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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    .Brilliant series of a backstage atmosphere that are neatly shot, Sig. Very enjoyable and curious to observe the quiet wait before each and everyone of them thrust themselves into action on the stage. Thanks for sharing. Congratulations on your new camera upgrade. Hope we see more photos from whichever camera/lens you prefer to use. YildizStatistics: […]
    aster
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thank you Sig for the detailed answer. I seem to recall that one adapter is better for SSM lenses and so no good for non-SSM lenses like the ZA 85 or the ZA 135. Last question, do you see a difference in auto focus performance between the 70-200 versus the 85?Thanks again.Statistics: Posted by jbtaylor […]
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thanks Sury, JT, & Valery!JT, for normal everyday photography, I usually pair the A7 with several small Minolta prime lenses that I have (24, 50, 135). They look and feel perfectly at home with the camera and adapter. A newer large prime like the 85 ZA is borderline. It's only when I attach the heavier […]
    smulnik

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Photoworld and Image – complete digital 28 issue archive!

We are able to offer, now, the complete 28-issue digital archive in page-turn format for the final eleven years of Minolta Image and Photoworld (as it became) from 2002 to 2011. For only £10, a one-off payment, you unlock the complete collection of digital versions of the printed quarterly magazine.

This collection forms a . . . → Read More: Photoworld and Image – complete digital 28 issue archive!

ACR 5.5 RC shifts Sony colours – a little

Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.

. . . → Read More: ACR 5.5 RC shifts Sony colours – a little

MS Duo Pro catches up in speed

Sony press release:

Paris, 4 September 2008 – As the world moves on, files get bigger. From high-megapixel compact cameras to the latest Sony α Digital SLR with its 5 frames per second continuous shooting capability, the pressure is on for flash memory. High Definition camcorders are tightening the screw even further, so Sony Recording . . . → Read More: MS Duo Pro catches up in speed

Repairing an image by cloning from another

MANY photographers habitually use layers from everything. I don’t! In fact, I try to minimise my time spent on post-processing shots for stock library sale, and work very quickly. If it needs complex setup or demands working using layers to be able to go back and change things, I’ve probably already wasted too much time. . . . → Read More: Repairing an image by cloning from another

Lightroom 2 tackles all Alpha RAWs

The latest release of Adobe Lightroom, v2, handles all Sony Alpha and earlier KM digital camera raw formats including the Alpha 700, 200, 300 and 350. It is also updated, along with the final release of Adobe Camera Raw 4.5, to handle Nikon D700. Because Canon appears to have left their filetype identical to the . . . → Read More: Lightroom 2 tackles all Alpha RAWs

360° panorama (QuickTime VR) from A700

Daniel Oi – who provided our most popular external link in recent weeks with his Glasgow Merchant City surround-vision stitched VR panorama – has created a superb view of the Kibble Palace glasshouse at Glasgow’s Botanical Gardens:

. . . → Read More: 360° panorama (QuickTime VR) from A700

Apple Aperture 2.0 processes A700 raw

Apple’s Aperture 2.0 is a tedious program to test, with all its creation of ‘projects’ and ‘libraries’, ‘albums’, ‘vaults’ and nonstandard GUI, and it isn’t fast in processing files or passing them to Photoshop (which it does in 16-bit form, just another step to reverse before saving as far as I’m concerned). However, it’s handling . . . → Read More: Apple Aperture 2.0 processes A700 raw