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  • Give it Your Best Shot • Re: Some B&W images March 1, 2021
    I tried that rich tone, and I think for me it's a bit too high on the contrast, so I stopped using it. Don't get me wrong I like a high contrast b&w, though not all the time. It's a bit way out there for me so I prefer to either bump up contrast in […]
  • Give it Your Best Shot • Re: Some B&W images March 1, 2021
    I tried that rich tone, and I think for me it's a bit too high on the contrast, so I stopped using it. Don't get me wrong I like a high contrast b&w, though not all the time. It's a bit way out there for me so I prefer to either bump up contrast in […]
  • Give it Your Best Shot • Re: Some B&W images February 27, 2021
    Glad to be of service. SuryStatistics: Posted by sury — Sat Feb 27, 2021 10:03 pm
  • Give it Your Best Shot • Re: Some B&W images February 27, 2021
    .Sury, in my humble opinion, what JBTaylor referred about the sunburst /glare due to the used lens is not just competing unnecessarily, it's taking over the naturalistic look of the whole shot. The sunburst also is a mechanical effect whereas the rest of the beauty of the scene comes from the natural and living environment. […]
  • Alpha A-mount System • Re: Adjustment of over warm Jpegs February 26, 2021
    Most of the Sony's of that era were a bit over warm I found the same on the A57, easy to adjust as you say select the WB.Why he didn't say that in the text of the article, who knows there is no mythical menu item hidden in there same as the A57 if anything […]

Past Article Calendar

April 2008

Nikon D3X 24.4 megapixel sensor leak

USERS of the Nikon D3 downloading the latest firmware update have found information strings referring to the D3X and listing the file sizes the forthcoming camera will produce. The sizes match the pixel count of the Sony full-frame CMOS sensor due to be used in the ‘Alpha 900’ Sony full-frame body.

This string (and others) appears in the firmware file – 6048 x 4032; 24.4 M 4544 x 3024; 13.7 M 3024 x 2016; 6.1 M 5056 x 4032; 20.4 M 3792 x 3024; 11.5 M 2528 x 2016; 5.1 M 3968 x 2640; 10.5 M 2976 x 1976; 5.9 M 1984 x 1320; 2.6 M.

The Sony sensor is said to be 24.8 megapixels but this probably refers to the overall pixel count, with 24.4 active final image megapixels a very likely figure. The smaller filesize options are interesting because they could indicate two different types of reduced resolution. The first series – 13.7 megapixels at 4544 x 3024 and 6.1 megapixels at 3024 x 2016 – looks very much a 1.4X and 2X window mode teleconverter, similar to the D2X 2X crop mode. This would fit in with the D*X philosophy and Sony’s design for the sensor, which allows windowed (cropped) output.

The second series of 5056 x 4032, 3792 x 3024, 2528 x 2016 are a 5×4 aspect ratio window; and the third series of 3968 x 2640, 2976 x 1976 and 1984 x 1320 look more like reduced overall filesize JPEG options, either for full frame, or relative to the full and cropped windows. There is no sign of an HD 16:9 ratio, which the Sony sensor will almost certainly offer as a windowed crop.

It is also possible that Nikon has developed a sensor of their own with a similar pixel count, or that the Nikon version of the Sony sensor will feature a different level of quality control and on-board features such as multi channel readout or modified A-to-D converters. With the firmware string for the D3X appearing in the D3 update, a similar processing engine to the D3 can be assumed, and it is thought that several modified D3s fitted with the new sensor will already be out on field trial. They will not need elaborate disguises!

Suggestions that a slight difference in pixel dimensions for the final file means Nikon’s sensor is entirely different can be discounted, as we have already seen different final pixel counts emerging from many cameras using identical sensors. 6096 (Sony) versus 6048 (Nikon) is in line with the relative differences found between makes using the same OEM sensors in the past.

This news poses some interesting questions for Alpha system owners, mainly about price. Assuming the new sensor can not match the 25,600 ISO boost of the D3’s 12-megapixel Nikon CMOS and is limited to a more conventional range such as 100-3200 with 6400 boost, Nikon could reasonably sell a D3X at exactly the same price as the D3, though higher pixel count usually means a higher price. With the D3 currently selling for around £2500 plus tax in the UK ($5000) it is unlikely that the D3X will be anything less, and it’s more likely to be a notch higher – say $6000 (UK).

This makes the putative, rumoured price of $3000 for the Sony ‘Alpha 900’ body seem too low.

Pentax found themselves embarrassed in the UK when Samsung allegedly released a price for their GX20 – the equivalent of the Pentax K20D – some £300, or 40 per cent, lower than their sensor-partner’s retail. Pentax lowered prices slightly and Samsung increased prices and delayed their launch. At least, that’s what the insider talk in the industry says, and it sounds plausible enough. The final difference is more like 20%.

Assuming Nikon’s agreements with Sony preclude them undercutting the D3X by 50% without raising a storm from Nikon national distributors in most markets, we can expect a price more like $4000-4500 for the Sony body. There is a possibility that Nikon, a year after launching the D3, will assault the market by dropping the D3 price when the D3X arrives, and allow the D3X in at a more competitive price like $4500 (UK) in which case the ‘Alpha 900’ might just hit the $3500 mark.

However, by this time – photokina – we will all be paying £1 for the cheapest loaf of bread (currently £0.39-0.55), £1.20 a litre for petrol, and China will have bought all Argentina’s 16oz steaks in return for sending out 16GB SD cards…

– David Kilpatrick

5 comments to Nikon D3X 24.4 megapixel sensor leak

  • Nikon Pro has revealed the info:

    – same body design, AF, metering and main functions as D3
    – 24.5mp FX sensor
    – 5:4 and DX crops
    – 5fps at full resolution; DX crop shoots 10mp images at up to 7fps
    – ISO 100-1600, extendable down to 50 and up to 6400
    – 16 bit EXPEED processor



  • WoW Sony A900 24.4 megapixel ? Are you printing billboards?

  • CKDexterHaven

    Isn’t there expected to be a significant difference in the build quality/construction between the D3x versus the A900? Not to mention the form factor? Wouldn’t that alone account for commensurately different price tag?

    Secondly, Sony will want to compete with the Canon 5D – for current users of the 5D and prospective buyers of the 5D-MkII, so the pricing will likely have that level in mind, moreso than the D3x.

    Thirdly, Sony needs a greater enticement to their overall system than does Nikon or Canon, so i would imagine the A900 price would be lower even than its value. Maybe Sony has in mind the same strategy employed with gaming systems. That it may need to take a loss in selling bodies in order to capture market share and to sell more lenses and bodies over time.

    Of course, i just like pictures and have no business sense, so perhaps i’m all wrong….

  • mawz

    Oh, as a note, the K20D/GX20 controversy is entirely different. Those are essentially the same camera, the differences are csmetic and software only. It’s unlikely the A900 and D3X will be as close in spec as the D300 and A700 are.

  • mawz

    Actually, it doesn’t make the rumoured A900 price seem low at all. The A900 will almost assuredly be a lower-spec body than the D3X, much as the A700 is lower-spec and lower price than the D300 with which it shares a related sensor. I’d expect the A900 to have some build improvements over the A700, possibly a build as good as the D300, but the D3 series body is a fairly major step up from the D300 level body. The D3X is going to offer features like GPS integration, dual card slots, heavy weather sealing, 2000+ shots per charge, optional Wifi transmitters, all of which the A900 is likely to lack. The A900 will most likely be comparable most directly to Canon’s 5D replacement and Nikon’s rumoured D10/D300FX bodies, not full-on pro bodies like the 1DsmIII and D3X, despite likely sharing a basic sensor design with the D3X (Nikon will assuredly use a different readout system in the D3X than Sony does in the A900, the per-line readouts that Sony is touting for noise control don’t yet perform as well as Nikon’s configuration with traditional multi-channel readouts).