Some worthwhile Sony lens cashbacks – some applying to in-stock lenses which may not have suffered the August price-hike yet – can be found from UK dealers such as WEX Photographic.
Amazon.co.uk has a reasonably good list of lenses too and the 70-200mm f/4 FE OSS G can still be found for under £1k . . . → Read More: Sony UK cashbacks end Sept 4th
Sony today announced the availability of a new radio-controlled lighting system to meet the growing demands of professional and advanced amateur Sony photographers.Designed for compatibility with Sony’s α interchangeable lens cameras[i] and external flash units[ii], the new lighting system will include the FA-WRC1M wireless radio commander as well as the FA-WRR1 wireless . . . → Read More: Sony new RF wireless flash system
With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF
Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS.
My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, . . . → Read More: Sony A7R II review by David Kilpatrick
(Updated June 15th after press conference)
The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete
I’m using my RX10 to report. This camera is my big Sony dilemma. It’s actually all I really need for 95% of my daily work.
Well, here we are reporting from photokina 2014, the major trade fair in Cologne. I’m only here for the day and a brief stop in tomorrow morning en route . . . → Read More: Sony’s BIG system future at photokina
There’s not much really, in a different of just three tenths of an inch. There’s even less when the inch isn’t a proper inch, but the sort of inch used to express the size of sensors or display chips. Except, that is, when the difference is between 0.5 inch and 0.2 inch and you’re . . . → Read More: Sony Alpha 3000 review by David Kilpatrick
Canon has launched, out of the blue as far as we were concerned, a complete fully featured Cinema HD production system including full-frame digital video camcorder and EF-fit lenses designed to compete head-on with the top offerings from Zeiss/Arri and Red.
The Cinema EOS system also competes with Sony right in the heart of Sony . . . → Read More: Canon kyboshes the competition – full cinema system
Although it’s not Alpha, this product announcement – embargoed until 5am UK time, 23rd June, though no doubt by adhering to the embargo we will be a day later than hundreds of websites breaking it – speaks volumes for the impact of Sony’s Alpha system, its interformat lens compatibility, and the future of non-SLR systems.
. . . → Read More: Pentax Q up to battle it out with NEX and Ricoh
Sony Corporation announced today that it is developing a new type of E-mount interchangeable lens camcorder for professional use that is equipped with a Super-35mm equivalent large format CMOS sensor. This new addition to Sony’s professional “NXCAM” line will be available in the middle of 2011.
Editor’s Note: Super-35mm is not full frame 35mm. . . . → Read More: Sony to develop Super-35mm pro camcorder