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Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

It’s now easy enough to find camera profiles – image looks created by independent photographers, as Adobe and Sony do not provide any – which make a big difference to raw processing using Adobe Camera Raw or Lightroom. There are also many fine adjustments you can make within these programs, able to customise the image . . . → Read More: Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

Adobe ACR 5.5 release candidate

Adobe has released its Photoshop Camera Raw 5.4 Release Candidate, available immediately as a free download from Adobe Labs at //labs.adobe.com. The “release candidate” label indicates that this update is well tested but would benefit from additional community testing before it is distributed automatically to all customers.

. . . → Read More: Adobe ACR 5.5 release candidate

HX1 Cyber-shot with EXMOR CMOS and G Lens

Press release from Sony, March 3rd 2009 – important bits highlighted in bold, uncalled-for comments in italics:

The Cyber-shot HX1 by Sony, teams stunning picture quality, lightning-fast shooting and powerful creative features in a stylish, supremely easy to use camera. The new flagship of the Cyber-shot range showcases a range of sophisticated image sensing, optical . . . → Read More: HX1 Cyber-shot with EXMOR CMOS and G Lens

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw