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  • Give it Your Best Shot • Re: Helping Friends with Short Art Films February 20, 2018
    smulnik wrote:.....A secret undisclosed location.Not too secret. I remember a Post-Dispatch article about that house many years ago!It's interesting to see behind the scenes.DustyStatistics: Posted by Dusty — Tue Feb 20, 2018 3:34 pm
    Dusty
  • Off Topic • Re: Going Home February 19, 2018
    .YildizStatistics: Posted by aster — Mon Feb 19, 2018 5:12 pm
    aster
  • Lens Lore • Re: GAS is back - Sony FE 100 STF February 19, 2018
    I bought a Sigma A mount 24-105 some 12 months ago at half the price ( actually a little less ) for the new FE lens. With its bulk and weight it is better balanced on A mount cameras than on the A7R II, but when I need a one lens solution it works fine.Having […]
    peterottaway
  • Give it Your Best Shot • Re: Helping Friends with Short Art Films February 19, 2018
    .Hi Sig; Truly enjoying the documentation and your clean approach to shooting the photos, with clear views of how each step was rethought and configured to create smoothly-running working environment. The mine itself is very interesting for its internal shape and walls/ground.Thanks for sharing,YildizStatistics: Posted by aster — Mon Feb 19, 2018 7:48 am
    aster
  • Lens Lore • Re: GAS is back - Sony FE 100 STF February 18, 2018
    Even if I were an E mount user I still balk at the prices on some of the lenses://www.camerapricebuster.co.uk/Son ... G-OSS-LensI think I paid £100 for an as new Minolta 24-105mm OK it's not F4 across the range but considerably smaller and surprisingly good even on FF 35mm. I'm not seeing a £1100 improvement if […]
    bfitzgerald

Past Article Calendar

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Never say ‘zoom with your feet’…

There’s a dismissive and rather superior position some camera club buffs take – ‘why not zoom with your feet?’. It is well worth ignoring. The focal length of your lens, whether your use a zoom or a range of fixed focal length lenses, decides the exact relationship of elements in the picture including one component . . . → Read More: Never say ‘zoom with your feet’…

Tamron’s super value 70-300mm USD on the A7RII

If you want to get a 70-300mm which works on the Sony A7RII, the A7 series body with the best on-sensor phase detection/contrast detection mix, your first choice should be the new Sony FE 70-300mm f/4-5.6 G OSS. But that demands a wallet opened with £1,150 (UK SRP) in it. In return you get . . . → Read More: Tamron’s super value 70-300mm USD on the A7RII

Sony 28-75mm f/2.8 SAM on mirrorless FF

With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF

No FE or A mount for new Sigma 24-35mm f/2

We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2.

It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK.

Note that this will be a bit of monster with its 82mm filter . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2

Using the 10-18mm OSS zoom on full frame

This is a pretty awful case of vignetting and distortion – as you would expect. It’s from an APS-C format wide angle zoom, the 10-18mm f/4 SEL OSS lens for NEX, used on the Alpha 7R full frame mirrorless body. Early in the launch period of this camera, various far more attractive images appeared . . . → Read More: Using the 10-18mm OSS zoom on full frame

Sigma ultrawide zooms – old and new 12-24s versus 8-16mm

For almost a decade the Sigma 12-24mm full frame ultra wide angle zoom has been unrivalled by any other makers – not Nikon, not Canon, not Tamron, not Tokina, not Sony. No maker has ventured where Sigma went, to the extremes of over 120° coverage combined with well corrected straight line geometry.

Today, the original . . . → Read More: Sigma ultrawide zooms – old and new 12-24s versus 8-16mm

David and Goliath? Nikon D4 dwarfs NEX-7!

Nikon D4 with 28-300mm VR, Sony NEX-7 with Tamron 18-200mm

Side by side on my light table (which collapses with a ‘pop’ when sixteen tons of Nikon is placed on it), and the NEX-7 is given the foreground role to avoid any accusations of using perspective to make it look tiddly.

I’m writing some reviews of the Nikon and other new professional DSLRs for . . . → Read More: David and Goliath? Nikon D4 dwarfs NEX-7!

Sony DT 16-50mm f/2.8 SSM

I’m about to offend myself. I own this lens, and I know how upset owners of brand new lenses get when someone says it’s not perfect. Well, the 16-50mm SSM is far from perfect and if you know how to check out lenses, you’ll agree should you be lucky enough to own one. It’s a . . . → Read More: Sony DT 16-50mm f/2.8 SSM

Tamron 18-270mm – a hero, but no VC…

After using Sigma’s 18-250mm optically stabilised zoom on Alpha bodies for a year and more, the first thing which strikes about the Tamron 18-270mm for Sony mount is the lack of the VC (Vibration Control) stabiliser found on the same lens made for Canon or Nikon.

Tamron’s lenses come without a case, but with . . . → Read More: Tamron 18-270mm – a hero, but no VC…

Tokina 11-16mm f/2.8 SD (IF) DX

TOKINA lenses – the brand name for optical giant Hoya’s interchangeable range – have always been renowned for their tank-like build quality and resistance to plastic trends. They compare so well with Nikon’s own lenses it is hard to tell the difference by feel, and the current design also matches Nikon more than it does . . . → Read More: Tokina 11-16mm f/2.8 SD (IF) DX