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  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    I know that Nikon were switching to other chip brands to keep production going and to over come the flooding that nearly wiped them out, They are now using Sony sensorsStatistics: Posted by classiccameras — Wed May 25, 2022 10:45 pm
    classiccameras
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    If camera makers want to get people interested, prices are going to have to come down. (once the chip thing is over!).I suspect cameras like computers, phones, etc. are going to be in shorter supply, harder to get, and maybe more expensive going forward for quite awhile. This short clip is good:Peter Zeihan: SUPPLY CHAIN, […]
    bakubo
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    R10 seems like a hard sell to me, much smaller buffer/battery, single slot. For what's on offer there really I think the price is far too high.1 Grand odd isn't going to fly for most for an "entry level" camera. Lot of DSLR's hit the spot at half that price, that's the sweet spot. If […]
    bfitzgerald
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 25, 2022
    Yes, the Canon M series have been good sellers and in particular the M5/50, people including myself liked the mini DSLR styling of the M5/50, even at that size Canon got the ergonomics about right. It seems that the R10 is the new entry level but it would have to come down to entry level […]
    classiccameras
  • Lens Lore • Re: Jay Maisel loves his Nikon 28-300mm May 24, 2022
    That shop in Japan is the business! Would be fun to wander around there.I've not really taken it in yet, it seems as I would expect going for the 7D crowd with the R7. The R10 is sort of "expensive entry level" to me, I can see how it might appeal as a more budget […]
    bfitzgerald

Past Article Calendar

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Sony A7RII versus Nikon D850 – noise

There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.

Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise

ACR 6.2 and LR 3.2 RC released – for NEX

Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom . . . → Read More: ACR 6.2 and LR 3.2 RC released – for NEX

ACR 5.5 RC shifts Sony colours – a little

Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.

. . . → Read More: ACR 5.5 RC shifts Sony colours – a little

Support for A230, A330, A380 in latest Adobe release

Adobe has added the latest Alpha model support to Lightroom and ACR before the cameras have become fully available worldwide – as they did with the original Alpha 100. Lightroom 2.4 and Adobe Camera Raw 5.4 final releases include raw conversion for the Alpha 230, 300 and 380.

To download the latest utilities (including DNG . . . → Read More: Support for A230, A330, A380 in latest Adobe release

Faking a polarizer using RAW

Here’s a question which came in to my email just now:

“Could I process a RAW file in Photoshop to achieve a similar effect as if I had used a Polaroid lens filter? Or would I be better just using the Polaroid filter?”

The answer is that you can never imitate the effect of polarizing . . . → Read More: Faking a polarizer using RAW

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw