Sony today announced the expansion of its Imaging PRO Support programme to include the UK. The programme is scheduled to start in the UK in September 2016 and continues to gain momentum as an increasing amount of professional photographers are switching to Sony cameras.
Imaging PRO Support offers advice and help to members including a . . . → Read More: Sony launch UK PRO support
With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF
With extremely expensive Sony-fit 85mm lenses in abundance and beyond my (economically sensible) reach, I’ve done good commercial work last year on the Canon 85mm f/1.8 USM and later the Sony 85mm f/2.8 SAM on A7RII. Some of my work relies on showing close-up details with strong differential focus, and hardly any lenses are free . . . → Read More: My new Sony 85mm…
In interviews about the new micron-accurate aspheric lens element moulding process used to increase the resolution of the latest Sony G Master lenses, a visual has appeared which shows the ‘onion ring’ effect that coarser mould machining causes in lens elements.
Working independently, I’ve been aware of this for years – and I have used . . . → Read More: Sony’s precision aspherics
On Tuesday, February 2nd 2016, Sony UK held a press event to which I was invited. Well, I’m in a different country and about 400 miles from their Weybridge offices, so as usual my trusted English office editor at large (and son) Richard made the still substantial journey from Leicester. The result was a . . . → Read More: Sony’s Master plan – new 85, 24-70, 70-200 and more
(Updated June 15th after press conference)
The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete
Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject
Just got this link from B&H, ideal for our US readers – http://www.bhphotovideo.com/c/product/817858-REG/Sony_SLT_A77V_SLT_A77_Digital_Camera_Body.html
It’s for the original A77, body only, at $549.
This is a ridiculously low price for a body with GPS which, bar a small improvement in high ISO performance stated to be 20% (I think it’s a bit more) is not far . . . → Read More: A77 B&H price goes through the floor
Machined from brass and chrome-plated, in the tradition of lens mounts from 50 years ago and not necessarily the best solution for precision or lifetime wear, Fotodiox’s TOUGH E-mount is a replacement body mount bayonet which you can fit to your existing A7R, A7, NEX-7, A6000 or any other metal-mount E-mount body in a few . . . → Read More: The Fotodiox Tough E-Mount
I’m using my RX10 to report. This camera is my big Sony dilemma. It’s actually all I really need for 95% of my daily work.
Well, here we are reporting from photokina 2014, the major trade fair in Cologne. I’m only here for the day and a brief stop in tomorrow morning en route . . . → Read More: Sony’s BIG system future at photokina