Over the last 3 months I have been scanning a bunch more of my old 35mm slides and negatives using my Minolta Dimage Scan Elite film scanner and Vuescan scanning software. It produces a 10mp image. From 1998 until a few months ago I had little by little scanned about 3500 slides/negatives. During the last 3 months of concentrated effort I have scanned an additional 6000+. I expect to do a few more over the coming weeks so the total from when I first started in about 1998 will be about 10,000. If you don't have a lot of experience scanning film (nothing like scanning prints) then you probably don't really know how much work it is to do the scan and then do all the preparation of the resulting file. The second part that is the preparation of the scan file is mostly left to be done. Out of the close to 10,000 scans I have done over the years I have only prepared about 1600.
In my experience the order of satisfying scans are, best to worst:
1. B&W negatives
2. Color slides
3. Color negatives
The most satisfying scans are of B&W negatives. You don't get the benefit of the automatic dust/scratch fixer that uses the infrared channel with B&W film though so they are a lot of work to fix up, but you don't have to be concerned about color. Getting very good color from a scan, especially a color negative scan, is difficult. Also, with B&W negatives you usually don't get the muddy/ugly/blotchy shadow areas that you often get with color negatives. Kodachrome slide scans are worse than scans of E-6 (Fujichrome, Ektachrome) and you can't use the infrared channel to get automatic fixing of dust/scratches. Color negatives are the worst. The dark areas are often muddy/ugly/blotchy and the whole image is grainier, but not good looking sharp grain like with B&W negatives. It is a blotchy, ugly grain with color negatives. The film base color (depending on film it is various shades of orange or pink) makes getting good color a real chore. Even when selecting the proper film type in Vuescan the result is not usually as good as with color slide scans. And even color slide scans often don't have color that is as good as the actual slide. By the way, I have a few C-41 B&W negatives (Ilford XP2) and they also don't scan so great. No color issues, but the grain is like the color negatives and the shadows are muddy/blotchy.
Back during the late 1990s there were people on the internet claiming that color negative film scanned much better than color slide film. I don't recall all that was claimed, but I think it had to do with lower Dmax or something like that. I suppose that is what you get when you listen to the internet "experts" who think they know the theory without having real experience.
I started shooting more color print film then because I expected that I would want to scan it later. I sure regret that.
Kodak Plus-X ASA 125
Kodak Tri-X ASA 400
Fuji Neopan 400 ASA 400
Ilford XP2 ASA 400 (C-41 process)
Kodachrome II ASA 25
Kodachrome X ASA 64
Kodachrome 25 ASA 25
Kodachrome 64 ASA 64
Kodachrome 200 ASA 200
Ektachrome X ASA 64
Ektachrome Elite 100 ASA 100
Ektachrome Elite 400 ASA 400
Fuji Velvia ASA 50
Fujichrome 100 ASA 100
Fujichrome 400 ASA 400
Fujichrome Sensia 100 ASA 100
Fujichrome Sensia 400 ASA 400
GAF 500 ASA 500 (I used only one roll of this for some indoor photos during Christmas 1974)
various Kodak and Fuji films ranging from ASA 80 to 400
Okay, after all of the above I will finally get to my main point.
The quality of the raw files from the 10mp tiny sensor in my Canon S95 are so much better in every way. Although some may say the dynamic range is less, maybe a lot less, than color negative film I have found that in practical terms it is much better. As long as you are scanning to convert the analog film to a digital file then the result, in my experience, is less usable dynamic range than what I can get by shooting in raw with a tiny sensor digital. I can shoot for the highlights and bring up the shadows with the digital and still get better results than scanning color negatives. The color is also so much better it isn't even worth comparing. The noise/grain is also so much better it isn't worth comparing. The S95 at ISO 1600 or 3200 is probably better than scanning ASA 100 color negative film. Actually, even jpegs are better too. Another actually: my old 5mp Minolta D7i is better. I would much rather have a 5mp jpeg from the D7i than a 10mp scan of a color negative (also a color slide). Oh, the 10mp file from the scanner probably has no more than 5mp of real, useful data in it for most color negative scans since they are pretty noisy/grainy. The Scan Elite is a pretty good film scanner (cost me $1000 several years ago) and Vuescan gets even more out of it. I always scan using multi-sampling to reduce noise a bit more. A different scanner in some cases might be marginally better, but not much. It is just the limitations of converting analog film to digital.
This post isn't meant as a complaint. It is just meant to remind us how much better digital is than 35mm film converted to digital. Not just a bit better, a whole lot better. Even a digicam is so much better. (Of course, a digicam's handling isn't anywhere near as good as a Dynax/Maxxum/Alpha 7 and you have little control of dof, but those aren't the things I am talking about.)
Happy New Year and Best Wishes for 2014!