There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.
Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise
I got to try out the first new Voigtländer Sony FE mount lenses with electronic aperture setting and manual focus control with a quick overnight test during the UK Photography Show at the Birmingham National Exhibition Centre, on March 19th 2016. The pre-production 10mm f/5.6 Hyper-Wide-Heliar and 15mm f/4.5 Super-Wide-Heliar are two of a . . . → Read More: Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III
Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS.
My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, . . . → Read More: Sony A7R II review by David Kilpatrick
I guess it’s time to publish another field test review of the Alpha 7R despite rarely having used the camera in anger, or in any state other than anger. It arrived in late November and caught me at a time when I was not going anywhere or doing anything, nothing was happening and the weather . . . → Read More: Sony Alpha 7R – the Swiss Army Knife camera
In the last year two cameras have been through my hands and impressed more than any others with the quality of their sensors. Those cameras were as different as they could be – the full frame Canon EOS 6D, and the pocketable Sony Cyber-shot DSC RX100. They have one thing in common, 20 megapixel sensors.
. . . → Read More: 20/20 vision – Sony Alpha 58 review
Paul Genge, former Konica Minolta and Sony technical expert, presents a half hour from his new Cameradiner studio reviewing the full-frame HD video NEX E-mount camcorder, the VG-900E.
The launch of and initial reaction to Sony’s Alpha 99 has been spoiled, for many, by the overpricing of the camera generally and to a greater degree in some key markets. The promise of the SLT design, and Sony’s move away from flapping mirrors and optical prisms with their associated collimation and alignment, was . . . → Read More: Sony’s Alpha 99 – mastery wrapped in dilemma
Here at PCA we do not often redirect our loyal readership to other sites, unless it’s to buy stuff which earns us enough commission to enjoy a couple of pints and a burger every month!
But here is a review from one the UK’s most respected independent outdoor writers and photographers, Chris Townsend.
Leave . . . → Read More: Chris Townsend on the NEX-7
The first thing that is likely to strike you about Sony’s one-inch sensor Cyber-shot DSC-RX100 is size. It’s tiny, slightly smaller in body than the Nikon 1 series interchangeable lens mirrorless cameras using an identical size 2.7X factor, one-inch or 13.2 x 8.8mm sensor.
This just a fraction over half the area of . . . → Read More: Sony Cyber-shot DSC-RX100 review
Much of my NEX-7 critique was written while also using a NEX-5n outfit. I was lucky enough to find an opened NEX-5n 18-55mm kit missing its mini flash at a very low price, as new. By the time I had finished completing my NEX-5n system with bells and whistles, the total would almost have . . . → Read More: NEX-5n – sweet sixteen and expandable at a cost