Search

Results for

Alpha Silver Jubilee – 25 years 1985-2010

The Alpha System celebrates its Silver Jubilee or 25th Anniversary this month – though left uncelebrated by the inheritors of the Minolta AF legacy, Sony. They have no reason to draw fresh attention to the age of the system, as in four years they have taken it the same sort of distance that Minolta took the world’s first AF system in the late 1980s.

It’s not only Alpha’s 25th birthday. This is also the 25th birthday of modern AF SLR systems – all of them!

This is a multi-page article. See the links at the bottom of the page to Continue Reading after each page.

For Photoclubalpha and the historic Minolta Club of Great Britain, the anniversary does matter. A good many of you out there have been members since the launch of the system, often using the earlier SR and X manual focus systems before that. We still have a 1985 Minolta 7000AF and it’s still working just as it did when new.

25 years before the first Minolta SLRs appeared – a folding Minolta Six of 1935

I don’t mind showing my age to make a comparison. I was 11 in 1963 when I took my first pictures with an SLR camera. My father had bought himself a Pentax S3 – and the camera it replaced was 25 years old, a pre-war Zeiss Ikon Kolibri collapsible 16-on-127 model.

When the Kolibri was made, 127 was the ‘vest pocket’ format of choice. 35mm was on the rise, but 35mm SLRs had not yet arrived. They were as much a thing of the future as digital SLRs were when the Minolta 7000AF was launched.

But within that 25 years, there was hardly a single camera system made with interchangeable lenses that did not become obsolete. Only the ‘frozen assets’ of the cold war kept some systems, like the Exakta bayonet and the Praktina, alive. New brands were launched, from the British Wrayflex and Periflex to the Italian Rectaflex and many German oddities. It was not unusual for an entire system to be come and gone within a few years.

Even in the following quarter-century, the high years of the Japanese 35mm SLR, the succession of lens mount changes was bewildering. Independent lens makers like Tamron and Sigma were forced to make systems using interchangeable mounts not just because the public wanted it. A dozen or more mounts were made for every lens and in the 42mm screw thread fit alone there were endless variants – Praktica LLC (Pentacon Electric), Olympus FTL, Pentax ES and more.

It was more or less a 25-year cycle – the SR system was announced in 1958, and really got underway by 1960. It was to be another quarter century before the AF system arrived. We are now a further 25 years on – can we expect a totally new camera system, once again, in 2010?

Minolta’s SR bayonet mount, introduced in 1958/9, actually remained basically unchanged all the way through to 2005 when the last manual focus model, the X-370S, was available. It survives even now as a mount popular in China where the Seagull range from Shanghai Optical includes Minolta fit models. That mount only ever had one major revision, to add a linkage for open aperture TTL metering. The introduction of programmed exposure and shutter priority was cleverly enabled by using the existing design of lens mechanism and improving its accuracy, while adding a simple reference lug to the ƒ-stop setting ring.

Nikon’s 1959 F-mount proved similarly easy to improve without any basic modification. Both these bayonet mounts celebrated half a century of production in 2008/9 – another landmark, which Nikon was able to celebrate but Minolta of course could not.


Click to continue reading “Alpha Silver Jubilee – 25 years 1985-2010″

Sony Alpha 550 Review: highs and lows

My review of the Sony Alpha 550 was supposed to appear at the end of November, allowing one week abroad in good weather with plenty of subject-matter, in Tenerife. Sadly that trip had to be cancelled, and the Nikon D3S arrived for review on the day we were meant to have travelled. So, with far too much work to do on the D3S, I’m “going to press” here with my initial thoughts based on a fairly short time using the Alpha 550. There are 11 pages in this review, please use the Next Page navigation at the end of each page to continue reading.

PLEASE NOTE: this website uses a rating system where readers can rate the posts, like this review. This rating is NOT my ‘rating the camera’! I have read elsewhere that I ‘gave the camera 4.83 out of 5′ – that was the rating readers gave my review… sorry, this is very confusing, I had not realised how easily it could be confused. We have had the post-rating system for a long time and it’s a standard feature on many Wordpress based sites. I do not want to remove it (along with the ratings) so please accept this apology for incorporating a dangerously confusing ’star rating’ here.

sonyalpha550-2

Click to continue reading “Sony Alpha 550 Review: highs and lows”

Free PhotoTools software for Photoclubalpha readers

OnOne Software has made available an entire free download including Lite versions of 14 of their PhotoTools plug-ins for Photoshop. All you have to do to obtain the download is visit their website using the link below and provide a valid email address for verification. We have tested the entire OnOne software range – including the full PhotoTools 2 package – with excellent performance on CS4/MacOSX 10.5+.

Click to continue reading “Free PhotoTools software for Photoclubalpha readers”

Repairing an image by cloning from another

MANY photographers habitually use layers from everything. I don’t! In fact, I try to minimise my time spent on post-processing shots for stock library sale, and work very quickly. If it needs complex setup or demands working using layers to be able to go back and change things, I’ve probably already wasted too much time. Here’s an example of an Alpha 700 shot created from two slightly different versions, and how it was done.

Click to continue reading “Repairing an image by cloning from another”

Lightroom 2 tackles all Alpha RAWs

The latest release of Adobe Lightroom, v2, handles all Sony Alpha and earlier KM digital camera raw formats including the Alpha 700, 200, 300 and 350. It is also updated, along with the final release of Adobe Camera Raw 4.5, to handle Nikon D700. Because Canon appears to have left their filetype identical to the A400, their new 1000D was recognised immediately by ACR even in 4.5 beta version.

Click to continue reading “Lightroom 2 tackles all Alpha RAWs”

Portrait Professional handles Sony A700 raw files

CLICKING on key mapping points of a face, then adjusting some simple overlaid Bezier curves using movable anchors, it takes only a minute to load a typical headshot portrait into Portrait Professional.

Click to continue reading “Portrait Professional handles Sony A700 raw files”

The 70-300mm G SSM sized up

Today I took delivery of a Sony 70-300mm f/4.5-5.6 G SSM lens. There is no doubt this is the best built Sony SAL lens I’ve handled (the CZ 135mm 1.8, 85mm f1.4 are a class above again). It weighs over 800g with its lens-hood, which is one of the most efficient deep tele hoods I’ve seen.

Click to continue reading “The 70-300mm G SSM sized up”

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling Alpha 700 raw quite well. And it does things differently, with non-destructive raw editing, stacks of image versions, and so on.

Click to continue reading “Apple Aperture 2.0 processes A700 raw”

True detail vs. fake sharpness

It’s the same on every web forum – if you post a digital picture which would be acceptable to a photo library or professional buyer, half a dozen grumpy one-liners will come out saying ‘That don’t look sharp to me’ or ‘there must be something wrong with your XXX’ (fill in D300, A700, E-3, D3, 40D as required). Then someone posts a hugely messed up image and people say ‘Wow! What sharpness!’…

Click to continue reading “True detail vs. fake sharpness”

Minolta lenses 30 years ago

OUR local dealer, Hector Innes in Kelso, used to be a totally Minolta-dedicated retail shop. Hector and his son Alastair have always been Minolta photographers, and Alastair currently uses the Dynax 7D as weapon of choice for weddings. Their shop is one of those few remaining which combines a professional studio (ABIPP, in Hector’s case) with processing and printing, and retail. On the wall there’s a Minolta clock from two or three changes of logo ago, and on the counter, I found a well-used and yellowed Minolta lens chart mat.

Click to continue reading “Minolta lenses 30 years ago”

Cybershot H3 with 10X Zeiss zoom

Weybridge, 22nd August 2007 – For sports, for travel or simply for having fun with friends and family – the Cyber-shot H3 from Sony packs big-camera features into its ultra-compact body at a price that’s irresistible (reads Sony press release).

Click to continue reading “Cybershot H3 with 10X Zeiss zoom”

Stock image clanger in Sony-sponsored advertorial

To save a few dollars, whoever assembled a double page advert for Sony-sponsored photo workshops which (I gather) has just appeared in the US magazine Popular Photography went to cheap online stock library iStockphoto and downloaded this image:

Click to continue reading “Stock image clanger in Sony-sponsored advertorial”

Sony’s future Alpha lenses and cameras

More work went into this page than you think! While it was possible to get an idea of Sony’s lenses and cameras planned for 2007-8 from the group image, the individual press images have all been shot to different scales.

Lineup

Click to continue reading “Sony’s future Alpha lenses and cameras”

How big will the new Alpha be?

NOT AS a force in the market but as a camera body! This question divides the camp of Alpha owners expecting to upgrade to the new Advanced Amateur model (codename A300) when it appears later this year. We now expect the AA model to be on sale before the end of October 2007 in some markets, with a publicity release date some before this.

Click to continue reading “How big will the new Alpha be?”

New Alpha and lens range launch imminent

THE appearance of press-release resolution (14Mb) images of the new Alpha – un-named but thought to be the Alpha 200 or 300 because of the product code earlier assigned to shots of prototypes at PMA – combines with reports on various forums from European Sony executives visiting Japan to suggest that the launch announcement for the new model and a range of full-frame lenses is imminent.

Click to continue reading “New Alpha and lens range launch imminent”