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  • Give it Your Best Shot • Re: Helping Friends with Short Art Films February 20, 2018
    smulnik wrote:.....A secret undisclosed location.Not too secret. I remember a Post-Dispatch article about that house many years ago!It's interesting to see behind the scenes.DustyStatistics: Posted by Dusty — Tue Feb 20, 2018 3:34 pm
    Dusty
  • Off Topic • Re: Going Home February 19, 2018
    .YildizStatistics: Posted by aster — Mon Feb 19, 2018 5:12 pm
    aster
  • Lens Lore • Re: GAS is back - Sony FE 100 STF February 19, 2018
    I bought a Sigma A mount 24-105 some 12 months ago at half the price ( actually a little less ) for the new FE lens. With its bulk and weight it is better balanced on A mount cameras than on the A7R II, but when I need a one lens solution it works fine.Having […]
    peterottaway
  • Give it Your Best Shot • Re: Helping Friends with Short Art Films February 19, 2018
    .Hi Sig; Truly enjoying the documentation and your clean approach to shooting the photos, with clear views of how each step was rethought and configured to create smoothly-running working environment. The mine itself is very interesting for its internal shape and walls/ground.Thanks for sharing,YildizStatistics: Posted by aster — Mon Feb 19, 2018 7:48 am
    aster
  • Lens Lore • Re: GAS is back - Sony FE 100 STF February 18, 2018
    Even if I were an E mount user I still balk at the prices on some of the lenses://www.camerapricebuster.co.uk/Son ... G-OSS-LensI think I paid £100 for an as new Minolta 24-105mm OK it's not F4 across the range but considerably smaller and surprisingly good even on FF 35mm. I'm not seeing a £1100 improvement if […]
    bfitzgerald

Past Article Calendar

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Tilt-shift with full frame DSLRs

After just a short while working with full frame, high resolution DSLRs the need for tilt lenses has really come home to me. Most lenses deliver their best results at fairly wide apertures like f8, it’s easy for detail to begin to look soft and lacking impact if you are forced to stop down to . . . → Read More: Tilt-shift with full frame DSLRs

Alpha 900 and photokina: Part 1

OUR final production Alpha 900 body arrived on Saturday September 20th, and went along to photokina 2008 on Monday 22nd where it was used in a routine way – without flash – to take whatever pictures were needed for magazine reports. Sometimes it can be better just to use a camera on whatever difficult or . . . → Read More: Alpha 900 and photokina: Part 1

Alpha 900 HDR bracketing

The Alpha 900 – and indeed the Alpha 700 with new firmware v4 – offer a three-bracket sequence at a 2 stop interval to enable HDR blending, usually from static tripod-mounted views. At the Edinburgh Alpha 900 launch, I braced myself firmly against an open window, leaning out over the street, and tried an example . . . → Read More: Alpha 900 HDR bracketing

Which Sony Alpha kit lens?

This article was originally published in Photoworld magazine April 2008. It discusses the reasons for choosing between the 18-70mm, 16-105mm, 16-80mm, 18-200mm and 18-250mm kit lens choices for the Sony Alpha DSLR system and has been updated as necessary from the original text.

. . . → Read More: Which Sony Alpha kit lens?

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw