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  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 27, 2022
    Thanks for your input on my question, I'm inclined to agree with you re APS-C Cropped for a MILC, I have a Canon M5 and its nice to hold and use with great Jpegs, I stuck a Canon EFS 15-85 via supplied adapter to try out, Razor sharp pics but boy it weighs a ton, […]
    classiccameras
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 27, 2022
    Views are mixed on the chip shortage//fudzilla.com/news/54916-we-are- ... p-shortage//www.tomshardware.com/news/analy ... p-shortageI suppose, looking around again most stuff is out of stock. Even simple things are not in stock (flashes etc). Lenses come in and out of stock as do camera bodies. Things might improve a bit later this year, who can say. It does seem […]
    bfitzgerald
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 27, 2022
    Hypothetical question, Staying with CSC, and you are starting out, what brand would you chose, Olympus, Canon M, Panasonic, Nikon Z 50, FujiAlso what would you prefer APS-C or M/4/3 in a CSC. I guess body cost and lens availability and costs for each brand must be a factor in choiceHaving said that, there are […]
    classiccameras
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    I know that Nikon were switching to other chip brands to keep production going and to over come the flooding that nearly wiped them out, They are now using Sony sensorsStatistics: Posted by classiccameras — Wed May 25, 2022 10:45 pm
    classiccameras
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    If camera makers want to get people interested, prices are going to have to come down. (once the chip thing is over!).I suspect cameras like computers, phones, etc. are going to be in shorter supply, harder to get, and maybe more expensive going forward for quite awhile. This short clip is good:Peter Zeihan: SUPPLY CHAIN, […]
    bakubo

Past Article Calendar

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Larmor 5th Generation glass screen protector with Sunshade

We’ve fitted GGS or similar toughened laminated glass screen protectors to our Sony bodies ever since way back in 2011, we were the first Alpha web resource to publish information about NEX screen delamination and how to repair a deteriorated LCD using one of these great products.

Replacing NEX LCD Cover Glass

Of course it . . . → Read More: Larmor 5th Generation glass screen protector with Sunshade

Sony A7RIII – more than a skin deep upgrade

With a body-only price of £3,199/$3,198, the third generation of the A7R came as a surprise to Sony’s own photo studio, who labelled most of the product pictures release on Wednesday as ‘A7RM2’ instead of ‘A7RIII’. We’ve changed the filenames on our system, but countless mediafolk of the future will be confused. They do after . . . → Read More: Sony A7RIII – more than a skin deep upgrade

Alpha A9 promises professional performance

You can order the A9 here – any of these links to order will help photoclubalpha pay our way.

B&H have it listed

WEX in the UK (also Calumet)

Amazon (co.uk)

The front view below of the Sony Alpha A9 body, introduced today, gives a subtle clue about changes under the hood. For . . . → Read More: Alpha A9 promises professional performance

Sony A6500 – IBIS, touch screen, 200k shutter, €1700 body

Sony’s official press release – we’re working here on magazines with deadlines tonight so this is unedited hot news. Enjoy!

Sony today introduced its new flagship APS-C sensor camera, the α6500 (model ILCE-6500). As the latest addition to Sony’s line-up of award winning mirrorless cameras, the new α6500 shares the same unrivaled 4D FOCUS™ . . . → Read More: Sony A6500 – IBIS, touch screen, 200k shutter, €1700 body

Free! July-August f2 Cameracraft magazine

It’s still current (published in June, but it’s our July/August edition) and it’s free to read now! Includes Sony EL-Skyport Plus HS, Samyang 135mm f/2, Sigma MC-11 EF-E, Cullmann Titan 935 tripod, Nikon D500, Canon 1DX MkII, Fujifilm X70, brilliant steampunk book project story, NYC Dance Project portfolio, five top photographers on Industrial Photography and . . . → Read More: Free! July-August f2 Cameracraft magazine

Is retouching acceptable?

There’s been a controversy surrounding Steve McCurry, a photographer I have listened to on the edge of a conversation a couple of times courtesy of Kodak who were always great sponsors and put his ‘Afghan Girl’ on display at photokina 2012 where McCurry’s work was celebrated.

Here’s the story – he’s been changing, or allowing . . . → Read More: Is retouching acceptable?

Photoworld and Image – complete digital 28 issue archive!

We are able to offer, now, the complete 28-issue digital archive in page-turn format for the final eleven years of Minolta Image and Photoworld (as it became) from 2002 to 2011. For only £10, a one-off payment, you unlock the complete collection of digital versions of the printed quarterly magazine.

This collection forms a . . . → Read More: Photoworld and Image – complete digital 28 issue archive!

Sony A7R II, RX10 II, RX100 IV – making everything else obsolete

(Updated June 15th after press conference)

The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete

Sony updates RX1 and RX100, adds new flash

In a move which will not delight many owners of the 2012-released RX1 and RX100 cameras, Sony has chosen to update both of them in fairly subtle ways which improve performance without changing the basic lens specifications at the heart of each camera. The makeover to produce the RX100 II is more thorough, and includes . . . → Read More: Sony updates RX1 and RX100, adds new flash

Smoke and Mirrors – an idea for Sony

With the latest Alpha 77, Sony has introduced SLT version II, the new upgraded ‘Translucent’ mirror. This is in an attempt to reduce the ghosting effects created by having an angled mirror between the lens and sensor, the image forming rays passing through a semi-silvered (pellicle) surface, through a thickness of polymer film, and then . . . → Read More: Smoke and Mirrors – an idea for Sony