We’ve got one from the first Sony ILCE-A7R3 delivery in the UK, and with a first review of two pages appearing in Cameracraft January/February 2018 from tests in early December, I will be following up with a fuller printed review and more on-line articles here as the camera’s potential unfolds.
The Alpha 7 mirrorless . . . → Read More: Sony A7RIII pixel shift with a vintage lens
With a body-only price of £3,199/$3,198, the third generation of the A7R came as a surprise to Sony’s own photo studio, who labelled most of the product pictures release on Wednesday as ‘A7RM2’ instead of ‘A7RIII’. We’ve changed the filenames on our system, but countless mediafolk of the future will be confused. They do after . . . → Read More: Sony A7RIII – more than a skin deep upgrade
You can order the A9 here – any of these links to order will help photoclubalpha pay our way.
B&H have it listed
WEX in the UK (also Calumet)
The front view below of the Sony Alpha A9 body, introduced today, gives a subtle clue about changes under the hood. For . . . → Read More: Alpha A9 promises professional performance
No doubt everyone’s seen the article on Petapixel which can best be described as successful clickbait – by Sator, essentially claiming that the whole idea of mirrorless full frame is flawed. Well, the good news is that this article is more flawed than the flaws it’s claiming to point out.
First of, let’s simply dismiss . . . → Read More: Bad science and dissing the Sony A7 FE concept
On Tuesday, February 2nd 2016, Sony UK held a press event to which I was invited. Well, I’m in a different country and about 400 miles from their Weybridge offices, so as usual my trusted English office editor at large (and son) Richard made the still substantial journey from Leicester. The result was a . . . → Read More: Sony’s Master plan – new 85, 24-70, 70-200 and more
Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS.
My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, . . . → Read More: Sony A7R II review by David Kilpatrick
It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now . . . → Read More: Low-cost macro for the A7 series
(Updated June 15th after press conference)
The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete
Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject
Sometimes you find a chunk of glass which just works. One of the problems with lenses is that you can never have too many. They overlap, they duplicate each other, and yet they can be so different that you need every single one. The new Samyang 12mm f/2 for mirrorless APS-C systems is one . . . → Read More: Samyang 12mm f/2 NCS CS lens