For me, I always tried to get what I saw in the viewfinder to be the same as what I captured on film, and try to also with digital. With film that meant matching the film used to the subject at hand, with digital it means tweaking in PP, which I'm not very good at.Lonnie Utah wrote:Philosophical question. Do we really need a viewfinder electronic or optical to show us exactly what we are going to come up with as a final product? It wasn't that way for film, it's certainly not that way for digital. There has always been some ambiguity in what we see at the moment we press the shutter and what we get as our final product. So does the fact that an EVF isn't the same REALLY matter? If I can compose my subject and get it framed the way I want, what more do I NEED?
This means we take in to account our experiences about how our eyes are better at DR than film or digital, and how we need to adjust the exposure to make sure highlights aren't blown out or shadows aren't clipped to black.
My problem with any EVF - and this includes the LCD in Live View - is that the camera is making some of those adjustments already, and they change with the conditions. OVF gives me the best chance to match my mind's eye with the final output.
Dusty