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  • Digital non-SLR • Brain dead camera feature design (Canon, Panasonic, Olympus, etc.) April 19, 2024
    I own Canon, Panasonic, and Olympus cameras and they all have the same brain dead, annoying behavior in one respect. I bet you have noticed this too and you just shake your head in wonder that these camera companies all have the same ridiculous design feature. I am hoping there is some camera company that […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 24, 2024
    I don't own high-end screens. My two Samsung 24" screens don't show any difference between JPG and Heif files.Statistics: Posted by Fotogeorge — Sun Mar 24, 2024 7:14 pm
    Fotogeorge
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 23, 2024
    I have been finding several things about the A6700 that not a single written or video review bothered to mention. No surprise. Every time I buy a camera it is the same. I have searched and still not found an answer to my question so today I asked ChatGPT. It gave this answer which is […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 20, 2024
    I'm here. Check it every day. Most of my older photo software doesn't use Heif. My iPad uses Heif so I changed it to Jpg. All my older photo software products don't recognize Heif files. Canon originally used Heif files. I'll stick with Jpeg. I have a A6500. The A6500 doesn't work with Nissin MF18 […]
    Fotogeorge
  • Alpha E-Mount system • Sony HEIF: Why no Adobe RGB? March 19, 2024
    Is anyone still on this forum?Last month I bought a Sony A6700. I still have mostly m4/3 gear and still mostly prefer it, but I was sort of bored and felt like trying something else.Anyway, I have been playing around with HEIF photos. Sony, Canon, Nikon, Fuji, Panasonic, etc. these days produce 3 types of […]
    bakubo

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Sony A7RII versus Nikon D850 – noise

There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.

Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise

ACR 6.2 and LR 3.2 RC released – for NEX

Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom . . . → Read More: ACR 6.2 and LR 3.2 RC released – for NEX

ACR 5.5 RC shifts Sony colours – a little

Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.

. . . → Read More: ACR 5.5 RC shifts Sony colours – a little

Support for A230, A330, A380 in latest Adobe release

Adobe has added the latest Alpha model support to Lightroom and ACR before the cameras have become fully available worldwide – as they did with the original Alpha 100. Lightroom 2.4 and Adobe Camera Raw 5.4 final releases include raw conversion for the Alpha 230, 300 and 380.

To download the latest utilities (including DNG . . . → Read More: Support for A230, A330, A380 in latest Adobe release

Faking a polarizer using RAW

Here’s a question which came in to my email just now:

“Could I process a RAW file in Photoshop to achieve a similar effect as if I had used a Polaroid lens filter? Or would I be better just using the Polaroid filter?”

The answer is that you can never imitate the effect of polarizing . . . → Read More: Faking a polarizer using RAW

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw