Why does WB matter when raw shooting ?
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braeside
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Re: Why does WB matter when raw shooting ?
You are missing the snow in the borders tonight David. 
David
- pakodominguez
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Re: Why does WB matter when raw shooting ?
With Tungsten and Fluorescent lights, right?David Kilpatrick wrote: I can tell you for sure than using an 80B blue filter and daylight WB gives 1 to 1.5 stops more highlight clipping adjustment than using AWB, with all KM/Sony cameras to date. I use 80B/tungsten and it works.
Pako
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WB + raw surprise
I was caught off guard when my A200 slowed down while shooting RAW recently. Turned out I had left WB-Bracket on from shooting jpgs earlier in the day, and it applied same to three RAWs at a time. That really times out the A200 in a hurry! I was surprised by that setting not being overwritten when shooting RAW, but will now consider it a 'feature' & read my back panel a bit more carefully in the future.. 
Jim R, Oregon -- a200 + lenses & stuff
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David Kilpatrick
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Re: Why does WB matter when raw shooting ?
I have not tried a fluorescent correction filter, since there are so many types and you need one exactly matched to the lights in use. I only use the 80B when shooting by tungsten light (normally tungsten halogen or Halostar modelling lamps) and only in the studio; for any quick shots 'in the field' I just use preset or auto white balance. For fluorescent light, or energy-saver bulbs, I use AWB (the preset is very rarely correct, because it applies only to one type of fluorescent light). If you want precision correction for various types of light, Singh-Ray used to make such filters; you could correct for anything from mercury vapour to named types of building floodlighting.pakodominguez wrote:With Tungsten and Fluorescent lights, right?David Kilpatrick wrote: I can tell you for sure than using an 80B blue filter and daylight WB gives 1 to 1.5 stops more highlight clipping adjustment than using AWB, with all KM/Sony cameras to date. I use 80B/tungsten and it works.
David
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