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  • Off Topic • Re: Sony World Photography Awards April 25, 2019
    I'll bite on this one my quick critique!Shot 1: I like the subject but all that space above his head, and there is no texture of anything interesting going on there2: A woman walking across a dried out hard mud field with a blown out sky, doesn't work for me says nothing about the person […]
    bfitzgerald
  • Alpha A-mount System • Re: Should I get rid of my APS-C gear? April 25, 2019
    You will need to get high end glass to do a full frame sensor justice and even then some edge performance can be less than perfect, I moved over to a Panasonic DMC-FZ330 Bridge, ( no more bag of lenses ) small sensor but the Leica F-2.8 constant Vario Elmerit zoom goes a long way […]
    classiccameras
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  • Lens Lore • Re: Fast AF Telephoto lens suggestions? April 25, 2019
    Minolta 80-200 very sharp at 2.8 from 80 to 200, but I did micro adjustment in 80mm and 200mm , some people complain about 200mm, but they use this lens for Sony cameras without micro adjustments. In my camera set for Minolta 80-200: W end -7, in T end +10, and it's sharp like "a […]
    ValeryD

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Elinchrom EL-Skyport Plus HS for Sony MFA

This is expanded from the feature which appears in the July/August issue of f2 Cameracraft magazine. We’ve been using the Elinchrom EL-Skyport Plus HS for Sony Multi-Function Accessory shoe since its arrival on May 28th as the first test unit released by Elinchrom. If you wonder why I don’t immediately do a clickbait blog . . . → Read More: Elinchrom EL-Skyport Plus HS for Sony MFA

Sharp vintage glass – and subject

Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject

Studio comparison A900, 5DMkII, D3X

This set of full size shots was taken with the still life left set up, because the Nikon and Canon cameras were not here at the same time. It compares the A900, 5DMkII and D3X using the converters supplied by the makers – Image Data Converter SR2, Digital Photo Professional, and Capture NX2. Each small . . . → Read More: Studio comparison A900, 5DMkII, D3X

Alpha Live View in the studio – solved!

One of the problems with the Alpha 350/300 is that the Live View is linked to the settings when you use Manual exposure. It provides a form of metering, a relatively accurate preview of under or over exposure. This makes it impossible to use Manual with studio flash (AC mains strobe) setups. Currently, there is . . . → Read More: Alpha Live View in the studio – solved!

Portrait Professional handles Sony A700 raw files

CLICKING on key mapping points of a face, then adjusting some simple overlaid Bezier curves using movable anchors, it takes only a minute to load a typical headshot portrait into Portrait Professional.

. . . → Read More: Portrait Professional handles Sony A700 raw files