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  • Give it Your Best Shot • Re: Pompino Beach, California August 9, 2020
    Thank you JT. I am slow and a photographer and she is a fast walker. I was mentally replaying the location and could not see how I could get to what you are suggesting from where I was.Perhaps this would do the trick?Lonely fishermanStatistics: Posted by sury — Sun Aug 09, 2020 5:56 am
    sury
  • Give it Your Best Shot • Re: Pompino Beach, California August 9, 2020
    Well Sury, you are either a slow photographer or you wife is a fast walker. Regardless, you are way behind.Some of the shots are a bit dark on my screen. I would lighten up the shadows a tad. Regarding shot #1, we have been told not to have a dominant center line on landscapes. However, […]
    jbtaylor
  • Give it Your Best Shot • Re: Hawk in the backyard August 9, 2020
    A bit late in the year for the young ones to leave the nest but...Can't wait to she the others.Nice choices on the cropping.Statistics: Posted by jbtaylor — Sun Aug 09, 2020 2:22 am
    jbtaylor
  • Give it Your Best Shot • Dusting off the lens - part 5 August 9, 2020
    This one is with Minolta MD 100f4 Bellows atop a X-Z macro slider with bellows providing Y-axis movement (into/out of the screen).Statistics: Posted by sury — Sun Aug 09, 2020 1:17 am
    sury
  • Give it Your Best Shot • Hawk in the backyard August 8, 2020
    On the other day, I was in the backyard with my A99M2 and Tamron 60mmf2 taking some pictures. This hawk flies in and perches on a flower bush. Since I did not want to miss the moment, I started taking pictures with my 60mm at about 20 feet distance. It made no moveto fly off. […]
    sury

Past Article Calendar

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Capturing Autumn colour better

Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression.

Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG . . . → Read More: Capturing Autumn colour better

Using the 10-18mm OSS zoom on full frame

The Sony E-mount (not FE) 10-18mm f/5 OSS lens can be used effectively on full frame for creative work and within limits for technically more demanding shots. Below, an uncropped A7R shot of the concourse at Abu Dhabi Airport, taken at 13mm setting, f/6.3 with my lens profile as provided below. Check the straight lines . . . → Read More: Using the 10-18mm OSS zoom on full frame

Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

It’s now easy enough to find camera profiles – image looks created by independent photographers, as Adobe and Sony do not provide any – which make a big difference to raw processing using Adobe Camera Raw or Lightroom. There are also many fine adjustments you can make within these programs, able to customise the image . . . → Read More: Using Adobe Bridge/ACR for ‘film looks’ controlled by your Alpha

NEX, A33, A55 support – new ACR 6.2/LR3.2 final

The final release of Adobe Camera Raw 6.2, DNG Converter 6.2 and Lightroom 3.2 includes raw conversion support for the Alpha 33 and 55 models as well as the NEX-5 and NEX-3, Alpha 290 and 390 which were included in the Release Candidate versions. These August 30th releases are final version, RC versions are a . . . → Read More: NEX, A33, A55 support – new ACR 6.2/LR3.2 final

ACR/LR Profile for A900+MinRS 24-85mm

Although it’s far from a perfect lens, this small 1999 Minolta RS optic is my favourite for general travel and everyday use on the Alpha 900. It is a convenient size and weight, performs well when stopped down a little, and has exactly the range and minimum focus I need.

Mouseover image to see . . . → Read More: ACR/LR Profile for A900+MinRS 24-85mm

Adobe Lens Profile for 16mm f/2.8 NEX

I have made a simple (f/2.8 and f/8 chart set) Adobe Lens Profile for the 16mm f/2.8 NEX E-series pancake lens. It seems to work well for closer distances, because that’s how it had to be made; CA is reasonably well corrected, vignetting is eliminated, and distortion of closer lines – maybe if you are . . . → Read More: Adobe Lens Profile for 16mm f/2.8 NEX

Lightroom 2 tackles all Alpha RAWs

The latest release of Adobe Lightroom, v2, handles all Sony Alpha and earlier KM digital camera raw formats including the Alpha 700, 200, 300 and 350. It is also updated, along with the final release of Adobe Camera Raw 4.5, to handle Nikon D700. Because Canon appears to have left their filetype identical to the . . . → Read More: Lightroom 2 tackles all Alpha RAWs