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  • Digital non-SLR • Brain dead camera feature design (Canon, Panasonic, Olympus, etc.) April 19, 2024
    I own Canon, Panasonic, and Olympus cameras and they all have the same brain dead, annoying behavior in one respect. I bet you have noticed this too and you just shake your head in wonder that these camera companies all have the same ridiculous design feature. I am hoping there is some camera company that […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 24, 2024
    I don't own high-end screens. My two Samsung 24" screens don't show any difference between JPG and Heif files.Statistics: Posted by Fotogeorge — Sun Mar 24, 2024 7:14 pm
    Fotogeorge
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 23, 2024
    I have been finding several things about the A6700 that not a single written or video review bothered to mention. No surprise. Every time I buy a camera it is the same. I have searched and still not found an answer to my question so today I asked ChatGPT. It gave this answer which is […]
    bakubo
  • Alpha E-Mount system • Re: Sony HEIF: Why no Adobe RGB? March 20, 2024
    I'm here. Check it every day. Most of my older photo software doesn't use Heif. My iPad uses Heif so I changed it to Jpg. All my older photo software products don't recognize Heif files. Canon originally used Heif files. I'll stick with Jpeg. I have a A6500. The A6500 doesn't work with Nissin MF18 […]
    Fotogeorge
  • Alpha E-Mount system • Sony HEIF: Why no Adobe RGB? March 19, 2024
    Is anyone still on this forum?Last month I bought a Sony A6700. I still have mostly m4/3 gear and still mostly prefer it, but I was sort of bored and felt like trying something else.Anyway, I have been playing around with HEIF photos. Sony, Canon, Nikon, Fuji, Panasonic, etc. these days produce 3 types of […]
    bakubo

Past Article Calendar

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Creep no more! The LensBand.

Though their website shows a very different way of using this theme park wristband repurposed – the LensBand anti zoom creep device – it just happens to fit many Sony zooms perfectly without stretching it into position to lock barrel to collar.

By fitting the LensBand exactly over the joint between the zoom ring and . . . → Read More: Creep no more! The LensBand.

Tamron 18-200mm VC for NEX

Tamron’s has announced a high-power zoom for Sony’s NEX-series – the 18-200mm F/3.5-6.3 Di III VC (Model B011).

The image-stabilised lens has exactly the same nominal specifications as Sony’s own zoom. The angle of view is 27-300mm when converted to 35mm format.

It weighs 460g, uses 62mm filters, and has VC (Vibration Compensation). The . . . → Read More: Tamron 18-200mm VC for NEX

Tamron 18-270mm – a hero, but no VC…

After using Sigma’s 18-250mm optically stabilised zoom on Alpha bodies for a year and more, the first thing which strikes about the Tamron 18-270mm for Sony mount is the lack of the VC (Vibration Control) stabiliser found on the same lens made for Canon or Nikon.

Tamron’s lenses come without a case, but with . . . → Read More: Tamron 18-270mm – a hero, but no VC…

Replacing NEX LCD cover glass

The Sony NEX-5 and NEX-3 both use the same plastic-framed, metal stamping mounted rear 3 inch 16:9 LCD display for composition, menus and image review. The original LCD has a multilayer structure claimed by Sony to reduce reflections, increase contrast and resist scratches. But in use, these rear screens have shown a tendency for the . . . → Read More: Replacing NEX LCD cover glass

Pro underwater housing for NEX-5

Most underwater housings for compact cameras are basic items intended for use down to 10m or so. The NEX-5, with its magnesium alloy body and exceptional 16mm f/2.8 optic with fisheye and wide conversion options, is worth far more than that. It can be turned into the modern-day equivalent of the Nikonos rather than a . . . → Read More: Pro underwater housing for NEX-5

Nissin Di866 flashgun for Alpha

Kenro, the UK distributor for Nissin, has announced that the powerful and fully featured wireless twin-head Di866 Professional Speedlite is now available in Sony hot shoe fit.

Initially launched in September 2009 with a Canon or Nikon fit, the Di866 is specifically designed for use with digital SLR cameras and comes with many ‘world’s . . . → Read More: Nissin Di866 flashgun for Alpha

Sigma lens incompatibility with A33 and A55

Edited from Sigma Japan’s announcement:

Sigma’s lenses for Sony mount may have a potential aperture operation problem when used with the Sony α33 and α55 Interchangeable Lens digital cameras.

To overcome this issue, we will be offering, free of charge, a modification service to our customers who have purchased a Sony α33 and α55 and . . . → Read More: Sigma lens incompatibility with A33 and A55

GGS Toughened Glass LCD Protectors for Alpha

Back in that first golden summer – well, it was late autumn going on winter, just the time to acquire a new DSLR when the days were short and the light awful – the Konica Minolta Dynax 7D arrived with a plastic screen protector in the box. A week later the first one had, after . . . → Read More: GGS Toughened Glass LCD Protectors for Alpha

Sigma 18-250mm f/3.5-6.3 DC OS HSM

Tamron’s 18-250mm lens – later adopted by Sony – was so good that it really takes some effort to beat it. Sigma has put that effort in, but the cost is a very much larger and heavier lens. If all you got was some better performance, it might not be all that exciting. But you . . . → Read More: Sigma 18-250mm f/3.5-6.3 DC OS HSM

The Sigma 70-200mm f2.8 EX DG HSM Macro II

SIGMA redesigned their 70-200mm not long ago to change the EX version to DG, introducing new coatings which greatly improved microcontrast and eliminated digital camera sensor reflections. In 2008, this was further upgraded to the Macro II model with HSM sonic motor focusing, a new optical design capable of focusing down to 1 metre distance. . . . → Read More: The Sigma 70-200mm f2.8 EX DG HSM Macro II