First of all I must thank all my friends here for appreciating my effort. While posting such galleries, I am mortally petrified by the doubt whether my posting is simply ridiculous. In such cases comments like yours is a source of immense support.
Now one by one.
Hi Dusty: The look was there to be taken. As I mentioned in my write-up on the site. Their movements were so deliberate and slow and mild and accommodating. Of course I instinctively took it.
Hello Yildiz: Nice to see you again. I modified a bit this time the gallery guided by you.
Hi Birma: Knowing that you have enjoyed my work gives me big encouragement. In many cases, we are never sure which one is better—B&W or colored. Both have different features of strength. In 1972, I used Yashica 635 and worked exclusively in B&W. At that time, during my college days at Chandigarh, I had the enlarger fixed up in my bedroom. The vinegar like smell filled up the room. My throat became soar. Then it was the exclusive B&W. Around 25 years ago I got Minolta 7000, (which is still working) and then started doing colored work. But the fascination of B&W never died in me. Perhaps, with the buying of A350 in November, 2008, that old B&W reverie is making a gradual come-back.
Nice to hear from you the interesting suggestion, Dr. Harout. I would visit Armenia one day. It seems to be so fascinating and to my liking. As I am a slow learner, almost in everything, I don’t have much idea of “Challenges” section. I would go through the details soon.
Arun Gaur
http://tripolia-indianlandscapeimages.com