmor R sensor. This CMOS sensor architecture takes the ’sandwich’ which forms the light-sensitive pixel wells, and reverses it so that the side previously used for connections now faces the image-forming light. This change allows more light to be captured, resulting in improved high ISO performance. So far, the Exmor R technology has only been used in video cameras and this is the first appearance of it in still cameras. The cameras can shoot at 10 frames per second.

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The Sony Alpha 380 – review

My Sony Alpha 380 was supposed to arrive before July 13th according to SimplyElectronics.net – via Amazon – claiming UK despatch of 2-10 days delivery after debiting my card on July 6th from a July 3rd order. Well, it didn’t arrive by July 21st, and after some email exchanges I have apparently obtained a refund for the charge they made for an item they did not have (though this was still showing as ‘processing’ in August). Warehouseexpress.com had got the A380 plus 18-55mm kits  by that time, for £10 less, and delivered in 24 hours. Update August 9th: under a month later, the warehouseexpress kit price has fallen by 10% (£50) to £548 inc VAT.

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Back-illuminated Exmor in new Sony HD Handycam

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•Class-leading Exmor R™ CMOS Sensor plus Sony G Lens and BIONZ image processor for incredible HD imaging performance, especially in low light
•Optical SteadyShot Active Mode gives up to 10x less camera shake, now improved with ‘3-Way Shake-Cancelling*’ stabilisation
•Full HD recording on 64GB(CX520VE)/32GB(CX505VE) internal memory and optional Memory Stick
•Automatic geotagging of clips and still images by GPS

*World’s first to reduce camera shake in 3 directions during video shooting (as of July 2009, Sony Research)

It’s the very last word in HD picture quality, smart shooting features and stunning looks. The new flagship of Sony’s HD camcorder line-up, the Handycam® HDR-CX520VE/505VE is packed with latest innovations to help you capture better-looking video and still images, whatever you’re doing. Press release from Sony, July 7th 2009.

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Free PhotoTools software for Photoclubalpha readers

OnOne Software has made available an entire free download including Lite versions of 14 of their PhotoTools plug-ins for Photoshop. All you have to do to obtain the download is visit their website using the link below and provide a valid email address for verification. We have tested the entire OnOne software range – including the full PhotoTools 2 package – with excellent performance on CS4/MacOSX 10.5+.

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Pentax K-7 -720p video, serious competition

PENTAX UK is pleased to announce the launch of the PENTAX K-7 lens-interchangeable digital SLR camera. The K-7 combines a variety of advanced functions and user-friendly features to ensure outstanding reliability and capability within a compact, lightweight body (says the press release from Pentax in the UK).

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The K-7 joins the current PENTAX K digital SLR camera series as a high-end model in the range. True to its series concept, it has been designed to deliver outstanding image quality combined with ease of use, to benefit photo enthusiasts of all levels, including advanced amateurs. The K-7 also includes revised and upgraded features including viewfinder, shutter unit, continuous-shooting capacity, and exposure and autofocus systems.

Protected by a durable, high-quality metallic body, the K-7 is extremely compact and functional — as with all other K-series models — delivering enhanced portability and manoeuverability. The model includes several new user-friendly features, including video recording, high dynamic range (HDR), and automatic horizon correction. All of these features serve to deliver a highly effective photographic tool, perfect for all discerning digital SLR photographers.

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New skins versus old wine – A350 or A380?

As the generation of Alpha 200, 300 and 350 reaches early retirement age it may be the time to grab bargains. The new Alpha 230, 330 and 380 have plenty of bonus points to win over new users despite the critical lack of video capture. But the older generation has some very tangible benefits.

The most obvious changes in the ‘Plus-30′ range are the use of a new smaller battery (NP-F50AM) shared with Cyber Shot consumer models, a dual MS ProHG Duo and SD card interface, substantial reduction in weight and size, improved rear LCD screen with auto brightness adjustment (only on the A330 and A380), and a radical overhaul of the graphical user interface to include sample picture tips (pioneered by Nikon).

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Sony Alpha 230, 330 and 380 update

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The new Alpha 230, 330 and 380 models are radical ergonomic redesigns of the existing 200, 300 and 350 series. There is a 15% reduction in size (volumetric) and weight, an update to the styling, and a completely revised user interface with graphic representation of setting adjustments – with a built-in ‘handbook’ to accompany the modes and options. They also have mini-HDMI image output, compatible with Bravia TVs and with interactive software inside the camera to allow the Bravia’s own remote control to change, orient and zoom into images (Bravia Sync). Twin card storage is MS ProHG Duo/SD and only one card is usable at a time, with a hardware switch to change slots. A smaller battery type (shared with the HX1 Cyber Shot) is used. A new self-timer drive mode grabs a quick burst of 3 or 5 frames, cutting the chances of spoiled portraits and groups shots when someone blinks at the wrong moment.

The new flashgun HVL-F20AM operates as a wireless flash controller for the full-frame α900. “While Sony’s flagship DSLR does not have its own integrated flash, the HVL-F20AM can be used as an inexpensive trigger for wireless remote flash heads” according to Sony UK.

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