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  • Digital Workflow and PP • Re: Why it's time to move away from Lightroom April 24, 2018
    bakubo wrote:How to Get Started with Darktable//photography.tutsplus.com/tutorials/how-to-get-started-with-darktable-lightroom-alternative--cms-27702Linux, Windows, Mac versions of darktable.Version 2.4.3 was just released (darktable is free)://www.darktable.org/2018/04/darktable-243-released/I have been off and on playing with it for awhile. The masking is very powerful and flexible.Also, Lightroom Classic CC 7.3.1 was just released.Statistics: Posted by bakubo — Tue Apr 24, 2018 8:38 pm
    bakubo
  • Give it Your Best Shot • Re: A Couple of Namibian Landscapes April 20, 2018
    Thanks for the positive comments Yildiz.Yesterday was a printing disaster. Lots of black head-strikes. Black ink all over the place. Wasted much paper and ink. The only good outcome was I've now got an A2 print of the coloured version.regards - PeterStatistics: Posted by dewarp — Fri Apr 20, 2018 7:06 am
    dewarp
  • Aster's Photo Challenge • Re: Challenge #67: Winner Announcement: Smulnik/Sig April 19, 2018
    smulnik wrote:Thanks Yildiz!Thanks Peter!SigI believe, it's well-deserved. YildizStatistics: Posted by aster — Thu Apr 19, 2018 8:17 am
    aster
  • Give it Your Best Shot • Re: A Couple of Namibian Landscapes April 19, 2018
    .Thanks for sharing such lovely and interesting landscape photos of Namibian desert-like land expansions. I enjoyed them as soon as I saw them. I love how the B&W photo has been processed so that it is more of an art-work. Those many subtle lines of millions of monochromic shades add to the interest.I like the […]
    aster
  • Give it Your Best Shot • Re: Ice (open thread) April 19, 2018
    .What a lovely cat and what beautifully-coloured eyes!Definitely well-concealed from any predator as well as preys in the newly-found camouflage. Thanks for sharing, Barry. Henry, I remember seeing these shots earlier in other thread, right after you made that trip. I like everything about the photos for revealing what's happening in the least accessible parts […]
    aster

Past Article Calendar

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Never say ‘zoom with your feet’…

There’s a dismissive and rather superior position some camera club buffs take – ‘why not zoom with your feet?’. It is well worth ignoring. The focal length of your lens, whether your use a zoom or a range of fixed focal length lenses, decides the exact relationship of elements in the picture including one component . . . → Read More: Never say ‘zoom with your feet’…

Tamron’s super value 70-300mm USD on the A7RII

If you want to get a 70-300mm which works on the Sony A7RII, the A7 series body with the best on-sensor phase detection/contrast detection mix, your first choice should be the new Sony FE 70-300mm f/4-5.6 G OSS. But that demands a wallet opened with £1,150 (UK SRP) in it. In return you get . . . → Read More: Tamron’s super value 70-300mm USD on the A7RII

Sony 28-75mm f/2.8 SAM on mirrorless FF

With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF

No FE or A mount for new Sigma 24-35mm f/2

We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2.

It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK.

Note that this will be a bit of monster with its 82mm filter . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2

Using the 10-18mm OSS zoom on full frame

This is a pretty awful case of vignetting and distortion – as you would expect. It’s from an APS-C format wide angle zoom, the 10-18mm f/4 SEL OSS lens for NEX, used on the Alpha 7R full frame mirrorless body. Early in the launch period of this camera, various far more attractive images appeared . . . → Read More: Using the 10-18mm OSS zoom on full frame

Sigma ultrawide zooms – old and new 12-24s versus 8-16mm

For almost a decade the Sigma 12-24mm full frame ultra wide angle zoom has been unrivalled by any other makers – not Nikon, not Canon, not Tamron, not Tokina, not Sony. No maker has ventured where Sigma went, to the extremes of over 120° coverage combined with well corrected straight line geometry.

Today, the original . . . → Read More: Sigma ultrawide zooms – old and new 12-24s versus 8-16mm

David and Goliath? Nikon D4 dwarfs NEX-7!

Nikon D4 with 28-300mm VR, Sony NEX-7 with Tamron 18-200mm

Side by side on my light table (which collapses with a ‘pop’ when sixteen tons of Nikon is placed on it), and the NEX-7 is given the foreground role to avoid any accusations of using perspective to make it look tiddly.

I’m writing some reviews of the Nikon and other new professional DSLRs for . . . → Read More: David and Goliath? Nikon D4 dwarfs NEX-7!

Sony DT 16-50mm f/2.8 SSM

I’m about to offend myself. I own this lens, and I know how upset owners of brand new lenses get when someone says it’s not perfect. Well, the 16-50mm SSM is far from perfect and if you know how to check out lenses, you’ll agree should you be lucky enough to own one. It’s a . . . → Read More: Sony DT 16-50mm f/2.8 SSM

Tamron 18-270mm – a hero, but no VC…

After using Sigma’s 18-250mm optically stabilised zoom on Alpha bodies for a year and more, the first thing which strikes about the Tamron 18-270mm for Sony mount is the lack of the VC (Vibration Control) stabiliser found on the same lens made for Canon or Nikon.

Tamron’s lenses come without a case, but with . . . → Read More: Tamron 18-270mm – a hero, but no VC…

Tokina 11-16mm f/2.8 SD (IF) DX

TOKINA lenses – the brand name for optical giant Hoya’s interchangeable range – have always been renowned for their tank-like build quality and resistance to plastic trends. They compare so well with Nikon’s own lenses it is hard to tell the difference by feel, and the current design also matches Nikon more than it does . . . → Read More: Tokina 11-16mm f/2.8 SD (IF) DX