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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    .Brilliant series of a backstage atmosphere that are neatly shot, Sig. Very enjoyable and curious to observe the quiet wait before each and everyone of them thrust themselves into action on the stage. Thanks for sharing. Congratulations on your new camera upgrade. Hope we see more photos from whichever camera/lens you prefer to use. YildizStatistics: […]
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thank you Sig for the detailed answer. I seem to recall that one adapter is better for SSM lenses and so no good for non-SSM lenses like the ZA 85 or the ZA 135. Last question, do you see a difference in auto focus performance between the 70-200 versus the 85?Thanks again.Statistics: Posted by jbtaylor […]
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thanks Sury, JT, & Valery!JT, for normal everyday photography, I usually pair the A7 with several small Minolta prime lenses that I have (24, 50, 135). They look and feel perfectly at home with the camera and adapter. A newer large prime like the 85 ZA is borderline. It's only when I attach the heavier […]
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Sony A7R II review by David Kilpatrick

Sony’s A7R II has a unique position in the mirrorless ILC world, creating the largest image files at over 42 megapixels from an in-body five axis stabilised sensor with exceptional performance given by backside illuminated CMOS.

My reviews in print of the Sony A7R II have now appeared, in the British Journal of Photography, . . . → Read More: Sony A7R II review by David Kilpatrick

HD videocast – NEX adaptors and odd lenses

I’ve finally got round to trying a ‘proper’ videocast – perhaps the first of regular short demonstrations – with the Alpha 55 offering me HD filming while demonstrating the NEX-5. And I can use the NEX-5 to film stuff about the Alpha 55. A Canon 60D helped, though its inability to refocus during filming (which . . . → Read More: HD videocast – NEX adaptors and odd lenses