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By David Kilpatrick, on March 18th, 2019
In the last few weeks I’ve found myself replying to Facebook Sony user group posts where new owners building their systems have asked about the Sony 90mm f/2.8 G OSS Macro FE lens. Over the months before this, I’d seen so many comments saying this was the best ever Sony and perhaps the second . . . → Read More: Sony FE 90mm f/2.8 G OSS Macro lens review
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By David Kilpatrick, on February 22nd, 2016 With extremely expensive Sony-fit 85mm lenses in abundance and beyond my (economically sensible) reach, I’ve done good commercial work last year on the Canon 85mm f/1.8 USM and later the Sony 85mm f/2.8 SAM on A7RII. Some of my work relies on showing close-up details with strong differential focus, and hardly any lenses are free . . . → Read More: My new Sony 85mm…
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By David Kilpatrick, on October 20th, 2015
It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now . . . → Read More: Low-cost macro for the A7 series
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By David Kilpatrick, on June 10th, 2015
Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject
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By David Kilpatrick, on January 19th, 2008 A mention of 16mm Minoltas reminded me that a few years ago I found a perfect kit – without outer box or instructions, sadly – at an antique fair. A daylight developing tank for the film turned up in the closing-down stock from Konica Minolta’s warehouse. I decided they should really find a new home . . . → Read More: A vintage Minolta 16mm kit
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