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  • Give it Your Best Shot • Re: My haitus September 19, 2017
    Thank you Henry and JB for your kind words and encouragement. I am keeping focus on the 95% that is "working" rather than the 5% that causes me the trouble though often it is frustrating. The support I got/get from my family and friends including the well wishers on the forum has been tremendous and […]
    sury
  • Give it Your Best Shot • Re: Huntley Meadows - Not Just Birds September 19, 2017
    I like these. My favorite is the leaf because of its simplicity and the bokeh… and because I went hiking this weekend and got hit in the face by bunches of those dangling booby traps. I never thought to stop and take photos of them. From now on I will.SigStatistics: Posted by smulnik — Tue […]
    smulnik
  • Give it Your Best Shot • Re: Helping Friends with Short Art Films September 18, 2017
    Just a couple more shots from the mine: working out the composition of the scene, and marking through the choreography.SigStatistics: Posted by smulnik — Mon Sep 18, 2017 9:18 pm
    smulnik
  • Give it Your Best Shot • Re: Helping Friends with Short Art Films September 18, 2017
    jbtaylor wrote:Very interesting.Seems odd that in the world of digital imaging that one must trek that far into the earth to find an interesting background. Maybe "feel" has something to do with it.Kindest Regards,JTYes, there's a different "feel", and since these guys are good at finding fee-free locations, shooting on site can be a lot […]
    smulnik
  • Give it Your Best Shot • Re: Helping Friends with Short Art Films September 18, 2017
    Almazar80 wrote:... Dancing lead miners? I would not have thought about that.Well, you know... lead poisoning. This particular scene is of a miner's strike and fight. It's kind of like West Side Story where all of the fighting is choreographed dancing.SigStatistics: Posted by smulnik — Mon Sep 18, 2017 8:32 pm
    smulnik

Past Article Calendar

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Sony A7RII versus Nikon D850 – noise

There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.

Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise

Sony A7R II review by David Kilpatrick

Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS.

My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, . . . → Read More: Sony A7R II review by David Kilpatrick

Sony Alpha 7R – the Swiss Army Knife camera

I guess it’s time to publish another field test review of the Alpha 7R despite rarely having used the camera in anger, or in any state other than anger. It arrived in late November and caught me at a time when I was not going anywhere or doing anything, nothing was happening and the weather . . . → Read More: Sony Alpha 7R – the Swiss Army Knife camera

20/20 vision – Sony Alpha 58 review

In the last year two cameras have been through my hands and impressed more than any others with the quality of their sensors. Those cameras were as different as they could be – the full frame Canon EOS 6D, and the pocketable Sony Cyber-shot DSC RX100. They have one thing in common, 20 megapixel sensors.

. . . → Read More: 20/20 vision – Sony Alpha 58 review

Sony’s Alpha 99 – mastery wrapped in dilemma

The launch of and initial reaction to Sony’s Alpha 99 has been spoiled, for many, by the overpricing of the camera generally and to a greater degree in some key markets. The promise of the SLT design, and Sony’s move away from flapping mirrors and optical prisms with their associated collimation and alignment, was . . . → Read More: Sony’s Alpha 99 – mastery wrapped in dilemma

Sony NEX-7: the high-end hybrid

The Sony NEX-7 is not a NEX at heart. It’s part of the rest of the Alpha system in every respect except its lens mount, and even that can be converted with a choice of two adaptors. A NEX-7 with an LA-EA2 phase detection autofocus adaptor is little different from an Alpha 65.

The . . . → Read More: Sony NEX-7: the high-end hybrid

Sony’s Zeiss 24mm f/2 Distagon ZA SSM T* reviewed

The Sony Zeiss 24mm f/2 SSM Distagon ZA T* is probably the best, or equal to the best, in its class. It may perhaps be the best ever 84° angle fast lens ever made for the general SLR system market, and I would happy to pitch it against any of the current equivalent offerings for . . . → Read More: Sony’s Zeiss 24mm f/2 Distagon ZA SSM T* reviewed

Sony Alpha 77 review – tomorrow today

It must be two years ago, at least, that an Australian sports photographer confided he had seen a Sony prototype which would blow away everything – an Alpha which could shoot at incredible frame rates (he mentioned 15fps) and follow focus. It may have been something unlike the Alpha 77, which follows focus 12fps . . . → Read More: Sony Alpha 77 review – tomorrow today

Tamron 18-270mm – a hero, but no VC…

After using Sigma’s 18-250mm optically stabilised zoom on Alpha bodies for a year and more, the first thing which strikes about the Tamron 18-270mm for Sony mount is the lack of the VC (Vibration Control) stabiliser found on the same lens made for Canon or Nikon.

Tamron’s lenses come without a case, but with . . . → Read More: Tamron 18-270mm – a hero, but no VC…

The Alpha 580 – a three-way view

Once I had a quarterplate hand-and-stand camera, vintage 1920s. Attached to the front standard was a small reflex viewfinder, giving a miniature composition you could use at waist or chest level. On the same standard was a folding wire frame, with a companion eye-sighting window flipping up from the side of the body. This gave . . . → Read More: The Alpha 580 – a three-way view