paulmurphy wrote:I've driven past the signs for Howick Hall many times, that was the first time I went in and I'm glad I did.
Testing gear must be good sometimes, getting your hands on new toys without having to buy them, that looks like a pretty good cat tower, although it doesn't look like your cat is too happy, had it just woken up?
Cheers
Murph
No, but being taken into the studio was not familiar - needed 10 minute to be allowed to explore every part of the room, and decided that the space behind the canvas background was the best place to go. Shirley off-pic putting him on the tower and getting expressions. He was not all that unhappy, but Birman cats always looks sort of serious and intense. He was the only choice, our other two cats make the tower look silly because they are too big for these things, they are built for normal domestic kitties, standard size. Even so, curled up our largest cat cat used the top platform. He just fills it entirely.
Doing this reminded me how much I used to enjoy still life studio work, preparing products and shooting them. Even just the process of vacuuming the tower after assembling it. Still life photography is 90 per cent preparation, getting stuff just right and then lighting it. The camera is the last 5% of the work. But it's nearly 20 years now since I had that sort of work. Steadfast Tools sent me their last tool catalogue to do in Kelso in 1990 I think. We did one brief burst of studio work again around 1994-6 when we had the first digital studio in Britain, but Kelso was not the place to have it. We should have been in a city to make that work.
There is work in the Borders, but not on the terms I was used to (at the time anyway) so we did not pursue it. But I had forgotten that I actually LIKE doing it.
David