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Past Article Calendar

November 2015
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A7RII shoots in Iceland’s glacier caves

Wednesday 25th November 2015, Vatnajökull national park, Iceland: Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony’s world first back-illuminated full-frame sensor – which features in the ?7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony’s new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access.

This picture: Inside the 'ABC cave' - which stands for Amazing Blue Cave.  Guide Einar Runar Sigurdsson is seen taking a photo at the entrance to the cave

PR Handout - editorial usage only. Photographer's details not to be removed from metadata or byline.

For further information please contact Rochelle Collison at Hope & Glory PR on 020 7014 5306 or rochelle.collison@hopeandglorypr.com

Copyright: © Mikael Buck / Sony
07828 201 042 / mikaelbuck@gmail.com

Sony camera sensor technology enables a closer look at some of Mother Nature’s rarest sights that could not previously have been photographed in this way Story: Sony Corporation UK PR release with high resolution images and full metadata – click to view. All images are copyright and may not be copied or reproduced. The enigmatic beauty of the […] . . . → Read More: A7RII shoots in Iceland’s glacier caves

Capturing Autumn colour better

Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression. Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG in camera, only Sony […] . . . → Read More: Capturing Autumn colour better

Sony A7R II review by David Kilpatrick

Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS. My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, f2 Cameracraft […] . . . → Read More: Sony A7R II review by David Kilpatrick

B&H has Hasselblad HV offer again

I feel slightly sick… I’ve spent so much on buying and replacing successive Sony A7 series cameras and their lenses that I can’t just buy this outright, which I would love to do. I sold my A99 to get the A7R (subsequently replaced by A7II, and now by A7R II) and have regretted it in so […] . . . → Read More: B&H has Hasselblad HV offer again

Low-cost macro for the A7 series

It’s been a while since my last review of Sony products here, and not because I have been inactive. The truth is that I’ve spent so much on Sony kit 24/7 working has been necessary, including a good few reviews and tests of the A7RII and lenses appearing elsewhere. It’s a real issue, I now […] . . . → Read More: Low-cost macro for the A7 series

Canon’s 250 megapixel sensor – the reality

Here’s this morning’s news: United Kingdom, Republic of Ireland, 7 September 2015 – Canon Europe, a leader in imaging solutions, today announces that its parent company, Canon Inc., is developing an APS-H-size (approx. 29.2 x 20.2 mm) CMOS sensor incorporating approximately 250 million pixels (19,580 x 12,600 pixels), the world’s highest number of pixels for a […] . . . → Read More: Canon’s 250 megapixel sensor – the reality

A7RII versus Pentax 645Z

At a workshop given by John Denton for The Flash Centre, with Elinchrom lighting and Pentax 645Z demonstration. model Laura posed for a comparison pair of shots using the Pentax with 90mm macro lens and the A7RII equipped I regret to say with a much inferior lens, the basic 28-70mm. To compare the quality bear in […] . . . → Read More: A7RII versus Pentax 645Z

A7R II – universal solution, lens challenge


I’m under pressure to take endless pictures with the A7R II which arrived from WEX (Warehouse Express) on Thursday superbly packed. I am also finishing off f2 Freelance Photographer magazine to go to print over the weekend and have many hours of work to do – and despite having the camera, I won’t be removing some […] . . . → Read More: A7R II – universal solution, lens challenge

Amazon UK price drop on 16-35m f/4 FE

Of interest to UK full frame owners – Amazon EU (and also at least one other vendor) has the 16-35mm f/4 FE on sale with a 37% discount at £799.99, on top of which Sony has a £100 cashback on this lens – and I can confirm that these cashbacks work 100% reliably. This makes […] . . . → Read More: Amazon UK price drop on 16-35m f/4 FE

No FE or A mount for new Sigma 24-35mm f/2

We’ve had news of the new Sigma Art HSM high speed wide angle full frame zoom – 24-35mm f/2. It will be available in Nikon, Canon and Sigma mounts only (release date not yet confirmed) according to Sigma in the UK. Note that this will be a bit of monster with its 82mm filter thread, 117mm long […] . . . → Read More: No FE or A mount for new Sigma 24-35mm f/2