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  • Give it Your Best Shot • Re: A300 - very good camera. January 22, 2021
    Quite the combo. Very sharp. Was that more of a Minolta camera than Sony?Regardless, the person holding the camera should get the credit.Statistics: Posted by jbtaylor — Fri Jan 22, 2021 1:14 am
    jbtaylor
  • Give it Your Best Shot • Re: A300 - very good camera. January 21, 2021
    Well, at the expense of nostalgia, we'll see. Yes, the cameras are almost equivalent to the a100 and a300. The a300 has a few modifications, but the 10MP CCD is the same for the cameras.Well, I began to use the A300 more often in winter, the camera copes well with subzero temperatures.Statistics: Posted by ValeryD […]
    ValeryD
  • Give it Your Best Shot • Re: A300 - very good camera. January 21, 2021
    .Beautiful colours with detail clarity, ValeryD. I appreciate your photo compositions and the location selections.I never owned an A300 but I still have my A100 from earlier days which many users may have discarded by now in favour of more advanced cameras. I still love to shoot with my A100 because it delivers as good […]
    aster
  • Give it Your Best Shot • Re: A300 - very good camera. January 21, 2021
    Wow. I think it is the photographer.....SuryStatistics: Posted by sury — Thu Jan 21, 2021 6:45 am
    sury
  • Give it Your Best Shot • A300 - very good camera. January 20, 2021
    I decided to start a new topic, since from the crop cameras I only have Sony a300. Old lady A300 with SAL1680Z continues to amaze with its quality of images.a300 +16-80ZStatistics: Posted by ValeryD — Wed Jan 20, 2021 8:41 pm
    ValeryD

Past Article Calendar

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Sony A7RII versus Nikon D850 – noise

There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.

Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise

Never say ‘zoom with your feet’…

There’s a dismissive and rather superior position some camera club buffs take – ‘why not zoom with your feet?’. It is well worth ignoring. The focal length of your lens, whether your use a zoom or a range of fixed focal length lenses, decides the exact relationship of elements in the picture including one component . . . → Read More: Never say ‘zoom with your feet’…

Tamron’s super value 70-300mm USD on the A7RII

If you want to get a 70-300mm which works on the Sony A7RII, the A7 series body with the best on-sensor phase detection/contrast detection mix, your first choice should be the new Sony FE 70-300mm f/4-5.6 G OSS. But that demands a wallet opened with £1,150 (UK SRP) in it. In return you get . . . → Read More: Tamron’s super value 70-300mm USD on the A7RII

Elinchrom EL-Skyport Plus HS for Sony MFA

This is expanded from the feature which appears in the July/August issue of f2 Cameracraft magazine. We’ve been using the Elinchrom EL-Skyport Plus HS for Sony Multi-Function Accessory shoe since its arrival on May 28th as the first test unit released by Elinchrom. If you wonder why I don’t immediately do a clickbait blog . . . → Read More: Elinchrom EL-Skyport Plus HS for Sony MFA

New firmware for A7RII, A7SII

Sony has released new firmware 3.20 for the A7RII and 2.10 for A7SII to enable XAVCS video recording on SDHC (rather than the larger XC) cards. The European updater is, as usual, not on line when the US/Americas Sony site has got it all ready to go. They are the same software so it’s safe . . . → Read More: New firmware for A7RII, A7SII

Sony 28-75mm f/2.8 SAM on mirrorless FF

With the 24-70mm f/2.8 new Sony GM FE lens selling for £1799 (UK) and the A-mount version two 24-70mm f/2.8 for a full £100 more, the cost of a basic mid-range zoom to use with a camera like the A7RII remains very high. There are good arguments to be happy with the 24-70mm f/4 . . . → Read More: Sony 28-75mm f/2.8 SAM on mirrorless FF

My new Sony 85mm…

With extremely expensive Sony-fit 85mm lenses in abundance and beyond my (economically sensible) reach, I’ve done good commercial work last year on the Canon 85mm f/1.8 USM and later the Sony 85mm f/2.8 SAM on A7RII. Some of my work relies on showing close-up details with strong differential focus, and hardly any lenses are free . . . → Read More: My new Sony 85mm…

Sony’s precision aspherics

In interviews about the new micron-accurate aspheric lens element moulding process used to increase the resolution of the latest Sony G Master lenses, a visual has appeared which shows the ‘onion ring’ effect that coarser mould machining causes in lens elements.

Working independently, I’ve been aware of this for years – and I have used . . . → Read More: Sony’s precision aspherics

Sony’s Master plan – new 85, 24-70, 70-200 and more

On Tuesday, February 2nd 2016, Sony UK held a press event to which I was invited. Well, I’m in a different country and about 400 miles from their Weybridge offices, so as usual my trusted English office editor at large (and son) Richard made the still substantial journey from Leicester. The result was a . . . → Read More: Sony’s Master plan – new 85, 24-70, 70-200 and more

A7RII shoots in Iceland’s glacier caves

Sony camera sensor technology enables a closer look at some of Mother Nature’s rarest sights that could not previously have been photographed in this way

Story: Sony Corporation UK PR release with high resolution images and full metadata – click to view. All images are copyright and may not be copied or reproduced.

. . . → Read More: A7RII shoots in Iceland’s glacier caves