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Past Article Calendar

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Low-cost macro for the A7 series

It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now . . . → Read More: Low-cost macro for the A7 series

A7RII versus Pentax 645Z

At a workshop given by John Denton for The Flash Centre, with Elinchrom lighting and Pentax 645Z demonstration. model Laura posed for a comparison pair of shots using the Pentax with 90mm macro lens and the A7RII equipped I regret to say with a much inferior lens, the basic 28-70mm.

To compare the quality bear . . . → Read More: A7RII versus Pentax 645Z

A7R II – universal solution, lens challenge

I’m under pressure to take endless pictures with the A7R II which arrived from WEX (Warehouse Express) on Thursday superbly packed. I am also finishing off f2 Freelance Photographer magazine to go to print over the weekend and have many hours of work to do – and despite having the camera, I won’t be removing . . . → Read More: A7R II – universal solution, lens challenge

Amazon UK price drop on 16-35m f/4 FE

Of interest to UK full frame owners – Amazon EU (and also at least one other vendor) has the 16-35mm f/4 FE on sale with a 37% discount at ÂŁ799.99, on top of which Sony has a ÂŁ100 cashback on this lens – and I can confirm that these cashbacks work 100% reliably. This makes . . . → Read More: Amazon UK price drop on 16-35m f/4 FE

No FE or A mount for new Sigma 24-35mm f/2

We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2.

It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK.

Note that this will be a bit of monster with its 82mm filter . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2

Sharp vintage glass – and subject

Twenty years ago I was operating one of the first full service digital photo studios in the world. I had already published, back in 1986, the world’s first desktop published commercial periodicals and won the UK Printing Industries Research Association inaugural DTP Awards, in 1987, for this. We’d bought the first Apple laser printer in . . . → Read More: Sharp vintage glass – and subject

Samyang 12mm f/2 NCS CS lens

Sometimes you find a chunk of glass which just works. One of the problems with lenses is that you can never have too many. They overlap, they duplicate each other, and yet they can be so different that you need every single one. The new Samyang 12mm f/2 for mirrorless APS-C systems is one . . . → Read More: Samyang 12mm f/2 NCS CS lens

Using the 10-18mm OSS zoom on full frame

The Sony E-mount (not FE) 10-18mm f/5 OSS lens can be used effectively on full frame for creative work and within limits for technically more demanding shots. Below, an uncropped A7R shot of the concourse at Abu Dhabi Airport, taken at 13mm setting, f/6.3 with my lens profile as provided below. Check the straight lines . . . → Read More: Using the 10-18mm OSS zoom on full frame