At the same time, the raw files contain the embedded colour matrices (basic profiles) that are always better than whatever is supplied by Adobe. I find that colour translation by native colour matrix is normally very close to that achieved with carefully hand-coded profiles. And original manufacturer has every reason to better know their product properties, thus all the unavoidable compromises coded into the embedded colour matrices have every chance to be about optimal.
So here's how to extract the native colour matrix profile from the camera raw - open a raw DNG image of a Macbeth checker in Adobe 'DNG profile editor'; use the 'build color table' function for 'both color tables'; then under the 'Edit' menu do the 'clear all adjustments'; now just export a profile - that would be exactly the camera native matrix profile for ACR/Lr.
And it doesn't really matter what temperature and/or quality that Macbeth chart image was, the results don't change at all. You may use some raw image from IR, for example. Just use the image taken with the right cam type
The resulting profiles may be then adjusted somewhat further with the HSL corrections, but may well be used as they are. They are pretty good actually. So I'd advise the use of HSL presets directly in ACR/Lr rather than bending such 'native' profiles any further.