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By David Kilpatrick, on October 30th, 2018
We’ve fitted GGS or similar toughened laminated glass screen protectors to our Sony bodies ever since way back in 2011, we were the first Alpha web resource to publish information about NEX screen delamination and how to repair a deteriorated LCD using one of these great products.
Replacing NEX LCD Cover Glass
Of course it . . . → Read More: Larmor 5th Generation glass screen protector with Sunshade
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By David Kilpatrick, on October 26th, 2017
With a body-only price of £3,199/$3,198, the third generation of the A7R came as a surprise to Sony’s own photo studio, who labelled most of the product pictures release on Wednesday as ‘A7RM2’ instead of ‘A7RIII’. We’ve changed the filenames on our system, but countless mediafolk of the future will be confused. They do after . . . → Read More: Sony A7RIII – more than a skin deep upgrade
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By David Kilpatrick, on April 19th, 2017
You can order the A9 here – any of these links to order will help photoclubalpha pay our way.
B&H have it listed
WEX in the UK (also Calumet)
Amazon (co.uk)
The front view below of the Sony Alpha A9 body, introduced today, gives a subtle clue about changes under the hood. For . . . → Read More: Alpha A9 promises professional performance
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By David Kilpatrick, on October 6th, 2016 Sony’s official press release – we’re working here on magazines with deadlines tonight so this is unedited hot news. Enjoy!
Sony today introduced its new flagship APS-C sensor camera, the α6500 (model ILCE-6500). As the latest addition to Sony’s line-up of award winning mirrorless cameras, the new α6500 shares the same unrivaled 4D FOCUS™ . . . → Read More: Sony A6500 – IBIS, touch screen, 200k shutter, €1700 body
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By David Kilpatrick, on July 13th, 2016
It’s still current (published in June, but it’s our July/August edition) and it’s free to read now! Includes Sony EL-Skyport Plus HS, Samyang 135mm f/2, Sigma MC-11 EF-E, Cullmann Titan 935 tripod, Nikon D500, Canon 1DX MkII, Fujifilm X70, brilliant steampunk book project story, NYC Dance Project portfolio, five top photographers on Industrial Photography and . . . → Read More: Free! July-August f2 Cameracraft magazine
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By David Kilpatrick, on June 8th, 2016
There’s been a controversy surrounding Steve McCurry, a photographer I have listened to on the edge of a conversation a couple of times courtesy of Kodak who were always great sponsors and put his ‘Afghan Girl’ on display at photokina 2012 where McCurry’s work was celebrated.
Here’s the story – he’s been changing, or allowing . . . → Read More: Is retouching acceptable?
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By David Kilpatrick, on June 2nd, 2016
We are able to offer, now, the complete 28-issue digital archive in page-turn format for the final eleven years of Minolta Image and Photoworld (as it became) from 2002 to 2011. For only £10, a one-off payment, you unlock the complete collection of digital versions of the printed quarterly magazine.
This collection forms a . . . → Read More: Photoworld and Image – complete digital 28 issue archive!
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By David Kilpatrick, on June 14th, 2015
(Updated June 15th after press conference)
The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete
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By David Kilpatrick, on June 27th, 2013
In a move which will not delight many owners of the 2012-released RX1 and RX100 cameras, Sony has chosen to update both of them in fairly subtle ways which improve performance without changing the basic lens specifications at the heart of each camera. The makeover to produce the RX100 II is more thorough, and includes . . . → Read More: Sony updates RX1 and RX100, adds new flash
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By David Kilpatrick, on August 26th, 2011
With the latest Alpha 77, Sony has introduced SLT version II, the new upgraded ‘Translucent’ mirror. This is in an attempt to reduce the ghosting effects created by having an angled mirror between the lens and sensor, the image forming rays passing through a semi-silvered (pellicle) surface, through a thickness of polymer film, and then . . . → Read More: Smoke and Mirrors – an idea for Sony
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