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The Sony Alpha 380 – review

My Sony Alpha 380 was supposed to arrive before July 13th according to SimplyElectronics.net – via Amazon – claiming UK despatch of 2-10 days delivery after debiting my card on July 6th from a July 3rd order. Well, it didn’t arrive by July 21st, and after some email exchanges I have apparently obtained a refund for the charge they made for an item they did not have (though this was still showing as ‘processing’ in August). Warehouseexpress.com had got the A380 plus 18-55mm kits  by that time, for £10 less, and delivered in 24 hours. Update August 9th: under a month later, the warehouseexpress kit price has fallen by 10% (£50) to £548 inc VAT.

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‘Twilight Football’ concept to boost Sony low-light reputation

Sony has come up with a zany idea to overcome problems in their reputation for high ISO and low light capability – showcase cameras, including the Alpha range with its legendary high ISO noise reduction, by shooting an essentially unphotogenic subject in almost non-existent light. But they are picking exceptional locations to do so. Sony Europe is currently obsessed by football, which for two decades Canon has claimed as its own territory.
Twilight Football logo

What’s in it for photographers? Less than there is for amateur footie players, as it seems unlikely the public will be able to join the ‘specially selected’ teams of still and movie shooters.

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Pentax K-7 -720p video, serious competition

PENTAX UK is pleased to announce the launch of the PENTAX K-7 lens-interchangeable digital SLR camera. The K-7 combines a variety of advanced functions and user-friendly features to ensure outstanding reliability and capability within a compact, lightweight body (says the press release from Pentax in the UK).

k7front

The K-7 joins the current PENTAX K digital SLR camera series as a high-end model in the range. True to its series concept, it has been designed to deliver outstanding image quality combined with ease of use, to benefit photo enthusiasts of all levels, including advanced amateurs. The K-7 also includes revised and upgraded features including viewfinder, shutter unit, continuous-shooting capacity, and exposure and autofocus systems.

Protected by a durable, high-quality metallic body, the K-7 is extremely compact and functional — as with all other K-series models — delivering enhanced portability and manoeuverability. The model includes several new user-friendly features, including video recording, high dynamic range (HDR), and automatic horizon correction. All of these features serve to deliver a highly effective photographic tool, perfect for all discerning digital SLR photographers.

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Tamron’s new 60mm f/2 1:1 macro

Tamron Co., Ltd (Mr. Morio Ono, President), a comprehensive manufacturer of optical products with its head office in Saitama City, has announced the development of the SP AF60mm F/2.0 Di II LD (IF) MACRO 1:1 (Model G005), a life-size macro lens designed exclusively for digital SLR cameras with APS-C size image sensors* that offers a fast maximum aperture of F/2.0. (Text here is directly from their press announcement).

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Sony CMOS sensor background revealed

There is a white paper by Sony Semiconductor on the imaging processing which I think is in the HX1, http://www.sony.net/Products/SC-HP/cx_news/vol55/pdf/featuring55.pdf. I assume it is the IMX-032 CMOS sensor (http://www.sony.net/Products/SC-HP/cx_news/vol55/np_imx032cqr.html) mated to a CXD4109AGG image processing chip. There seem to be some interesting techniques employed, multi-plane synthesis to combine several frames for low light and HDR capture.

With the IMX-032, it is interesting to note that the on-board programmable gain amplifier has a gain value of up to 18dB or a factor of 8, so if base ISO is 80, then maximum “analogue” ISO is 640. If we compare the IMX-032 versus Sony’s first column ADC CMOS chip (IMX-017), the IMX-32 has an 11.8% better photo-electron efficiency per unit area (2300e per 1.75 micron square pixel compared to 4500e per 2.5 micron square pixel). Might be a sign that Sony is improving the process and design used to make their CMOS chips.

The backside illuminated chip is called the IMX-061, http://www.chipworks.com/uploadedFiles/Aliased_Pages/CMOS_ImageSensors_Spotlight/Chipworks%20-%20Sony%20IMX061%20EXR-0902-813.pdf
6MP and 1.75 micron pixels in ClearVID (45 degree) layout with a 1:6:1 RGB Bayer filter array, sacrificing colour resolution for spatial resolution.

The Nikon D90 chip is called the IMX-038 (not the IMX-021 as for the A700), so this suggests it has significant revisions compared to the IMX-021 (possibly linked to LiveView and HD Video?).

– Dr Daniel K. L. Oi

Equal among firsts for high resolution

Here is an article which is mainly a test review of the Sigma 50mm f/1.4 EX DG HSM for Sony Alpha, and also Nikon, fit (both were tested). It also deals with the Alpha 900 and D3X, the two 24 megapixel full frame cameras used to test the lenses and two comparison 50mm f1.4s.

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Tilt-shift with full frame DSLRs

After just a short while working with full frame, high resolution DSLRs the need for tilt lenses has really come home to me. Most lenses deliver their best results at fairly wide apertures like f8, it’s easy for detail to begin to look soft and lacking impact if you are forced to stop down to f22 to get everything sharp. Tilt adaptors and tilt lenses solve the problem. This article is repeated here after originally appearing on dPhotoexpert (and similar instrument images, in my first D3X test report for the British Journal).

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DxO Optics Pro – cRAW, high ISO both fixed?

DxO Labs today has announced the availability of DxO Optics Pro v5.3, a new release which includes support for the Sony cRAW format missing from previous versions. They also say that new RAW conversion technology “turns the promises of very high ISO (up to 25,600) into reality”.

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Alpha 900 launch: Press Conference Part 4

Duncan McEwan spoke, in his usual very steady and friendly manner, about his experience of using the Alpha 900. He showed a selection of images taken – remarkably – over a period of just 10 days preceding the event, using a 24-70mm CZ and his own 70-200mm Minolta SSM. Here is his own ‘script’ for the presentation, with a small selection of the images.

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Alpha 900 and photokina: Part 1

OUR final production Alpha 900 body arrived on Saturday September 20th, and went along to photokina 2008 on Monday 22nd where it was used in a routine way – without flash – to take whatever pictures were needed for magazine reports. Sometimes it can be better just to use a camera on whatever difficult or poor subjects the world throws at you, than to devise impressive test situations.

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