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  • Digital non-SLR • Brain dead camera feature design (Canon, Panasonic, Olympus, etc.) April 19, 2024
    I own Canon, Panasonic, and Olympus cameras and they all have the same brain dead, annoying behavior in one respect. I bet you have noticed this too and you just shake your head in wonder that these camera companies all have the same ridiculous design feature. I am hoping there is some camera company that […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 24, 2024
    I don't own high-end screens. My two Samsung 24" screens don't show any difference between JPG and Heif files.Statistics: Posted by Fotogeorge — Sun Mar 24, 2024 7:14 pm
    Fotogeorge
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 23, 2024
    I have been finding several things about the A6700 that not a single written or video review bothered to mention. No surprise. Every time I buy a camera it is the same. I have searched and still not found an answer to my question so today I asked ChatGPT. It gave this answer which is […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 20, 2024
    I'm here. Check it every day. Most of my older photo software doesn't use Heif. My iPad uses Heif so I changed it to Jpg. All my older photo software products don't recognize Heif files. Canon originally used Heif files. I'll stick with Jpeg. I have a A6500. The A6500 doesn't work with Nissin MF18 […]
    Fotogeorge
  • Alpha E-Mount system • Sony HEIF: Why no Adobe RGB? March 19, 2024
    Is anyone still on this forum?Last month I bought a Sony A6700. I still have mostly m4/3 gear and still mostly prefer it, but I was sort of bored and felt like trying something else.Anyway, I have been playing around with HEIF photos. Sony, Canon, Nikon, Fuji, Panasonic, etc. these days produce 3 types of […]
    bakubo

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Lightrom 2.3 and ACR 5.3 final release

Adobe has released Photoshop Lightroom 2.3 and Camera Raw 5.3, available immediately for download at www.adobe.com/downloads/updates/. The Lightroom 2.3 and Camera Raw 5.3 updates, originally posted as release candidates for community testing on Jan. 23, provide raw file support for the newly-released Nikon D3X and Olympus E-30 cameras.

The Lightroom 2.3 update also provides support . . . → Read More: Lightrom 2.3 and ACR 5.3 final release

ACR 5.3 and Lightroom 2.3 pre-release

Support for the Nikon D3X is finally added in release-candidate (better than beta) versions of the two main Adobe raw file conversion utilities. There may also be improvements in A900 and other Sony raw file handling – it is worth acquiring the pre-release version to check this out. The downloads will be available on the . . . → Read More: ACR 5.3 and Lightroom 2.3 pre-release

Adobe ACR 5.2 – for CS4 only

As expected, Adobe has again ‘broken’ the continuity of support for users of earlier versions of their Photoshop CS and Elements programs; the new ACR release to handle the forthcoming EOS 5D Mark II (which Canon tell us is not likely to be on sale in the UK before January) will require an upgrade to . . . → Read More: Adobe ACR 5.2 – for CS4 only

Lightroom 2 tackles all Alpha RAWs

The latest release of Adobe Lightroom, v2, handles all Sony Alpha and earlier KM digital camera raw formats including the Alpha 700, 200, 300 and 350. It is also updated, along with the final release of Adobe Camera Raw 4.5, to handle Nikon D700. Because Canon appears to have left their filetype identical to the . . . → Read More: Lightroom 2 tackles all Alpha RAWs

Faking a polarizer using RAW

Here’s a question which came in to my email just now:

“Could I process a RAW file in Photoshop to achieve a similar effect as if I had used a Polaroid lens filter? Or would I be better just using the Polaroid filter?”

The answer is that you can never imitate the effect of polarizing . . . → Read More: Faking a polarizer using RAW

Adobe Camera Raw 4.4 supports A200, 300, 350

Adobe has released updates to Photoshop Lightroom and the Photoshop Camera Raw plug-in, both available immediately as free upgrades for existing users. The releases provide added raw file support for nine additional digital cameras, including the Sony Alpha 200 (already supported by 4.3.2 whether they knew it or not), Alpha 300 . . . → Read More: Adobe Camera Raw 4.4 supports A200, 300, 350

A700, 6400 ISO, seven raw processors

There’s a lot of controversy right now about whether or not the image structure of the Alpha 700 files at very high ISO – mainly 3200 and 6400 – is as clean as raw processed results from other comparable cameras like the Canon 40D (does not offer ISO 6400), the Olympus E-3 (does not offer . . . → Read More: A700, 6400 ISO, seven raw processors

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw

ACR 4.3.1 hasn’t solved A700 high ISO mush problems

After reading Andrea Nivini’s article in Italian Tutti Fotografi, December 2007, which launches an attack on Adobe’s Camera Raw plug-in and its handling of many camera types – but specifically, the Sony Alpha 700 – I decided to check out whether the December 5th release, ACR 4.3.1, fixed the problems.

. . . → Read More: ACR 4.3.1 hasn’t solved A700 high ISO mush problems