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By David Kilpatrick, on January 23rd, 2023 The 20-70mm f4 Sony G looks interesting though the UK price of £1400 is a bit over the top (under $1100 in the USA) – maybe allowing for further losses pounds vs dollar. It’s over twice the price of the Panasonic 20-60mm f/3.5-5.6 – maybe not comparable but the Lumix lens is regularly discounted . . . → Read More: Sony 20-70mm f/4 G – a new type of lens
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By David Kilpatrick, on February 7th, 2017
Sony has announced two new lenses for E-mount mirrorless cameras.
The FE 100mm F2.8[i] STF GM OSS is the first Smooth Transition Focus prime since the acclaimed A-mount 135mm and is designed for the best possible bokeh without any trace of aperture-related artefacts. The compact, lightweight FE 85mm F1.8 portrait prime lens may . . . → Read More: New 85mm f/1.8 FE and 100mm f/2.8 STF for E-mount
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By David Kilpatrick, on July 27th, 2010
Sony is expanding its line-up of over 30 A-mount lenses with new models that will appeal to seasoned photographers and those new to DSLR cameras alike – a 35mm f/1.8 DT (APS-C) SAM, an 85mm f/2.8 full frame SAM, and the long-awaited 24mm f/2 Carl Zeiss Distagon T* 24mm f/2 for full frame with . . . → Read More: CZ 24mm + 35mm and 85mm SAM lenses arrive
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By David Kilpatrick, on September 8th, 2008 We have received the first press release today (Sept 8th) for Sony’s presence at photokina 2008. It doesn’t mention the still DSLR range except in referring to digital photography in general. Here is the text.
. . . → Read More: Sony at photokina – business solutions
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By David Kilpatrick, on June 2nd, 2008 CLICKING on key mapping points of a face, then adjusting some simple overlaid Bezier curves using movable anchors, it takes only a minute to load a typical headshot portrait into Portrait Professional.
. . . → Read More: Portrait Professional handles Sony A700 raw files
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By David Kilpatrick, on February 27th, 2008 Moving a DSLR – preferably without vertical grip because of the further imbalance created – to portrait format shooting on a small tripod ballhead produces an unstable arrangement where the head is stressed. The camera may sag unless the head is tightened, and if the lens is heavy, it may also unscrew itself from the . . . → Read More: A quick vertical bracket for DSLRs
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