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By David Kilpatrick, on September 18th, 2017
There’s a lot of noise about the Nikon D850 right now but few direct comparisons. One problem I have with some early reports is that new D850 owners are most likely to be existing D810 or perhaps D750 or D5 owners. Any comparisons are therefore being made with earlier Nikon sensors.
Recently a Nikon ambassador . . . → Read More: Sony A7RII versus Nikon D850 – noise
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By David Kilpatrick, on August 10th, 2010 Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom . . . → Read More: ACR 6.2 and LR 3.2 RC released – for NEX
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By David Kilpatrick, on August 20th, 2009 Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.
. . . → Read More: ACR 5.5 RC shifts Sony colours – a little
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By David Kilpatrick, on July 5th, 2009 Adobe has added the latest Alpha model support to Lightroom and ACR before the cameras have become fully available worldwide – as they did with the original Alpha 100. Lightroom 2.4 and Adobe Camera Raw 5.4 final releases include raw conversion for the Alpha 230, 300 and 380.
To download the latest utilities (including DNG . . . → Read More: Support for A230, A330, A380 in latest Adobe release
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By David Kilpatrick, on June 17th, 2008 Here’s a question which came in to my email just now:
“Could I process a RAW file in Photoshop to achieve a similar effect as if I had used a Polaroid lens filter? Or would I be better just using the Polaroid filter?”
The answer is that you can never imitate the effect of polarizing . . . → Read More: Faking a polarizer using RAW
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By David Kilpatrick, on February 12th, 2008 Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw
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